Highs And Lows: The 2014 Tony Awards

As we discovered last year, even hardcore theater lovers have to admit that not every Tony Awards moment can be the best. The 2014 awards were no exception. There were some great moments, some so-so ones, and that weird period where Hugh Jackman hopped around tracked by a steadicam. Whether you watched as a theater nerd or as a confused CBS viewer who just wanted The Good Wife, I think you’ll agree that the awards were a mixed bag. On to the highs and lows!

Low, like literally vacillating between 0 and 5 inches off the ground: Hugh Jackman, hopping for the entire opening sequence

At first I thought this was a reference to something … theatre-y, or Australian, or pop cultural that I didn’t know about. But according to Twitter, if there was a reference, nobody got it. Is hopping something that’s happening? The new parkour?

Middle, like a food that is neither sweet nor sour nor delicious nor necessarily awful (eg, Musical Soylent): The Les Mis number

Man, we do like Les Mis (I mean, we liveblogged the movie), but this was just dull. I spent the whole of the number contemplating whether to eat this mini Twix bar I found outside earlier today. I didn’t, because while my standards are low enough to bring garbage candy inside from the ground, they are higher than eating candy that, I reasoned, could have been peed on. Like, that life decision was more interesting to me than watching Les Mis.

Lower, like I guess my expectations should have been: Aladdin: The Musical

I love Disney, musicals, and – I’ll admit it – musicals based on Disney films. So why did that Aladdin number do absolutely nothing for me? One of my earliest theater memories is going to Cats with my family and my dad, during intermission, asking with incredulity: “I don’t get it, is this supposed to mean something?” Exactly, dad. Exactly.

[Evidently my dad thought that Cats was so stupid that he assumed that it must have been existing at a deeper level for so many people to like it. Like, We are all Cats. Or something.]

Higher than most people can sustain for a comfortable amount of time, like that high note at the end: Idina Menzel singing Always Starting Over

This lady is always a pro. Also, it feels like a true honor and privilege to hear her singing something –  anything – other than Let It Go.

Seems like it should be super high but actually isn’t, like when you get up close to Cinderella’s Castle at Disney: Rocky: The Musical

Movies can make great musicals, and over-the-top technological feats can spice up a show – part of me is still the 9-year-old who was blown away by the crashing chandelier in Phantom Of The Opera and the helicopter in Miss Saigon. Yet, the high-tech snippet of Rocky left me a little cold.

Way, way up high, like when I was watching this and my heart felt like it was being elevated by the fluttering wings of butterflies: Pinkham Bryce’s performance in A Gentleman’s Guide To Love And Murder

I think I get frustrated with some shows that seem like they’re catering to the least common denominator. That’s why it’s so refreshing when a show is actually clever. And Pinkham Bryce, well … he’s sort of easy on the eyes, isn’t he?

Soaring high, like an eagle: Audra McDonald’s historic Tony win

Who needs to EGOT when you can just collect ALLLL the Tonys instead? Audra McDonald is a true living legend and a class act, and it doesn’t even get old seeing her win. Although, I’m sure there’s a reason this wasn’t classified as a ‘musical’ but I’m not positive of what it is.

Soaring high, like a bird that flies in a more fun way than an eagle does, maybe a pelican or something: The Hedwig And The Angry Inch performance

Okay, while I love smart musicals, there’s something awesome about shows that are just a lot of FUN. The actors and crowd alike were having an absolute blast during this number, and ultimately that’s what theater is all about. I mean it’s also about expressing the human experience, but sometimes the human experience is fun, okay? Also, bonus cameo by NPH’s adorable husband David Burtka.

Just sort of flitting along, like a bird that doesn’t really go up quite that high – perhaps a baby sparrow or a hummingbird: The Commercials

CBS really out-CBS-ed itself. Is it just me or was ad for Old People Medicines, insurance, and cat food?

High, like a person on meth, I guess?: Bryan Cranston’s win

We ragged on Cranston’s sub-par headshot on the Tony website = not exactly “Faces Of Meth” level, but just not trying. But clearly, he didn’t need to try too hard. The Tony was already in the bag.

 Higher than I would have thought, like my cholesterol even though I’m a vegetarian who works out, I mean what the hell: Violet

If the wedding episode of Full House taught us one thing, it’s that incorporating a robed gospel choir can only make things more spectacular. And Sutton Foster – Jo March of my heart – is always a great fit for those “small town girl makes good” roles.

Lower than I would have thought, like the depressed spirits of so many Irishmen: Sting

He looked and sounded completely like someone that my uncles would hang out with at the Ancient Order Of Hibernians. Not sure if he’s playing an Irish character or just, you know, a sad guy.

Mid-range, like the kind of blah clothes that end up in the ‘donate’ pile when you pare down your wardrobe : For Good

The only thing that a 10 year anniversary of Wicked accomplishes is reminding me that 10 years passed in the blink of an eye. I would not have the mental fortitude to sing Elphaba in front of Idina Menzel herself, and frankly, I don’t think the actress last night did, either. The blending was so-so, both vocally and on Galinda’s wig cap, which covered half of her forehead. Does she have a giant, weird hairline? A facial tattoo? WHY?

Low, like the droopy flopped arms of a white person standing around not knowing how to dance: LL Cool J and TI doing that Music Man thing

They rapped about the Music Man. They told the crowd to get on their feet. The crowd obeyed. Then they all stood there, self-consciously unsure of what to do with their arms. I know the feeling.

High, like the pitch of the audible gasp I let out: Carole King’s appearance during the Beautiful performance

I knew King was there, obviously. I knew Beautiful was performing, of course. But it somehow never occurred to me that Carole King would sing with them. If this made Jessie Mueller nervous as hell, as it would for most humans, she didn’t let on.

Low, like the pit deep in my stomach: Bullets Over Broadway and the reawakening of latent Woody Allen feelings

You know, when all this Woody Allen stuff came back up, I thought “man, it would make it easier if someone would just tell me the proper way to react to this.” Then everyone DID tell everyone else the proper way to react. And it didn’t particularly help. Anyway. Catchy song, right?

Low, like something that just draaaags on and on, like maybe something hanging from the fender of a car: Hugh Jackman’s song before the Best Actress In A Musical award

It was 10:50 pm. Yet, an 11 o’clock number, it was not.

Low, like my glasses would be, on the bridge of my nose, in disapproval, like a librarian from yesteryear: Finding Neverland

I liked Finding Neverland The Movie. I already hate Finding Neverland The Musical That Doesn’t Exist Yet But Is Somehow Performing At The Tony’s. The former was charming, the latter involved Jennifer Hudson in a modern, sequined dress wailing about Neverland as small Edwardian boys jump on a bed and a female, Ginnifer Goodwin-y Peter Pan flitted around.

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5 thoughts on “Highs And Lows: The 2014 Tony Awards

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