Tony Nominations To Celebrate That Aren’t Hamilton

We established a while ago that we’re basically a Hamilton blog now (seriously, check out all our posts here), so we could easily make another post gushing over its historic 16 Tony Award nominations, or how Lin-Manuel is a precious cinnamon roll of a genius that created a new American institution, or dissecting every bit of this video of Daveed Diggs getting woken up this morning with news of his nomination. We could go on.

No, friends, we’re not going to do that (today). Today is all about the other shows nominated that deserve just as much attention as Hamilton. I imagine it’s bittersweet being on Broadway at the same time as a groundbreaking musical. Everyone wants a ticket to Hamilton and it’s all anyone talks about, but there are nearly 40 other shows open right now. Any one of those productions would love to see you in the audience. But it’s like when you’re up against an MVP player and you have to step up your game just to keep up. It might be a little frustrating along the way, but for the sport (Broadway) as a whole, it’s the best thing that could’ve happened.

But at the end of the day, theatre is not a competition. If anything, it’s a community. A smaller-than-you-think community of artists who support each other and cheer each other on instead of tearing each other down. It’s been an incredible year for theater in terms of the storytelling, quality production and the talent on stage, so in that spirit, we’re putting the spotlight on a few of the other shows we’re rooting for come Tony day, and the names you’ll need to know when they end up winning.

Waitress

Best Musical

Based on the 2007 movie of the same name starring Keri Russell, Waitress centers on Jenna, a waitress at a small-town diner who’s in a horrible marriage, but ends up preggo. Other affairs ensue. Waitress also made history with its all-female creative team, thanks to music & lyrics by Sara Bareilles, book by Jessie Nelson, direction by Diane Paulus, and choreography by Lorin Latarro.

I had the chance of seeing Waitress in Boston last year before it transferred to Broadway, and hearing all the positive reviews of the show didn’t do it justice in person. I laughed, I cried (way more than I expected), I left feeling like a warm blanket had swaddled itself around my heart… is that weird? This is the only show I’ve seen out of this year’s batch of nominees, and TBH, it sucks it’s up against Hamilton this year because it deserves so much recognition for making a musical out of a movie – and feeling like the movie never existed at all.

Best Original Score (Music and/or Lyrics) Written for the Theatre

I can’t express to you how good this score is, and what a masterpiece Sara Bareilles has created. I can, however, direct you to her album, What’s Inside: Songs From Waitress, which features a few select numbers from the show. This was released after the Boston run and before they opened on Broadway, and so Sara’s version includes songs cut from the final show, including one of my faves, Door Number Three. This album is still in my rotation six months after its release. Sara uses that same talent she has to tug on your heartstrings with songs like Gravity and I Choose You and incorporates that same spirit in these songs. The official Broadway cast album comes out June 10th. Mark your calendars.

Jessie Mueller (Best Performance by an Actress in a Leading Role in a Musical)

Jessie Mueller, Tony winner and ethereal goddess, was the clear star of the Boston production, and she’s still the clear star in the Broadway one as well. Here she is singing the most emotional number from the show, so get a tissue ready JIC.

Other nominations: Christopher Fitzgerald (Best Performance by an Actor in a Leading Role in a Musical)

Eclipsed

Best Play

Written by The Walking Dead’s Danai Gurira, Eclipsed is set in 2003, near the end of the Second Liberian Civil War and tells the story of five Liberian woman and their survival against all odds. In another record for the Broadway history books, Eclipsed is the first play with not only an all-female creative team, but all-female and all-black cast as well.

Lupita Nyong’o (Best Performance by an Actress in a Leading Role in a Play)

Listen, if you need to be educated on Queen Lupita, read this then go off on the Internet or watch her movies then come back. She is royalty. Royalty who is a step closer to an EGOT.

Other nominations: Pascale Armand and Saycon Sengbloh (Best Performance by an Actress in a Featured Role in a Play), Best Costume Design of a Play, Liesl Tommy (Best Direction of a Play)

Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed

Best Musical

Shuffle Along: A revue-style 1921 musical written, produced by and starring an all-black team. Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed: A new musical telling the story of all the challenges the Shuffle Along cast had in mounting the production, and its effect on race relations and Broadway. Stars little-known actors Tony winners such as Audra McDonald, Brian Stokes Mitchell and Billy Porter and newcomers Tony nominees Joshua Henry, Brooks Ashmanskas, Brandon Victor Dixon and Adrienne Warren.

Adrienne Warren (Best Performance by an Actress in a Featured Role in a Musical)

Shuffle Along is only Adrienne’s second Broadway show, but on Tuesday she earned her first Tony nomination. She’s one of those young actresses you know has a bright future on Broadway and beyond. And if you’re wondering why she might look familiar, she was in an episode of Orange is the New Black as a wheelchair-bound inmate who Pennsatucky attempted to “heal”. *I saw her in Lin-Manuel’s Bring It On musical and she was just as fantastic IRL.

Best Choreography

Tap dancing and Savion Glover. That is all.

Other nominations: Best Book of a Musical, Brandon Victor Dixon (Best Performance by an Actor in a Featured Role in a Musical), Best Scenic Design of a Musical, Best Costume Design of a Musical, Best Lighting Design of a Musical, Best Direction of a Musical, Best Orchestrations

She Loves Me

Zachary Levi (Best Performance by an Actor in a Leading Role in a Musical

Chuck is nominated for a Tony! Fun fact: Zachary replaced Ted Mosby who was originally supposed to star in the role of Georg, a perfume shop employee who is constantly at odds with co-worker Amalia. Unbeknownst to them, they’ve been secret pen pals the whole time. Sound familiar? It’s adapted from the play Parfumerie, which You’ve Got Mail (yes, with Meg Ryan and Tom Hanks) is adapted from.

Laura Benanti (Best Performance by an Actress in a Leading Role in a Musical)

Cannot stress this enough: we love Laura Benanti. Love. Her.

Jane Krakowski (Best Performance by an Actress in a Featured Role in a Musical)

Here’s hoping Jane channels Jenna Maroney if she wins.

Other nominations: Best Revival of a Musical, Best Scenic Design of a Musical, Best Costume Design of a Musical, Best Direction of a Musical, Best Orchestrations

The Color Purple

Best Revival of a Musical

I mean, you know what The Color Purple is, right? It’s the same plot as the book. And the movie. And the OG Broadway musical.

Cynthia Erivo (Best Performance by an Actress in a Leading Role in a Musical)

If you don’t have goosebumps and/or tears in your eyes after watching that, check your pulse, because you’re probably dead. Cause of death: Cynthia Erivo. Look out for this one, y’all.

Danielle Brooks (Best Performance by an Actress in a Featured Role in a Musical)

I don’t know what it is about Danielle Brooks but I cry anytime I think about her success. Or hear her sing. Or read an inspirational post on her Instagram. I’m so proud of her and I don’t even know her.

Other nominations: Best Direction of a Musical

Spring Awakening

Best Revival of a Musical

I admit I was a little surprised to hear Spring Awakening, featuring teens in late 19th-century Germany dealing with their sexuality, was being revived since it only closed on Broadway in 2009. But then I was totally game once I found out they were incorporating sign language and completely making the production its own. Fact: I saw the OG Spring Awakening U.S. tour thrice when it was in Boston for like, a minute. Another fact: I was a dumbass and didn’t see the revival in Los Angeles before it went up on Broadway, and am kicking myself for it. There’s supposedly another tour in talks. See ya there.

Michael Arden (Best Direction of a Musical)

Before Michael Arden earned his first Tony nomination as a director, he was known as an actor. I personally knew his name from the Off-Broadway musical Bare, but more so for this song, Run Away With Me. I don’t know how nerdy you and your friends were circa 2008, but there was a period of time when this Kerrigan & Lowdermilk song was THE JAM, and all the hot, young, theatre boys were doing their covers of it. Aaron Tveit, Jeremy Jordan, bright young high schoolers hoping for a shot of fame all uploaded their own versions of the song on the YouTube. Michael had one of my favorite takes on it, and this has nothing to do with Spring Awakening, I just want you to know he’s really talented.

Other nominations: Best Lighting Design of a Musical
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