Cheers Chats #2: Truce Or Consequences

Posted in Entertainment by Cookies + Sangria

Welcome to our second installment of our year-long Cheers Chats series, where we travel back in time to revisit one of the most acclaimed and revered sitcoms in history, Cheers. Incidentally, today’s post comes a couple days before we get to see the Cheers cast reunited once again for Must See TV: A Tribute to James Burrows. Or, you may know it as the “Friends reunion” aka five of the six friends got together on a couch (not at Central Perk) to talk about their beloved director Jimmy Burrows. The cast of Cheers sat on the same couch and had a similar conversation about their time on the show with James. At this point, only eight episodes into the first season of Cheers, we’re not as emotionally involved as we are with Friends, a show that shaped our youth. But despite that, we are both greatly enjoying our binge of Cheers a mere 30+ years later, so we’ll check back at the end of the year and freak out about the following reunion at the James Burrows tribute:

Anyways, back to season one. Last time we covered the Pilot, and this time we’re on Season 1, Episode 8: Truce or Consequences (We’re going by this list from AV Club if you’re wondering what our plan of attack is). There is some serious girl power in this ep, so get ready for a lot of Carla and Diane talk.

Episode 1.08: Truce or Consequences

Netflix synopsis: When the constantly bickering Carla and Diane call a truce over drinks, Diane loosens up and professes her desire for a friend.

M: The only friends I can think of are her bookish chum who showed up in the last episode (which made me wonder if, as college educated single ladies, we would have been like Diane and Diane’s Friend in the 80s??), and, of course, Sam.

T: I do find myself trying to figure out which one of the characters I’m most like on this show, and I usually err to the side of Diane. Fantasy: Carla. Reality: Diane.

Chit-Chat Club

(Off-topic Cheers chatter.)

T: I just realized that all of these episodes so far have been bottle episodes, which could be its secret weapon.

M: I think you’re really onto something, and I wonder if this will keep up for the whole series? This also explains why we weren’t interested in it as kids: a group of adults talking in a dark bar every week.

T: Now that we are adults, talking with a group of friends in a dark bar that’s not a nightclub sounds like a dream.

Bahhston Tahhlk

T: Coach says he’s never driven home alone before? The man is like 60 years old. Then Norm offers to let him drive him to Kenmore (which isn’t too far from the Cheers bar) then take a cab back to the bar. This seems ridiculous. I guess that’s the point.

M: Was about to question whether Coach just hangs out at the bar and doesn’t drink, then I remembered that the answer is yes. Because he works there. Shouldn’t some of these people be taking the T, anyway?

T: Yes! They should be taking the T! No one lives in this area except rich people like John Kerry. That’s a fact. When Molly came to visit me in Boston, we stood outside his brownstone and took a pic.

M: I probably don’t even have to say this, but it was 2005.

Carla’s My Boo

T: Carla (under the influence of the Leap Into an Open Grave) starts telling Diane she has a secret, and wants to get it off her chest but doesn’t know if she can trust her. Carla decides to go for it, and the way she’s telling the story makes me think it’s all a joke and she’s gonna yell PSYCHE at the end. She does not. She tells Diane that years ago, Sam got drunk, she drove him home, one thing led to another, and nine months later Sam’s son Gino was born. WHERE IS THE PUNCHLINE.

Carla’s never told anyone. I feel like this is a test. Is Diane even going to remember this?

M: Is Gino Sam’s April Nardini? Because usually they don’t pull that shit in Season One.

“Question: Who is my dad?”

FYI, in an earlier episode Carla says that she gets pregnant if you wink at her so at least they’re keeping her character consistent.

Shut Up, Diane

(We just have a feeling we’re going to be saying Shut Up, Diane at our screens KIND OF A LOT.)

M: Since the pilot, one of my favorite things is the Carla/Diane rivalry. It’s also how I came to start to almost like Diane. Carla said that Diane wasn’t blonde in college, and Diane growled something like “look in the yearbook, Carla. Carla. Look. In the yearbook.” It was like Leslie Knope serving it to Eagleton.

T: They hug and Diane starts singing People because of this moment they’re sharing. I don’t find myself making up with rivals too often, but I can tell you I won’t be singing any Barbra Streisand during the make-up sesh.

M: I was really warming to her, but nope. SHUT UP DIANE is still a necessary Cheers Chats feature.

Also why does Diane act so traumatized by this news? She knows Carla has a bunch of kids with different fathers. File under: Diane is impossibly prissy.

M: Carla told Diane the story knowing she’d blab it everywhere, so basically an entire episode based on the Shut Up, Diane premise.

T: It’s like we wrote her character from start to finish based on the pilot alone.

M: Sam snaps “Stay out of it, Diane” which is a Shut Up, Diane of his own.

Little Ditty About Sam & Diane

T: BTW since the pilot, it’s becoming more clear that Sam & Diane are feelin each other. Like in the way that Sam gets jealous of men interested in Diane and vice versa.

M: Also, these little gestures…. like, Diane playfully unties Sam’s waist apron in lieu of totally doing it with him. Diane. Sam. Do it.

T: Oh Sam comes in to save the day, Diane is passed out in an “Open Grave” drink and he offers to take her home. Carla explains that she “told the biggest lie I could think of and she started to sing!”

T: Diane’s hangover acting is not good. She can’t find the hook on the coat rack. She’s hungover not blind.

T: Diane def remembers the lie Carla told her about Gino and tries to hint to Sam that she knows the secret. COME ON DIANE.

M: Diane: who put my pajamas on? Me: SAM AND DIANE. Do it.

Pour It Up, Pour It Up

(Drinks at the bar)

“We call it ‘Leap Into an Open Grave’ all the liquor some OJ, an egg, blended.” In these ridic glasses. They look like fishbowls you’d try to shoot a ping pong ball into at a carnival.

Say It Again, Sam

(Memorable lines from the episode. Not exclusively from Sam Malone.)

Carla to Diane – “Listen pencil neck, you’re starting to get on my nerves!”

Sam to Diane and Carla: “Two women who hate each other left alone in a room with glass and alcohol.”

Diane to Carla: Let’s have a bottle of wine. I think we have your favorite, Chateau Guam?

Carla to Diane: You hold your secrets like you hold your booze

Women fighting is very unlady like. Unless of course they’re wallowing around in mud pits.

Diane, re: Carla: I reached out to this “little twerp”

Carla: You sound like a lady getting tired of her teeth. (Ed. note: Whenever Carla gets feisty she sounds like one of the mean orphans in Annie.)

Cheers Queries

T: Diane and Carla haven’t been getting along over the past few episodes, I just didn’t realize it was bad enough for them to have a sit down convo?

M: Yeah, I thought they were just being snarky at each other, like it’s their love language.

T: Sam and Carla start hysterically laughing because they both know that Gino is ugly and so is her husband I feel uncomfortable about this. They’re laughing at a seven year old kid because he’s ugly?

M: It’s less bad because they don’t show him. Kind of like Karen’s stepchildren in Will & Grace (or did they show them eventually?)

It is kind of refreshing that Carla can laugh at her own kid being ugly, since the popular thing now is for parents to think their kids are gorgeous even when they’re not. Note: I may just be saying that because Carla’s my boo.

Barfly Fashion

Everyone has great winter sweaters on. It reminds me of the sweaters we had to wear as a uniform in high school.
Carla and her bright red pants

Carla’s shirt with random shapes on it:

Also, all of the women have fluffy Q-tip hair (the bathroom tool, not the rapper/actor).

Next Up: We are basing our watch list off of AV Club’s 10 Episodes That Show How Cheers Stayed Great For 11 Seasons. We’re going chronologically, so stop by next month when we’ll discuss Episode 1.22, Showdown, Part 2.

29Jan2016

Cheers Chats #1: Give Me A Ring Sometime

Posted in Entertainment by Cookies + Sangria

Let’s take it back. It’s 1982, we’re not alive, and maybe you aren’t either. The wacky, Studio 54-era disco-and-drugs ’70s were over, but the serious perm and shoulderpad business of the ’80s hadn’t really started. If you wanted to pitch a tv show about normal-looking people who wear a lot of brown and go to a bar sometimes, you were right in the zeitgeist. That’s the world that gave us Cheers.

Okay, now let’s take it … well, a little bit less back: August 2015. We got together to knock out a quick Pop Culture Blind Spots post. Neither of us had seen Cheers and together we were going to change that. By the end of the pilot, we were absolutely obsessed with this 33-year-old show that everybody else already knew was good. It became clear that we needed to devote more than a single post to Sam (The Luke Danes of 1980s Boston), Diane (Shut Up, Diane), Our Boo, Carla and all the others who we’d prefer you not tell us about because we haven’t seen the whole series yet, thanks. We shelved the post until we had more time to devote to the series.

So here’s what’s up: the last Friday of every month we’ll be posting Cheers Chats, where we discuss the top-ranked episodes of the 1980s smash hit, Cheers. Come join us, because our love for this neighborhood bar and grill is only going to grow. If you love the show too, or are watching along, jump into the comments … because sometimes you want to go where everybody knows your name.

Episode 1.01: Give Me A Ring Sometime

For starters, here’s our collective Cheers knowledge:

It’s Boston
They’re in a bar.
Sam and Diane are a thing, maybe. Like Ross and Rachel?
Norm is the mailman. No, scratch that – CLIFF. Cliff is the mailman.
Norm is George Wendt – aka Jason Sudeikis’ uncle. He is a barfly. Barfly’s a word right?
It’s just that “barfly” looks like it would be pronounced “Barflee” and would be the name of a mischievous dog on a PBS sitcom from the 90s (which originally aired on CBC).
Frasier is a spin-off of Cheers. (Traci typed this; Molly exclaimed “yes, that’s right!” like a child correctly recited the Alphabet for the first time. I repeat: we did not watch Cheers.)

Chit-Chat Club

(Off-topic Cheers chatter.)

M: Netflix says Cheers is from 1992. Like … is it sure? I feel like this started in the late 80s and that I was super, super little when it was on. I also felt like it was one of those shows that ran for a million seasons.

T: 1992 is 23 YEARS ago. That is a college graduate.

M: WE WERE RIGHT. 1982 – 1993. 1992 is neither of those years. It’s just … a year. We were 6. Home Alone 2 came out. I wore a lot of stirrup pants.

T: Who do we write to about this? Mr. Netflix? I’ve got a strongly worded comment box for you.

T: This is the first time we’ve live-blogged together in the same room. And it’s weird.

M: I feel like we’re about to turn it into the chit-chat club up in here and forget to type.

This Theme Song

We love this tune by super well-known singer/songwriter Gary Portnoy, but in the pilot, they play the theme song for real and it sounds kind of depressing? Maybe it’s the old-timey cartoon illustrations of folks in the 1900s in the opening credits (because they’re like, all dead)? Either way, this song still holds up.

Later on, they do that thing where they play the theme song, but instrumental and sad, before what would have been the commercial break.

Bahhston Tahhlk

Last week, Seth Meyers did this absolutely brilliant sketch about actors and Boston accents and it is so incredibly dead on. In saying that, not everyone in Boston has an accent, and if they do, it’s not always thick. At one point in the pilot, this kid attempting to get a beer at the bar says, “How bout a beeahh (beer), chief?” Stop exaggerating. Like, did he “Park his car in Hahhvahd Yahhd” too?? (NO ONE DOES THIS).

Also, it felt like everyone was talking like they’re from a 1930s movie. At one point, it felt so garbled that we had to rewind three times then turn on closed captioning to figure out what they’re saying ( it was: How long is the wimp convention in town?”). Again, everyone is very muffled, like if you listened to that 1930s movie through one headphone.

The Luke Danes of 1980s Boston

So Ted Danson – kind of a hottie? We never really put too much thought into him before, but NOW we are. You want to know why? Because Molly realized that Sam Malone is such a Luke Danes (Traci promptly shrieked “That’s why!” and dissolved into laughter upon this epiphany. She also started sweating because of this fact). (Note: That was very diplomatic of her, but if Traci was sweating that’s because it was August and 90 degrees and I don’t have an air conditioner. Enjoy the cooling breeze of a BOX FAN, friends! – M)

The Netflix description for the pilot reads: “Sam Malone, an ex-baseball player turned bar owner, operates a saloon that’s always filled with quirky customers and even more eccentric staff.” Hey, you know who ELSE played baseball?

scott was seriously too handsome to be a baseball player. he needed to share his good looks with the rest of the world as an actor.

GUYS I CAN’T UNSEE IT. I CANNOT. Also, does that make Diane Lorelai? Let’s dissect this – Diane’s husband-to-be is a professor at BU who references Proust – MAX MEDINA, MUCH?? And at some point, Sam gives Diane a drink JUST LIKE LUKE GIVING LORELAI COFFEE.

Unrelated to Luke Danes, Sam is a recovering alcoholic who owns a bar. In season 7, are we going to see a dark storyline of Sam battling his demons and has to go to rehab? (Read: Ted Danson filmed Three Men and a Little Lady). Probably. Picturing a Bailey Salinger plotline.

Carla’s My Boo

Rhea Perlman busts into the bar and immediately goes on a rant:

“OK, I’m late! My kid was throwing up all over the place. You don’t buy that excuse, I quit. I don’t work for a man who has no compassion for my children. And you’re not exactly swamped here. I’m usually punctual. If you don’t like it, fine. This ain’t such a great job. I’m gonna change.”

A) Love her already.

B) She’s younger than we remembered.

C) She’s clearly the feminist of the show. Later on, she suggests to Diane that she stop waiting around for her fiance to come and just leave him. This coming from a woman whose husband used her to go to TV repair school then left her and their 4 kids behind once he graduated. All day Carla. All Day. Forever.

LLOL

(We used the LLOL acronym when we’d talk on AIM as teens – it means LITERALLY laughing out loud, as opposed to LOL as the typographic version of a smirk)

We genuinely LOLed throughout this entire episode. Like way more than we typically would during a pilot.

Exhibit A:

Carla, after answering the phone: “Who isn’t here?”

Every male sitting at the bar in the middle of the day: “ME!”

Exhibit B:

Cliff: Women have fewer sweat glands than men, but they’re larger, more active. Consequently, they sweat more… (To Diane) How about you, miss? What are your perspiration patterns?

Exhibit C:

Sam: Still working on that novel?

Coach: Yeah, coming on six years now. I got a feeling I might finish it tonight.

Diane: You’re writing a novel?

Coach: No, reading one.

One-Hit Wonders

(Characters we don’t expect to be seeing again.)

This episode features Diane and her version of Rachel’s dentist husband. We hadn’t bothered to remember his name, which is a sign he might not be returning for the rest of the series.

T: Also, I haven’t even bothered to remember Diane’s fiance’s name. I’m assuming he’s gone by the end of this episode.

M: Same. Barry, for now?

T: Barry it is.

M: Where Everybody Knows Your Name… except Traci and Molly. Who don’t care. He is very old.

T: Barry is going out to talk to his ex-wife, and leaves Diane behind, but why is he leaving her in a bar by herself in Boston? This bar is not the only place to visit in the city.

M: Old North Church is open, like, all the time.

T: EW DIANE’S FIANCE’S NAME IS ‘SUMNER’

Carla (answering phone): Cheers. Just a minute. (To Barry) If you’re not, I apologise, but is your name Sumner Sloane?

Barry/Sumner: Yes, it is.

Carla: BAHAHAHAHAHAHAHAHAHAHA

Shut Up, Diane

(We just have a feeling we’re going to be saying Shut Up, Diane at our screens KIND OF A LOT.)

Diane’s got a book out and a bunch of pencils while sitting at the bar. GO TO THE LIBRARY, DIANE. To add more to the Gilmore Girls parallel, Diane could also be one of Paris’s friends, Louise and/or Madeline. Or Lindsay’s crazy mom Theresa. Or the mom who convinced Luke and Lorelai to speak at Stars Hollow High for career day.

Diane and Sumner act rich, even though we’re pretty sure professors don’t make that much money.

Diane uses the bar phone to cancel the flight reservations to Barbados since Sumner hasn’t come back. A) a PHONE. B) She knew the number to the airline by heart? C) She immediately got through to a customer representative? She says she wants to change the flight reservations and Traci screams ‘THEY’RE ON IT!’ As in that dumb Sumner took his ex-wife to Barbados on his wedding day to Diane. Not even mad that we called it.

Diane says “now look, Buster!” because this sitcom was written by a man at a typewriter wearing a trilby with one of those journalist tags in it.

Sam ends up hiring Diane to be a waitress after Barry/Sumner leaves her, but why is she acting like a hostess? I thought bars don’t have hostesses? All Day Carla would NEVER.

Little Ditty About Sam & Diane

T: We’re at the first scene between Sam and Diane and TBH, I ship it already. Why am I so into Ted Danson right now??

Barfly Fashion

Diane. It is your first day on the job. What are you wearing? This plaid peasant shirt. Why is the apron so short? Is this a denim skirt? And with these knee highs?

This elderly lady is living her BEST LIFE. In a wheelchair, wearing a fancy hat, and sipping on a beer. Goals.

We are Team Carla All Day, but can we just discuss this empty purse? She’s a mother of 4, why is it filled with nothing. Also these pants. V 80s.

Cheers Cheers

(Raising a glass to our new favorite old sitcom.)

We literally had to adjust the TV set during Cheers because we thought it was too dark. The TV was fine. The show is dark. That’s also why we weren’t watching it in 1992. Too dark, no appeal to 6-year-olds. But now we’ve seen it, and while we shouldn’t feel surprised that the most beloved sitcom pilot of all time is good, here we both are. Those 22 minutes went by so fast, which is what we were afraid was going to happen. Looks like we’ll both be binging on Cheers for the next several months. Like Sam of two years ago, we think we may have a problem (too soon?).