The Witches Is Our Aesthetic

New month, new aesthetic… same author? Last month we explained why the 1996 film Matilda is our aesthetic. This month, I have another Roald Dahl adaptation on the brain: the 1990 classic The Witches. It has all the best of Halloween spookiness, Scandinavian middle class life and early ’90s British coziness.

The cobblestone-y Norwegian streets

The first part of The Witches was filmed on location in beautiful Bergen, Norway, with quaint winding streets and Scandinavian houses that look like something out of a Jan Brett book or Colonial Williamsburg.

Helga’s hygge-ified kitchen

Helga has the perfect cozy grandmother’s kitchen to hear a story about witches in.

Flashback Erica’s knit woolens

Very Kirsten Larson, if you know what I mean (and I’m sure you do).

Helga’s tiny bed

It seems so simple and old-school European to sleep on a minimalist, space saving bed but also I’m a greedy American and I need a queen bed so I can sleep diagonally across it.

This hotel

Look. If I drove by this hotel in real life and I needed a place to stay, I wouldn’t even stop. I’d just assume that it was already fully booked for a witch convention and keep going.

This witch’s super conspicuously witchy outfit

Very motorcycle meets Audrey Hepburn meets mean rich lady.

Convalescing by the sea

Just in general, it is 100% my aesthetic to be sent to convalesce at the sea-side when you’re sick. I don’t want to be sick ever, it’s just that WHEN I am I wish the treatment plan involved “sea air” and not, you know, amoxicillin. I imagine I’d have a lap blanket and go on strolls that weren’t too strenuous. What I think I’m saying is that I’d only do a sitting-down type vacation if I had a disease.

This Married With Children-looking witch

On the right. Imagine her trying to act like a normal human at either a New Jersey deli or a Steel Magnolias-style southern beauty parlor.

This whole Mary Kay General Meeting-style convention

Don’t even try to tell me somebody isn’t about to get awarded a pink Cadillac.

PS, my favorite witch is mustard yellow, front left.

This nice pram

This scene is seared into my memory from childhood and that’s not great, but goodness, what a beautiful baby carriage.

Cute rat children

Riddle me this: I don’t find rats cute, but somehow I find children even cuter when they’re morphing into them.

Luke as a rat muppet

An actual rat would have lost me, but this Jim Henson’s Workshop version of a rat is my aesthetic.

The topsy turvy dinner scene

…because it fixed what otherwise was an incredibly boring dinner. It gets better after this but you’ll just have to watch the move.

Also my aesthetic: cress soup.

This grand high witch outfit

Feat. the BEST hat.

Luke’s room when he’s a rat

It’s probably rough being a rat-boy, but a Rube Goldberg-y setup with THIS FREAKING TRAIN and conveyer belt and toy Ghostbusters firehouse softens the blow and sort of makes a human want to get turned into a rodent by a witch.

Keeping the grand high witches’ names in a black filofax

Both for how early ’90s it is, and how ordinary and practical.

 

 

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One thought on “The Witches Is Our Aesthetic

  1. Pingback: The Holiday Is Our Aesthetic | Cookies + Sangria

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