Highs and Lows: Hairspray Live!

It’s December, which means NBC is putting up its annual holiday recital, in the form of a live musical! In years past, we’ve seen The Sound of Music, Peter Pan, and The Wiz, and now we’re #blessed with a show that has given us the gift of both Harvey Fierstein and John Travolta in women’s clothing – Hairspray. I personally love this show because it’s everything a traditional musical should be – big song and dance numbers, a lead character to root for, unexpected love interests, racial tension, and just good old time that will leave you feeling happy and full of glee. Hence, it is the perfect show for NBC’s live musical library. So did this live TV iteration live up to its previous stage and screen successors? Overall, it’s a yes for me, but that doesn’t mean I didn’t have a few highs and lows while watching it. Did you feel the same?

Low: Good Morning, Baltimore

I’m not particularly proud of starting with a low, but that’s how the show started for me. Good Morning, Baltimore is Tracy Turnblad’s big intro song, and it felt… flat? I was getting vibes that Maddie Baillio was holding back a little and just wanted her to belt out with more enthusiasm. Generally speaking, I thought Maddie was fine, but honestly, I think Nikki Blonsky made a better Tracy.

High: The Intro of The Corny Collins Show

It wasn’t until the reveal of The Corny Collins Show that I felt I was truly watching Hairspray, and what a reveal it was. Tracy’s bedroom walls split in half and Derek Hough appears as Corny Collins on the set of his show in all its pink and turquoise accents. A 1960s dream. All the Nicest Kids in Town were great, including Brenda, who says one of my favorite lines in the musical: “Brenda will be taking a leave of absence from the show. How long are you gonna be gone, Brenda?” “Just nine months!”

High: Ariana Grande

Both her ponytail and EVERYTHING ABOUT HER. I don’t care, y’all. Not afraid to say I love Ariana Grande. Besides My Everything and Dangerous Woman and her SNL impressions and the fact she’s a theater geek just like us, it’s easy to forget (for older folks at least) that she has excellent comedic timing. Every single line she said I lit’rally laughed out loud. From the first moment she popped her gum and said a line about perspiration, to talking to TV trying to say hi to Tracy, to being completely enamored by Seaweed, Ari proved she’s as good an actress as she is a vocal powerhouse.

High: Harvey Fierstein

 

At this point, Edna Turnblad is part of Harvey’s bloodstream. He originated the role on Broadway in 2002, and even won a Tony Award for it, so yeah, he’s done this before. And he’s done it well. Good lord he has done it well.

Low: Darren Criss as a Backstage Host

Pero like, why? And there was something called the “Social Squad” that he stood next to? I like you a lot, Darren, but I don’t need you chasing down Ariana Grande in a cart and calling her a “dangerous woman” with a wink to the camera. SHHHHH.

LowHigh: Dove Cameron

I had a vague sense of who Dove Cameron was prior to this (Disney kid, played Kristin Chenoweth’s daughter in The Descendants, recently broke off her engagement), but had never heard her sing before. I was delightfully surprised by her voice. However some of the big belting notes were beyond her reach, and acting wise, I felt at some points she was merely doing an impression of KChen and not acting as herself. However, I think overall she did a great job and made a good impression on all those who are seeing her perform for the first time.

High: Miss Baltimore Crabs

If you put Kristin Chenoweth in anything we will watch it. And we will praise her. Because she is worthy queen. She nailed Miss Baltimore Crabs, and I am dead from not only this dress with the crabs brooch but also by the crab hands she puts up at the end. KChen is a national treasure.

High: Ladies Choice

Ladies’ Choice is one of two new songs that was added to the 2007 movie musical, and smokeshow Zac Efron did a great job with it, albeit it was a shorter scene. This time Corny/Derek Hough takes on the track, and while he is no Zefron, it was still enjoyable. What made it even more enjoyable is that it was the setting for a good old-fashioned dance number, which I am a sucker for. What’s a musical without a bunch of chaînés turns, amirite?

HighLows: Ad Integration

My initial reaction to seeing such a blatant ReddiWhip ad in Hairspray was one of disgust. A fake dancer walking through the Hairspray set moments after a ReddiWhip truck was in clear view on the Baltimore street? No thanks. Then Corny sang praises of the all-American snack, the Oreo, and later Toyota made its way into the broadcast, and I realized it was all actually very brilliant. The set up of The Corny Collins Show, along with its own fake product integration of Ultra Cluth Hairspray, is fertile ground of real product integration. It would’ve been more weird if Oreo tried to make its way into Grease Live, but in this TV musical, it’s a perfect fit.

High: The Costumes

Corny’s jackets! Previously mentioned crab brooch! Edna’s sequined red dress! Penny’s green number with sky high white boots! JHud’s sparkly gold pantsuit! All of it was great and fabulous!

Low: Garrett Clayton

Ok, “Low” seems a little too harsh for this, but here we are. Since Hairspray opened on Broadway in 2002, many a handsome and talented men have stepped into Link Larkin’s shoes. Starting with Matthew Morrison in the OBC, other notable replacements include our boyfriend Aaron Tveit, Andrew Rannells, Ashley Parker Angel, Nick Jonas and of course, Zefron. Needless to say, it’s a dreamboat role to take on. However, I was not on board with Garrett. Here are my thoughts while watching him:

A) Who? Who is this? A Disney kid?

B) He’s not quite hitting all the notes.

C) Is the problem that I am too old to find him attractive? Probably.

HighLow: Three generations of Tracys

To have the OG movie Tracy and the OBC musical Tracy make cameos is great. I love a good cameo. Rosie! Sean Hayes! Billy Eichner! But to me, the Ricki Lake and Marissa Jarret Winokur appearances seemed a little forced. They showed up and sandwiched Maddie then stared straight down the barrel for about 2 seconds too long. It felt like that 4th wall breaking when the Tanners mention Michelle on Fuller House.

High: Motormouth Records

Everything about these scenes. I want to live there and dance to vinyl and eat chicken and waffles and be serenaded by Hamilton’s own Ephraim Sykes (Seaweed) and be outdanced and outsang by Shahadi W. Joseph (Little Inez).

Lows: The Lighting and Camera Blocking

There were moments when some of the actors weren’t lit properly or the blocking made it so you couldn’t see the main characters faces, and it was annoying. Yes, yes, it’s live TV, but that’s what dres rehearsals are for. Shouts to all the crew tho – I know it takes a lot A LOT of work do pull this off. But I mean, still.

High: Adorable Couple Is Adorable

Martin Short was such a perfect fit for Wilbur Turnblad that I had to look it up to confirm he’s never played the part before. He is joined by onscreen wife Harvey in Timeless to Me, song that’s so tender and warm-and-fuzzy that it doesn’t really matter who sings it  – it’l always be timeless.

High: Jennifer Hudson

We went to the Chruch of Jennifer Hudson last night, and were practically ready to offer up all the money we had after watching her sing I Know Where I’ve Been. It was the most soulful version I’ve witnessed and a reminder that racial inequality in the ’60s isn’t something that’s frozen in time. “White day is every day. You gotta be more specific.”

High: Curtain Call

The other new song added to the 2007 movie was Come So Far (Got So Far to Go), which only played in the end credits. I always loved that song, so I’m glad that it was performed live by two divas in JHud and Ariana at the end, and the curtain call was the right thing to go along with it. I admit I teared up a bit during the curtain call, because the cast is filled with pure joy, elation and relief that the show went off without a hitch, and I’m just so proud of people who put in hard work. Well done everyone!

Stray Observations
  • I could watch Andrea Martin (Penny’s mom) in anything and still adore her.
  • For some reason, the message of racism didn’t seem to be as powerful or come across as a major plot point as it is in the musical or the 2007 movie
  • Hairspray has built-in cheers from the audience at The Corny Collins Show, and I noticed NBC got the hint that not having people clap after a huge number is weird. Thank GOD they brought some people in to fill in weird voids
  •  Overall, Hairspray is probably the best live musical they’ve done since starting a few years ago, but I think Grease Live still takes the cake for me. I mean I’ve watched that at least five times. Willingly!

Tony Awards 2015: Best Dressed

If you love both theater and fashion, the Tony Awards are just about the snazziest night of the year. Unless you’re me, reading tweets about the event while on flight delay at O’Hare, eating a $6 pile of kale – during 30 minutes of free wifi. 30 MINUTES. As though you can accomplish anything on the internet in the duration of an episode of Step By Step (with commercials). But while I’m basically in the developing world (in that there’s scant wifi and it cost 1/3 of my paycheck to buy two cups of vegetables), the stars are shining on the broad way. Here were the best dressed of the night. But be forewarned: due to cruddy bandwidth, the first time I saw these outfits they were on people so pixelated they looked like they were made of Lego.

Dame Helen Mirren in Badgley Mischka

Well, look who’s making sure you don’t forget the “dame” in front of her name. I love that Mirren never tries to dress too young, but she also doesn’t wear stuffy “lady of a certain age” outfits – nor should she. If you told me “dramatic lace sleeves” I would have told you “absolutely not,” but this actually looks great.

Jennifer Lopez in Valentino

I don’t know why 3/4 of the people on this red carpet are on it (Kendall Jenner: book for Finding Neverland? Costume design for Curious Incident ? No, she’s just there). J.Lo is at least taking this seriously, and this gold and midnight blue number is so event-appropriate. I also like that it’s not that one kind of dress she usually wears. You know the one.

Vanessa Hudgens in Naeem Khan

The musical Vanessa’s from is High School, but she looks Broadway-ready. I tend to think there are different levels of conventionality required for the different awards shows. You can take bigger risks at the Grammys than at the Oscars, for instance. I’d say the Tony’s are traditional, but not so much that a print seems out of place. Even Anna Wintour’s daughter wore one. Besides, a large print is one of those youthful looks that you may as well wear while you can. Great place to wear a less-known designer, too! 

Kelli O’Hara in Oscar de la Renta

I don’t know if Kelli KNEW that this was the year she’d break away from being a Broadway Susan Lucci, but she sure is dressed like she is. So on one hand, this gold and black dress is formal enough for the event. It actually reminds me of damascena jewelry. But on the other, the shorter length makes it look a lot fresher than a longer gown situation.

Sydney Lucas in Erin Featherstone

I haven’t seen Fun Home, but just from listening to the great soundtrack you can tell that Sydney Lucas isn’t just some kiddo belting Tomorrow (I know, some great actresses have played Annie, it’s just not a role with a lot of levels, you know? She’s more at a Daisy Eagan in Secret Garden-level). I’m so happy everyone got to see that when she performed at the Tonys! Plus, it’s adorable that she’s obviously a young lady who cares about her fashion. One of my favorite parts of the Tonys is seeing all of these actresses that you’ve only seen in costume getting to really shine, and this girl absolutely looks like a Broadway star.
 

Judith Light

I’m going to go ahead and use the passive voice to describe some of the fashion at last night’s awards, so I don’t put anyone in particular on blast. Risks were taken, and sometimes mistakes were made. This white suit was a risk worth taking, and reminds me that Judith Light is an honest-to-goodness, Tony-winning star (sometime in the past year, my top Judith Light association became that golden retriever from Broad City).

 Elisabeth Moss in Oscar de La Renta

When I first saw this white gown with floral accents, I felt like it was like a livelier, more fun update on that iconic Halle Berry Golden Globes gown from 2000 – remember, the one with the red flowers? The color scheme on this one could have looked a little Delia’s but it comes across as young and summery, instead.

Kristen Chenoweth in Zac Posen

It can be hard to have a lot of presence when you’re as small as Kristen Chenoweth. It can also be hard to look anything other than adorable. This dress pretty much does the trick though, right?