Pop Culture Blind Spot: Teen Wolf (1985)

Welcome back to the spookiest month of pop culture blind spots! (October. The spookiest month is October). I started us off with The Shining, one of the most iconic horror movies of all time, so I don’t feel bad for dialing it way, way back this time and watching Teen Wolf.

What I think Teen Wolf is about: Michael J. Fox plays a teenage basketball player who discovers that he is a werewolf; he has to hide it from his friends and from the requisite 80s movie cute blonde girl; in the end she’s fine with it or maybe is a werewolf herself.

Hulu short description: A teenage boy’s incredible werewolf powers improve the quality of his life in dramatic and hilarious ways.

Look, if the grossest thing we see this whole movie is the sweaty teen face close-up we open on, it will be gross enough.

Michael J. Fox (Scott) goes into his coach’s office, mentions that he is “changing,” coach apologizes for not noticing but says he hasn’t been in the locker room much. A few things:

  1. APOLOGIZES FOR NOT NOTICING BUT HASN’T BEEN IN THE LOCKER ROOM MUCH
  2. I think it’s fine and actually v good if adults don’t notice teens’ puberty stuff
  3. In locker room situations, didn’t you always assume that nobody was really looking at you? Well you were wrong.

Everything is exactly as it should be in ’80s teen movie land: Scott has a Brunette Platonic Friend(TM) and a Blonde Crush. He works at a folksy, cluttered hardware store. The school’s theater director wears a turtleneck and a tweed blazer. Blonde Crush Pamela has a tough-guy boyfriend in double denim.

Honestly this is the whole thing in one photo.

Scott demands a keg at the liquor store, his eyes glowing red which is an early werewolf thing.

The one thing most 2010s depictions of the 80s are lacking: the intensely feathered and permed bangs that are all over the place in this teen party scene.

Peep the young Andy Samberg lookalike.

Does Scott have a mom? Single-parent households were the thing in 80s movies.

Importantly, Scott grows fangs and nasty thick nails before morphing into a full fur-face; more importantly, the green tiled bathroom was out of style for so long that it’s in again. I’d love that bathroom.

Scott is the only person, other than me, who says “jeez Louise” in moments of stress and panic.

There was a D.P. who was REALLY feeling this downward ceiling-shot in the bathroom.

Post-werewolf Dad (Dad’s also a werewolf BTW) looks so much like Jim-Bob Duggar.

Not sure if it’s the sound mix on Hulu or the sound cues in general, but the background music is so jerky and loud, bad and jarring. No shade to the music supervisor: it was the style of the time.

There is some very extra-casual use of f*g and I thank my lucky stars that it is 2017, not 1985. I only hope that 32 years from now, people are horrified by the things we say in movies today, too.

Everyone in the school is very cool about wolf-Scott. (SCOTT WOLF! Would have been a relevant thing to say 15 years ago.) Scott’s dad understands. There is basically zero conflict at this point in the film, except for a vice principal. Come to think of it, Scott’s friend Stiles was significantly nastier when he thought Scott was maybe-gay than when he thought he was definitely-wolf.

Platonic Brunette gives Blonde Crush a t-shirt, which is “too big for me.” Shade.

Season 1 Joey Potter-level sass.

The theater director is now in a cowl-neck with seemingly no shirt underneath, which is itchy and sweaty.

Pam & Scooter hang out backstage, where she is just in a bra and underwear, but it’s 1985 so like, white granny panties and a plain white bra. They hook up. She seems to really, really want him to turn into a wolf, which I mean, if that’s what you’re into it’s fine.

Scott calls his teammate “chubby” and “chubaroo,” and you’d think a wolf-teen would be more cool about other people’s body situations.

Scott thinks he’s hot stuff because he goes to a school dance in wolf mode.

I don’t know if I’m more confused as to why vice principal and Blonde Crush’s boyfriend hate werewolves so much, or why literally everybody else is so nonchalant about werewolves.

The only time I like a sports montage is when the movie description includes the phrase “rag-tag misfits.”

The twinkly, inspirational song that ends the basketball game! Oh my goodness. It’s like the same song that plays at the end of every 1980s to early ’90s teen movie. The entire ending sequence is all b-ball, no wolves, BTW.

That’s the end of it – they win a ball game.

One thing I forgot to mention is that Platonic Brunette’s name is Boof. I kept thinking it was a nickname for something that I missed (Lisa, per the internet), but the end credits confirm. Boof.

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Pop Culture Blind Spot: The Shining

To begin with our standard Pop Culture Blind Spot apology/non-apology: yes, The Shining is a classic and no, I haven’t seen it. As a little kid I would challenge myself to watch scary movies, only to find myself haunted by them for months after. [Poltergeist, I’m looking at you.] At some point I questioned why I was doing that to myself and massively slashed back on my horror viewing. As a result, I’ve never seen some cult favorites: like The Shining, or Stephen King’s The Shining if you’re nasty. Between now and Halloween, I plan to dive into some of these spooky favorites – so watch this space.

What I think The Shining about: Jack Nicholson plays a writer who takes his family to a remote, haunted hotel until he snaps because of hotel-ghosts and tries to kill them all. Also, twins.

Netflix short description: A distant father roams an empty, maze-like hotel thick with dread. Something awful awaits in room 237.

First thing I notice: The Shining is shot, preserved, and/or remastered beautifully for a 1980 film. You know how a lot of movies from that era look sort of orange and grainy? In the scene with Jack’s son and wife (Shelly Duvall) it truly feels like I could walk into through the screen and into their apartment. As I said, Poltergeist did some things to my brain. But really, it’s like early 80s time travel, with all these nicely layered set details.

It’s so weird to hear the distinctive Jack Nicholson voice coming out of such a young face.

Jack agrees to the hotel deal and learns another guy who did the same thing went crazy and killed his family with an axe. Cool cool cool cool.

My first reason I don’t really trust Jack is that they have stack and stacks of paperbacks piled around their TV. Get another bookshelf.

Little Danny converses with himself in a mirror, which I hate. Then a flood of blood pours out of elevators, which I also hate. Then you see the scary twins, who I sort of thought would show up way later?

Backstory: Jack drank too much, got angry at Little Danny, and injured his arm 5 months ago. Since then he has stopped drinking… OR HAS HE?! OR WILL HE?! I don’t know, just trying to drum up some horror-appropriate suspense here.

Danny stands the eff up in the backseat of the car, and that is the most 1980 thing I have seen in the first 20 minutes of this film.

Oh, so those twins are just gonna keep showing up, huh.

There’s a hedge maze, but I’m going to stop them because nobody does hedge mazes better than My Dad Wrote A Porno.

Danny befriends Dick Hallorann, a chef who knows far too much and thus is surely a ghost or ghost-whisperer. Also Danny will not shut up about Tony, the ghost who live in his mouth.

The worst part of watching an iconic horror film is that your tension during dramatic moments starts way too early because you know too much. When Danny rides his trike around the hotel, I know from the first second that it’s definitely A Thing.

We watch part of a scene through a mirror, so Jack’s T-shirt writing is backwards. It’s so hard to tell what’s foreshadowing and what’s A Choice, because as a rule when I watch horror movies I assume everything’s foreshadowing.

Jack starts to act like a REAL DICK when Shelley Duvall stops in to say hey, so he’s already full of hotel ghosts.

Oh no, the twins.

To expand: the twins talk like a child Queen Elizabeth, or possibly like that old-time movie accent people used to have. Then Danny’s vision cuts to the girls dismembered.

Wait, shouldn’t Danny be going to school …? He spends 100% of his time riding a tricycle and getting haunted.

That damn mirror is back, along with Jack staring blankly into it before being creepy at his child for a while. Are we double-sure the overall problem isn’t actually that Jack’s a POS?

Oh, Danny has a great sweater:

And Wendy has a great overalls dress:

Danny has a bruised neck and Wendy deduces that a blank-faced Jack did it. Wait, is this whole thing an allegory for abuse?

A tuxedoed bartender shows up at the hotel bar just when Jack needs him most. Again, this dirtbag was supposed to quit drinking months ago. I still can’t decide if all the hotel people are ghost or if ghosts just live there alongside the people.

Shoutout to this film’s rug artist, and all the rug artists inspired by this film:

Jack gets chased by a decaying ghost-woman, which is honestly his comeuppance for being all “hehe, boobs” when he sees her in the bath instead of wondering what she was doing in the hotel.

Jack temporarily redeems himself by not being the person who choked Danny, then un-redeems himself by saying Danny did it himself. Also maybe I’m projecting, but it feels a lot like Danny has undiagnosed epilepsy that his parents should deal with.

There’s a ghost ’20s party going on in the house and Jack invites himself. You know what? Usually in horror movies I get annoyed with the people who go straight into clear peril, but I’d invite myself to a ghastly Gatsby party too.

[I do realize that Jack’s non-reaction to this scenario means his brain’s broke and we shouldn’t be holding him accountable for being a dirtbag, but isn’t it possible that Jack’s haunted/possessed AND a dirtbag?]

Anyone else find the blindingly red bathroom almost as creepy as the fact that Jack’s hanging out there with Mr. Grady, a deceased man who obliterated his family?

Danny starts using the funny creaky voice my littlest niece and I like to talk to each other in, and I can’t stop laughing. It’s supposed to be scary, I guess.

Dick Halloran hangs out in an airplane that, in true ’70s fashion, has seats that are about 3 feet wide.

There’s a lot of snow, and maybe this is just me being from a super-snowy city, but we’ve seen their stocked pantry and know the family doesn’t have anywhere to go (ahem, school). So I feel like it shouldn’t be a big deal?

I just googled Danny Lloyd (Danny) and found out they filmed the whole movie without him ever realizing it was a horror film. I love that so much! Stanley Kubric, ladies and gents. Legend for a reason.

We’ve now ticked off the following classic scenes: twins, redrum and All work and no play makes Jack a dull boy. It’s been fun seeing them come up, but nothing has really shaken me yet because I knew more about this movie than I realized.

Shout-out to Jack Nicholson: the scene after Jack finds Wendy reading the manuscript is some of the best creepy-movie, sinister acting I’ve seen, ever. There’s no gore or jump scares or anything, yet it’s the most harrowing moment of the whole thing.

Danny says redrum (AKA murder backwards) near that mirror. Good work, Stephen King’s The Shining. I like your foreshadowing.

Mhmm, so everything from when Jack gets an ax through the end is edge-of-your-seat chilling. I love how the first maybe 2/3 of the movie are only slightly spooky, only to get full-scale terrifying at the end.

Did I or did I not see Mr. Grady doing it with a furry?? Why is this not a thing anyone has brought up when I’ve heard them talk about The Shining?

Dick Halloran, RIP, you were my favorite one of all these shit people.

When Wendy finds the ballroom full of spiderweb skeleton-people, I can’t help it – I start grinning. It’s not funny, I’m just so delighted by the Psycho/Miss Havisham-ness of it all. In this moment I understand how people who are braver than me get a kick out of horror movies.

I love frozen popsicle eyeroll Jack so much. More than I’ve loved Jack this whole movie.

The ending – where you see the photo of the ballroom from July 4th 1921 and Jack’s there in an old-school tuxedo? That right there has to be the best ending of a horror movie I’ve ever seen.

BTW, almost all pics in this post link to great related posts about people who are clearly a lot more savvy than I am re: this movie.

 

I made it! That wasn’t so bad, but I have a feeling horror movies where most of the scenes aren’t a part of our cultural shorthand already will spook me out way more.

 

Pop Culture Blind Spot: Dirty Dancing

Warm up those hips and grab a watermelon because it’s time for another installment of Pop Culture Blind Spot!  And today we’re heading back to family summer camp and celebrating Dirty Dancing, which was released on this day exactly 30 years ago. Even after three decades, the movie still holds up. Let’s dive right in and revisit one of the greatest movies that defined a generation.

Statements of note from the trailer:

“The heat is in the music. The music sets you dancing. The dancing sets her free.”

“She thought it would be just another summer vacation, but it turns out to be the time of her life.”

“What they learn from each other feels too good to be wrong.”

My knowledge of this movie: Patrick Swayze and Jennifer Grey do a lot of dancing. Kenny Ortega of High School Musical fame choreographed it. Kelly Bishop aka Emily Gilmore is also in it, but I always manage to forget this fact.

The reason I had never seen Dirty Dancing is from a lack of not wanting to see it. By nature, it should be a movie I love – romance, impressive dance sequences, drama, comedy. I just never got around to watching it. Thank God for Netflix, amirite, ladies? So here we are, almost 28 years to the day it was released on August 21st, 1987, and I’m sharing my thoughts with you on it for the very first time. Here goes nothing.

2:20 This movie takes place in 1963? Definitely did not know that. I thought it was just another 80s movie.

2:44 I remember that Kelly Bishop is in this movie. I know, I know. She’s a Tony Award winning actress of stage and screen, but to me she will forever and always be Emily Gilmore. And to quote the Gilmore Guys podcast, Bishop is Queen.

2:57 I knew there was greenery and cabin-looking structures in this movie, but I was not aware it takes place at a sleepaway camp for families. Does anyone go to this kind of camp anymore? Do these even exist?

3:24 The cars lining up to Kellerman’s camp legit looks like moving in day for freshman at my college.

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3:54 Is Newman from Seinfeld in this? [the answer is yes]

5:00 MAMA KELLY BISHOP IS SERVING IN THIS DANCE SCENE, DESPITE THE FACT THEY’RE SMUSHED TOGETHER LIKE A BUNCH OF SARDINES.

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7:20 I get Patrick Swayze now.

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7:55 “You just put your pickle on everybody’s plate, college boy, and leave the hard stuff to me.” – Johnny Castle, an employee at a Jewish family camp, definitely NOT a porn star.

9:00 Baby is set up with some doofus who is the camp owner’s grandson, a dude named Neil who is going to Cornell for Hotel Management. Meanwhile, Baby’s got her eyes on going to Mount Holyoke to study the economics of underdeveloped countries and then enter the Peace Corps. Obviously well matched.

10:30 Johnny Castle and the blonde dance instructor Penny take center stage at this dance Baby and Neil are at, clearly auditioning for whatever the version of Dancing with the Stars was in 1963. However, they get cockblocked by the owner Max who wants them to dance with the guests instead.

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13:37 After being forced to appear in a magic show and awarded a chicken for participation, Baby wanders into the staff quarters, which is a big no no. What a rebel.

14:30 Baby runs into a guy holding three huge watermelons, but they really just look like three prop pickles. There is no way he could carry three of those on his own. Come on.

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15:00 Baby enters the secret staff dance party where the literal Dirty Dancing is going down. Basically this type of dancing is grinding on top of your partner with no room for the holy spirit at all. Which I guess doesn’t matter for the employees of this Jewish camp.

17:00 This soundtrack is amazing, by the way. I’m a sucker for 60s/Motown era music. Still blown away that this takes place in 1963.

20:00 Johnny teaching Baby how to roll her hips is the most awkward. It’s like she’s about to drop a deuce right on the dance floor. (GOD HELP ME I NEVER WANT TO SAY DROP A DEUCE AGAIN)

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21:00 For some reason, an activity for the women at this camp is to try on wigs. What else is available at this camp – How To Cook A Proper Roast For Your Man or Top Tips For Cleaning Your Curlers?

25:00 Penny is pregnant. I was not aware there was a pregnancy twist in this film. Despite attempting to help a devastated Penny, she tells her to GTFO. And apparently the father of this baby is the asshole misogynistic server in the restaurant.

30:00 To remedy this, Baby asks her doctor dad Jerry Orbach for $300 to do a “non illegal” activity – aka she’s going to pay for Penny’s abortion??? This is a lot of money for someone she just met a day ago. Is she trying to prove something or is she just a good person? Or trying to prove she’s a good person?

33:42 Baby agrees to take Penny’s place in a dance competition since she’ll be recovering from her aforementioned abortion – is there really no one else qualified to take Penny’s place? A sub dance instructor at the camp, perhaps? Baby can barely roll her hips around, as we learned earlier. She’s worse than Julia Stiles learning hip-hop in Save The Last Dance.

37:00 Jennifer Grey is incredibly skinny. Penny is even skinnier. And the two skinny waists have a weird threesome with Johnny as they teach her how to dance. Uncomfy moment #3 – it’s the same feeling I get while watching ballroom trios on So You Think You Can Dance or Dancing With The Stars.

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38:00 The closeups on the gyrating hips – not for me. Uncomfy moment #4.

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I know I keep on bringing up Dancing With the Stars, but this B plot about Baby learning how to learn competitive-level dance is totally a parallel to DWTS. The fact that you have to pick up a foreign skill quickly then perform it under the (hungry) eyes of judges is just like in this movie. Which probably explains how she won season 11 of DWTS.

40:00 Johnny accidentally locks the keys to his car inside said vehicle, so he just straight up takes a pole out of the ground to smash his car window. With ease, he does this. It’s also raining, but it’s the fakest rain ever and the sun is shining like it’s 90 degree day, and all I can think is the rain machine is blowing the water horizontally at Patrick Swayze’s face. That handsome mug must be insured, this shouldn’t be happening to him.

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41:00 This balancing on a log practice could be problematic. That is a ravine right there. Maybe don’t risk your life when you could easily do this on a dance floor? Also, I’m supposed to be shipping this right?


43:00 Johnny takes Baby to a field and subsequently the famous lake, which is much better than a log in the middle of the forest. But why isn’t Baby’s family concerned about her whereabouts? She just disappeared from camp. Isn’t her sister wondering why Baby didn’t show up to Wig Class?

47:00 Baby has somehow aged 10 years with her costume for the competition. She now looks like a New York Housewife competing in DWTS.

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51:00 Uh oh. Penny’s not looking too hot after her shotty abortion. Baby comes to the rescue again by secretly getting her M.D. Dad to help her. Jerry Orbach (RIP) is quite the Doctor Detective. And quite upset with Baby’s interaction with the Dirty Dancing sexual deviants.

56:00 Welp Baby basically just confessed her love to Johnny. He’s already got his shirt off, so she asks him to dance… But on the real tho –  this sex dance scene is still hot.

1:00 Penny clearly picks up the sex vibes that Johnny and Baby are putting down, and she warns him not to get serious with Baby. Which of course, in 80s movie terms, he obviously is.

This outfit is the reason I keep forgetting the movie takes place in 1963. This could either be 1987 or 2015, who the hell knows.

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“What is with all this rain? Remind me not to have my honeymoon in Niagara Falls.” Baby’s sister

“So, you go to Acapulco, it’ll be fine!” – Queen Bishop

1:04 Baby and Johnny can’t stop boning. She’s technically a teenager, right? Since she’s “planning” to go to Mount Holyoke? Johnny’s obviously the type to skip college in favor of living out his dreams of being a camp dance instructor, so is this forbidden love even more forbidden?

1:07 Oh hey, a scene I actually have scene before. This makes sense in context now. Before I thought it was just some weirdo lip syncing to a song.

1:09 Neil, the annoying grandson, is like the Patrice of this movie. He wants Johnny to dance the Pachanga for the final show, and Johnny’s response is one that made me legit LOL: “He wouldn’t know a good idea if it hit him in the Pachanga” 1:12 Johnny’s bad boy side comes out when asshole waiter sees him kissing Baby, and the scene is like a fight between the Jets and the Sharks.

1:13 Baby’s sister singing I cannot.

1:18 There’s some side plot about Johnny’s cougar dance client setting him up as a kid who stole her husband’s wallet, but Baby comes to his defense by providing an alibi that he was with her at the time of the alleged theft. Not really important.

1:19 Baby goes to confront her upset father about basically admitted she slept with Johnny, and the whole conversation looks like a scene from The Bachelor when one of the final girls meets the bachelor’s dad for the first time to talk about how in love they are with their son.

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1:22 Johnny’s heading out of town because of all the “trouble” he’s caused, and as he rides away, She’s Like the Wind plays in the background. Yes, the hit song by Patrick Swayze. TOO META. BTW, what exactly is Johnny’s accent? And does he not look like The Terminator in this scene?

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1:26 This camp has its own theme song. This is just such a foreign culture to me that I’m having a difficult time believing it’s real. This tune is a cross between a traditional hymn and one of those camp songs you hear in like Troop Beverly Hills.

1:29 Ah yes, the iconic “Nobody puts Baby in a corner” scene. In my head she was in a literal corner of a room, sitting in a chair as if she had been punished. In addition, Johnny was gone for like 2 hours they’re all acting like it’s been years. ALSO Queen Bishop looks so hot rn!

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1:30 So here’s my problem with Baby and Johnny dancing to Time of My Life – it’s a song that was made in the 1980s, but supposed to be set for a performance in 1963. This is why I’m confused. However, I will say that this song in context also makes so much more sense with the movie. Oh, and how did Johnny coordinate a flash mob so fast??

“I think she gets this from me.” KELLY FREAKING BISHOP

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There are some interesting characters in the crowd, including the guy who predicted wearing sunglasses at night long before Corey Hart, the band leader dancing with Penny, and the two larger women happily dancing with each other. The movie ends with a pan out on the dance floor, with a spotlight on Baby and Johnny DIRTY DANCING. Bless. Also, it’s very reminiscent of the High School Musical 3 finale, because as you remember, Kenny Oretga is a mastermind of both these epic films.

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(Previously posted in August, 2015)

Pop Culture Blind Spot: Flashdance

Despite being alive in the late 1980s, there are a bunch of movies from this decade that I am totally blind to – Dirty Dancing, Ghost, Top Gun, all of which I’ve since seen. Flashdance is one of them.

This movie was released on April 15, 1983, which makes it nearly 33 years old and three years older than me, so this should be a nice FLASHback to the 80s. Although since we’re deep into Cheers, it shouldn’t be that much of a shock.

Knowledge of this film:

Not Jennifer Grey but rather Jennifer Beals is a dancer and she pours a bucket of water on her person. Also, that What a Feeling song.

Actual IMDb description:

A Pittsburgh woman with two jobs as a welder and an exotic dancer wants to get into ballet school.

SHE’S A STRIPPER?!?!?!?! WHO WANTS TO GET INTO BALLET SCHOOL?? LIT’RALLY NO IDEA.

The title scrolls across the screen like a screensaver from Windows 95. There was a similar title card in The Bodyguard, was this just a thing then??

So Jennifer Beals a legit welder? In the 80s was this a common job for women? Or was it just in Pittsburgh because… steel?

If Irene Cara’s What a Feeling *now I’m dancing for my life* music wasn’t playing throughout these opening credits I would think this is a horror movie with all the shots of coal and people welding in the dark.

Ok, Jennifer Beals is a stripper but have any of her male co-workers been to her strip club because I feel like that would be an awkward conversation the next morning in the locker room.

Ah yes, the iconic water scene. She’s actually a good dancer. Especially since she’s dancing on water. I would’ve broken half my bones at this point.

Oh is she an exotic dancer in who doesn’t strip?

Well the guy who just walked in knows her social security number and tells his pal that she works for him. So there’s that.

Richie, the cook at the bar/strip club, wants to get out of Pittsburgh and move to Los Angeles, but a guy (who I’m assuming is the big boss) tells him, “They don’t let short people into Hollywood.” I CAN BUST THIS MYTH RIGHT NOW.

“This place is so small you have to go outside to change your mind.” – Richie, A short-order cook who’s definitely going to make it as a comic in LA.

Nick looks like a typical “hunk” from the 1980s. Like Tom Selleck or Dustin Diamond.

She’s holding a Pepsi that is an old school metal can and besides the big hair it’s one of the props that makes it obvious it’s the 1980s.

She’s a Maniac is from this movie? What is this weird lunging she’s doing? I’ve obviously seen this running in place move but she’s not even dancing she’s doing weird warm-ups.

Jennifer Beals – do we even know her character’s name yet it’s Alex – enters a dance school where the hallways are lined with leotard and tight-wearing ballet dancers and it’s like Save the Last Dance all over again.

Is this secretary related to Meryl Streep?

Tom Selleck is hitting on Jennifer Beals and just wants to get a snack with her. Get a freaking snack with him Alex.

Alex has a QT old grandma.

She also has a priest she goes to to confess. Gotta get that coveted Catholic demographic in the theater.

Some dude who’s trying to get people to watch the exotic dancers just used the word “cunts”, so he is problematic.

There is a workout montage set to the tune of I Love Rock and Roll and it is the MOST 80s thing I’ve seen.

There are two pop-locking/breakdancing kids (?) in the street and they are my favorites so far.

I realized there have been two dancing scenes sans dialogue (a skating rink and crossing guard) in a row and I think it’s because Alex is attempting to pick up new dance moves from the literal streets? IS THIS NOT SAVE THE LAST DANCE?

Richie is doing his stand-up act at the bar and no one is laughing. BLESS. The joke that makes everyone laugh: “I’m just a cook. This is my big break. If you don’t laugh then I’m gonna put cockroaches in your hamburgers!”

But really, this club is not a strip club no one has gotten naked. Do these clubs still exist? It’s like Chippendales but more clothes (remind me to tell you about my recent experience at Chippendales).

The dude with the offensive language, whose name is apparently Johnny, tries to grab Alex and get her to go with him to “drink wine and smoke some weed” and I hate him. He also beat up Richie, so he’s the worst.

Nick Selleck comes out of the literal shadows to save Alex and instead of getting a ride home from him, she decides to bike home in the dark. Come on Alex, Selleck isn’t going to do anything to you (he drives behind her the whole time for safety).

Alex has a friend named Jeanie who is a competitive ice skater and it makes me yearn for the Olympics/The Cutting Edge movie. JEANIE FELL. SHE FELL AGAIN. THOSE DAMN TRIPLE AXELS. Her dreams are shattered.

Alex and Nick are on a date and she takes him back to her place (an old warehouse?) to eat pizza. BOW CHICKA WOW WOW.

She changed into a sweatshirt and took off her bra in front of him. This is their first date. And it doesn’t matter because they slept together. Their next date is literally walking down a railroad track which leads to a landfill of steel. Guys, just because you work as welders doesn’t mean you have to make your dates themed as such too.

WHAT IN THE FRESH HELL IS THIS I CAN’T STOP LAUGHING IT’S LIKE A 1980S GEISHA DURING A DREAM SEQUENCE OF HOW PEOPLE FROM THE 80S PICTURED THE FUTURE. OMG LITERALLY THIS SONG IS CALLED IMAGINATION AND HAS THE WORDS “FANTASY” IN IT

“Do you know how to do the horizontal mambo” Asshole dude GTFO

Whooaaa Alex just threw stones through Nick’s window in anger but I missed why she is so upset.

Richie is leaving for LA to go for his dreams as a stand-up coming and I am truly sad to see him go but happy he’s

Oh Alex saw Nick with some blonde chick at a dance benefit, who turned out to be his ex-wife.

“I broke your fucking window!… Go fuck your blonde!” I LOVE ALEX

LOL at all the other welders cheering them on from the peanut gallery

Yo Alex is serving in this tuxedo look.

Nick’s ex-wife LOL she looks like a Scandinavian socialite.

What’s happening here? Is it Halloween? It’s Halloween. There’s a free for all on the stage.

Alex applied for an audition to the dance conservatory and she got in!

Alex realizes Nick made a phone call to get her the audition, which she obviously didn’t want because she is a strong, independent lady of the 1980s who doesn’t need any GD help from any man.

Oh finally a strip club with actual stripping. It’s like everyone hates their lives here. Apparently Jeannie ditched being an ice skater and decided to only be a real stripper.

HAHA Alex straight up pulls Jeannie from the stage as she’s stripping. AND Asshole guy comes out of nowhere to tell her to not take Jeannie away and Alex pushes him away. It is great.

“When you give up on a dream, you die.” Nick Selleck says to Alex, and Alex realizing she could end up like Jeannie as a real stripper all at the same time.

Is QT grandma not actually her grandma? Alex is calling her Hanna. OMG SHE DIED. YESTERDAY. NOOOOOO

But NOW I bet Alex is going to use her pain and suffering to follow through on her promise to QT grandma Hanna to get into the dance school.

In full disclosure, I’m getting hungry and there are 20 minutes left of this movie and I can barely pay attention.

But Alex is back in the Priest’s confessional and crying? She’s sinned, obvs.

Alex is back in her black leotard from when she was lunging for this audition, and  I’m really wondering why type of dance she’s qualifying this as. She’s literally gliding by the judges’ table and pointing at each of them hahahaha Yup, she’s incorporating breakdancing in this audition. And apparently she got in because the next scene was see is her running outside to meet Nick and she’s super happy about it.

So that was fine, I guess. I’d say don’t waste your time on it?