If Baby Boom (1987) isn’t on your pre-Valentine’s Day rom-com lineup, it should be. It is the romantic comedy for cozy, wintery-but-not-Christmas vibes. First of all, it’s a Nancy Meyers flick so you know the kitchen’s gonna be on point. Second, it’s from 1987 and lovingly skewers the aspirational yuppies of the era – including a wholesome, organic baby food business that would STILL draw the devotion of upper-class yummy mummies today. Third, it has all of the romcom features you’ve come to know and love: a career woman who doesn’t have time for love! Unexpectedly becoming the custodian of a baby! A handsome man with a romcom job! A charming old farmhouse with problems! I am the same age as Baby Elizabeth, so the sweet pastel baby clothes are like looking into an old family album. For some reason Baby Boom seldom comes up in conversation about ’80s romcoms, but give it a watch or rewatch … it just might be your February romcom aesthetic, too.
Women have jobs! They’re doctors AND lawyers! Ladies having it all! It’s SO ’80s. The higher the shoulder pads, the more cushion busting through the glass ceiling?
J.C. Wiatt (Diane Keaton) works 70-80 hours a week. I’d rather be middle-class.
J.C.’s menswear-y satin robe and tortoiseshell glasses
It’s like she might get called to a board meeting pajama party and she dressed for it just in case.
Spoiler: her robe gets more cozy when she inherits a baby and moves to New England
J.C. inherits a baby, which is truly my dream scenario – not having to be pregnant, go through all the steps of fostering or adoption, or make an affirmative decision about whether or not I want a baby. Elizabeth (Kristina and Michelle Kennedy) wears a classic baby coat and hat and J.C. wears my favorite of her businesswear outfits, with a floppy bow, Peter Pan collar and oversized belted jacket that has almost Edwardian vibes. The shoulderpad/belt combo makes her waist look tiny, so that’s why people used to do that. She changes back into it at the end to turn down the offer to buy her baby food company, because it’s her main outfit to do important things in.
By the way, J.C. name-drops two local-for-me companies, reminding me of how awesome my city was doing in the ’80s, comparatively.
Elizabeth almost gets adopted by two dustbowl people who come straight out of the Fake Annie’s Parents lineup in the Warbucks mansion. J.C. can’t do it. Guess she has time for love after all.
These moms are all live-action versions of Angelica’s mom from Rugrats. They go on at length about all of the activities their toddlers are enrolled in and the extensive intellectual standards their 3-year-olds have met. Hey baby boomers, if you don’t like millennials just remember that you made us this way.
J.C. and Elizabeth arrive in town during the fall because Nancy Meyers knows what’s up. There’s a general store and a church, and it looks like a living history museum.
I love that J.C.’s plan for what they’ll do in New England is “get into quilts,” which should be timeless but feels very 80s Businesswoman Who Has Had It.
J.C. buys a dollhouse-looking yellow clapboard farmhouse. I want it. It’s cheerful and sweet with tasteful landscaping. There are window boxes and real shutters! However, the plumbing is shot and will cost $7,000-8,000 which feels steep for 30 years ago? For reference I recently repiped only my basement (copper, because go big or go home) and it was maybe like $1,500. Oh, and she also needs a new roof and well. But it looks so nicely-maintained?
As usual, our __ Is Our Aesthetic posts feature movies with absolutely delightful houses. That’s why images of the Baby Boom house will take you to the Hooked On Houses post for this film. It’s one of my favorite blogs and they do a great job highlighting some of the most charming homes in TV and film.
Living in a snowy city, sometimes it takes seeing it onscreen to remember how pretty it is.
The Richies From NY
Some rich people go to the local general store and can’t get enough of the authentic boots, plaid shirts, and baby food that J.C. made. They’re exactly like the 2018 version of yuppies, honestly.
The whole movie feels really modern because the home business is so familiar today — but in a time before Pinterest/Etsy moms and Whole Foods in every city, J.C. was seriously cutting edge. When I was watching I was reminded of a later Nancy Meyers film, The Intern, and apparently that was no mistake. The kitchen from The Intern even echoes the muted blue cabinets from Baby Boom!
This small-town maple festival is exactly how I want my parties. All the ladies wear big Sloane Ranger dresses, there are twinkling lights, and everyone just kind of talks and has snacks. There’s a mural with a barn and some geese on it. Nobody’s suit fits right. Get into it.
Nancy was still new to the charming romcom kitchen game in 1987, but all her talent was there from the start. Vintage-style fridge, exposed ceiling beams, baskets, fireplace and clapboard. The cabinets are painted the exact powdery blue I keep seeing in chalk paint now. Windows everywhere. There’s enough space for a work table, an eating table, a couch, hutch and a rocking chair, plus space to tap dance around all of them if you’re so inclined. The cabinet fronts are fitted with gingham. J.C. and the handsome vet have their first kiss in the kitchen because all any woman wants is to have a first kiss in a Nancy Meyers kitchen.
First of all, I love how the woodwork isn’t perfectly freshly painted, so it looks like someone actually has lived there a long time. Second, check out these wood floors, comfy Laura Ashley-looking furniture, natural light, and worn-in looking antiques.