It’s the final day of Big Orange Couch Week, and we’re ending it with a classic SNICK show, All That. The sketch comedy show became a staple for Nickelodeon, with a tenure spanning over 10 seasons and introducing some of the greatest young talent America has to offer, including Kenan Thompson, Nick Cannon, Amanda Bynes, Jamie Lynn Spears, among others. All That sparked five spin-off shows, a feature film, and even a live tour, and was beloved by many generations. We may not have noticed it at the time, but All That was changing the way kids watched and consumed television, influenced the way we doled out our own comedy, and shaped millions of kids’ view on diversity, without even knowing it.
It’s impossible to discuss the impact of All That in its entirety, so we’ll just try with one episode.
Episode Title: Naughty By Nature
Air Date: October 7, 1995
All That Audition footage: The cast takes a look at some All That audition footage. Good Burger Commercial: Ed (Kel) tries hard to read the cue cards right in order to do a commercial. Loud Librarian: Librarian (Lori Beth) doesn’t want any noise to happen in her libarary even though she is the one making all the major noise. Randy & Mandy: Apparently, all the chocolate comsumed by Randy (Kenan) gives him a bad toothache. Mandy (Angelique) tries what she can to make it better. Musical Guest: Naughty By Nature (Clap Yo Hands)
Cold Open T: This episode is the season two premiere, and we’re starting off with a segment where we find out how the kids got their jobs on the show. Angelique wears a hat made out of bread that has the “casting directors” in stitches, but when the next girl goes up and stands there eating a sandwich, they are not amused. Choose your gluten jokes carefully, aspiring kid actors.
They’re also put through the ringer with some treadmill time, an obstacle course, eat 520 cocktail wieners, gymnastics, etc.
“What’s the opposite of *beeeepp* Judge
“*Bloooooop*” Kenan Thompson, I AM LEGIT LOL-ING.
M: Just from this open alone, anybody could predict that Kenan would be the breakout comedy star of the group. And maybe Sandwich Girl. I thought it was funny.
2:23 T: They even tested our GUTS *Cross promotion, folks*
3:04 “You viewers can rest easy knowing each of our cast members has unusually thick thigh muscles.” THIS SHOW IS SO FUNNY
3:14 T: Gosh, this theme song is still so iconic and timeless. Playing on repeat. #RIPLeftEye
M: I got excited as soon as I heard “Fresh out the box!” But I remember having a lot of trouble with some of the lyrics in the days before you could just Google them. “My posse and my crew” sounded like “my bossie and my prince.” And 8-year-old me was just like “okay, cool… weird, but cool.”
3:52 M: I totally wanted to be Alisa Reyes. Can you blame me? She was like the quintessential 90s teen girl.
T: Yeah she was definitely the “Kelly Kapowski” of the bunch, if you will.
4:25 T: Josh, whose last name is NOT Hartnett, kinda looks like a Hartnett. I am confuse.
T: The director for this Good Burger commercial is wearing a beret. All he needs is one of those cone speaker things to finish his 1940s look.
Also, Kel accidentally knocks over a giant burger… stand? and knocks out the actor/Josh, so the director’s all, ok kid who actually works here, you have to take his place. You adults know full damn well this would not happen IRL.
M: So many SAG cards were earned by freak on-set accidents like that.
M: Kel, re commercials: Have you ever seen the one with the bunny that keeps going.. and going, and going? And just when you think he’s gonna stop… he goooeeesss.
T: Never heard of it.
M: Was Goodburger Kel supposed to be a 90s stoner type, because that was very lost on me c. 1996.
T: I think, yes?? I never got that either, but I’m assuming we weren’t supposed to? I just thought he was a super California surfer dude type. It’s like when Pixar puts jokes in the movies for adults.
T: Guys, I’m legit laughing out loud at these jokes, IDK what’s happening to me.
M: Me too, it’s fine, we’re fine. All That shaped our generation’s comedic sensibilities and we don’t give it enough cred.
T: Kel’s name in this sketch is Ed??
7:25 T: Kel, not used to the cameras, BECAUSE HE IS NOT AN ACTOR, keeps messing up his lines, including his iconic, ‘Can I take your order?’. In one take he accidentally says, “Can I take your mother?” and holy crap I had to play it multiple times because I couldn’t stop laughing at his delivery.
7:53 M: “The bunny wouldn’t quit! The bunny would keep goin’ and goin’ and goin’!: See, this was good. In comparison, kid’s shows today are just really neon and shouty, but not exactly funny.
9:00 T: Fun fact: The guy who plays the boss in this sketch, and the resident adult in the show is named Dan Schneider, who is also the executive producer and writer for All That. Before the show, he was in a 1980s sitcom called Head of the Class that I remember watching in Nick at Nite reruns and being funny. Dan has continued his career with Nickelodeon since All That, creating such hits as The Amanda Show, What I Like About You, Drake & Josh, Zoey 101, iCarly Victorious, and Sam & Cat. He also wrote the screenplays for the Good Burger movie and Big Fat Liar. So, he’s pretty much a big deal.
9:25 T: Lori Beth Denberg in Vital Information is how she will always look in my memories.
M: During break time in third grade, my friends and I would always make up Vital Information segments. Cool kid for life, here.
T: This is why we’re friends.
10:10: T: I sometimes use, ‘QUIET, THIS IS A LIBRARY!’ as a recent and topical reference.
M: No, but doesn’t the silliness of some of these sketches remind you of early SNL or Lily Tomlin sketches? Like Land Sharks / Roseanne Rosanadanna / Ernestine-type stuff?
T: I swear neither of us planned or expected to be singing the praises of All That for this whole post.
T: But here we are.
12:12 T: Was Katrina always wearing weird vests? Because that’s also how I remember her.
M: She was, but in her defense weird vests were sort of a thing at the time. Especially among kid actors, for some reason. Just vests and floppy berets and speaking like you’re in the talk-singing segment of a Kidz Bop song.
13:48 T: Cooking with Randy and Mandy! I remember really liking this sketch. Maybe it was because of the chocolate.
M: It was my version of gross-out humor then. It was funny, but also TOO MUCH CHOCOLATE.
14:30 T: Why is the inside of that giant chocolate block white? And why did Kenan just use his Pierre Escargot laugh when he scarfed down chocolate syrup?
T: Man, All That was not only a precursor to Kenan being on Saturday Night Live, but I think it also instilled in me the love of sketch comedy at a young age. And to bring up #RepresentationIsImportant for the second time this week, I think it was also great that the cast was so diverse. I mean, even SNL in the past few years has been under fire for not employing people of color/minorities in general, so All That was really groundbreaking in that sense.
M: I could be very wrong, but it felt like kid’s tv in particular was more diverse in the 90s, and also that they just went with the kids who are best for the job — not like a lot of the Nickelodeon/ Disney stuff today where the kids can’t act but will age into a marketably attractive teen in a few years.
16:28 M: Kenan weeping over not being able to eat the chocolate is just ::cry-laughing emoji::
T: Ok, but, Kenan is such a star. You can tell that he outshines a lot of his cast members and was destined to be a comedian. Even in this chocolate jacuzzi with his sister (??)
T: This is the first time (as an adult) that I’ve wanted to watch more All That.
M: I haven’t said this to anyone since the mid-90s, but do you want to come over to my house and watch All That? We could have a pizza party!
T: See ya there. Free Saturday?