Today’s Questions, Comments, Concerns features A Christmas Prince, a Netflix Original Movie that’s really a Hallmark movie for cord-cutters. Mindless, low-quality holiday entertainment isn’t just for people with a cable package! It’s 2017!
Comment: You can tell they’ve got that Netflix budget because of all the establishing shots of New York City.
to be fair they saved some $$ by using the clipart that came preloaded on their PC
On Hallmark, everything takes place in a picturesque small town that’s obsessed with Christmas because that’s the cheaper thing to do.
Comment: “Amber! We’re junior editors! Not writers!”
Dialogue like this is why people think that editor means human spellcheck.
Question: Wait, how can I become a Junior Editor?
Forget that my real rank is above “junior editor.” Amber gets sent abroad to cover a European prince. Nice work if you can get it.
Concern: Netflix spent its whole NYC budget on those establishing shots.
or actually, this is new york’s FINEST diner.
Amber goes into a tiny, empty diner that definitely seems like it’s somewhere in Hallmarkville. It’s her dad’s. He’s a Real New York Character, AKA he has an accent.
Comment: Netflix also spent some Establishing Shot Money on European mountains. Alps?
Concern: By the time they show the lush, snow-covered Swiss? Bavarian? castle, I’m already sold.
I don’t need this to be a GOOD movie, I just need to have a good time watching it.
Comment: Maybe Lead Girl would be a senior editor if she hadn’t showed up to a royal press conference in jeans and sneakers.
non-spoiler: rom-com lady is clumsy. also i have a follow-up question about the white plastic light switch. surely the castle electrician could upgrade that.
Now would be an appropriate time for me to use the terms “slacks” and “pumps.” Yech.
Concerns: Many
Amber gets mistaken for Princess Emily’s new tutor, Martha.
Question: Can we cut to the part where Emily is vibrant and lovable?
On one hand, A+ for having a child with disabilities as a primary character! On the other, they make her petulant and peevish like that hidden boy in Secret Garden. Collin, was it?
Comment: You know Rose McIver (Lead Girl) from other stuff.
I IMDB’d her because her face was so familiar, and not just because she looks like she’d play Keri Russell’s sister. She’s been in a LOT but I remember her best as the sister in The Lovely Bones.
Comment: We didn’t have to wait long for Emily to get vibrant and lovable.
She’s a cutie.
Concern: My ability to suspend disbelief.
For a split second I start questioning how Amber is pulling this off, whether there are visa implications, the scads of journalistic ethics violations… and then I relax into the soft fluff of A Christmas Prince like a child making a snow angel.
Comment: Cousin Simon’s no Prince Richard, but could still get it.
Richard though.
Concern: Male primogeniture, boo.
Princess Emily isn’t in line for the throne and I’m having S1 Downton Abbey flashbacks.
Comment: The cell phone sticking up out of Amber’s back pocket is honestly some of the most realistic costuming I’ve seen.
Concern: We have competition.
Meet Lady Sophia, a hussy in a red dress. You can tell she’s a hussy by the red dress. I don’t make the rules.
Question: Do we know for absolutely sure that Princess Emily’s not a Little Girl Ghost (TM Joey Tribbiani)?
Emily discovers Amber’s true identity and barters to keep Amber’s secret as long as she writes the truth about Richard. Emily says knows because she sneaked into Amber’s unsecured computer, but she seems awfully British and all-knowing … like a Little Girl Ghost.
Comment: I want Emily the Little Girl Ghost to get a friend who is a child.
Concern: Amber takes Emily sledding
I definitely think that children with disabilities should be encouraged to do anything other kids do (with necessary modifications and safety supports) but I just feel like Amber should’ve at least Googled if it was fine.
[It was fine, by the way.]
Comment: Horse stuff.
There was an equistrian sequence, but we all already knew that going into this. Richard chases off wolves in a page straight out of the Beauty and the Beast storyboards, then they retreat to Gaston’s lounge.
Concern: Prince Rick looks good in a turtleneck.
I don’t hate turtlenecks but it’s such a specific man who can pull it off, right? I know Amber agrees because they almost kiss in a beautiful barn. I could pay off my student loans selling reclaimed wood from this barn. And those are law school loans, ok.
Question: Do they put Christmas lights on actual castles?
Genuine question. I love them but bet royals think they’re naff.
Comment: Prince Richard is a fake!! Prince Richard is a fake!!
Well not FAKE, but he was adopted into the royal family in 1990. I assume there’s a rule about that in most royal families? Also with the giant age gap between Richard and Emily, I like to think this is one of those fake adoptions, like when old-Hollywood actresses would get pregnant, disappear for a year, then “adopt” a baby.
Concern: I was surprised by a plot twist in A Christmas Prince.
I never get surprised in Hallmark movies. Advantage: Netflix.
Amber’s so shocked that she uses the words “gosh” and “freaking.”
Comment: I love Amber’s bedroom with the Christmas tree.
When I was a kid, sometimes I used to pretend I was princess Anastasia and had a room like that. Yes, I know it’s actually Grand Duchess. Yes, I willfully ignored the unpleasant imprisonment and execution angles.
Comment: Richard’s so British (or whatever… Genovian?) he pronounces Sophia “Sophier.”
Comment: Amber wears her converse with her formal outfit…
Just like every group of groomsmen in wedding photos, c. 2010.
Question: Do princes really have a wedding ceremony to their country?
That’s more or less what Richard has. Objections and everything. Reminds me of when Dennis Rodman married himself (I’m old).
Comment: Mean Sophier’s objection was the adoption thing, clearly.
Comment: Richard’s late father hid the truth in an acorn ornament because nobody can be normal in these movies.
My favorite part is how Richard’s dad knew this would all come to a head at Christmas, and that somebody would decipher the secret clue about acorns, and how nobody would crack open or throw away the ornament before this point.
I also don’t see how a note in an ornament is legally binding. He should’ve just changed the code while he was alive. Easy-peasy.
Comment: Aldovia. The country was “Aldovia.”
Comment: The judge or whatever says “Merry Christmas to all,” which is the most Christmas we’ve had in a while.
Question: Why won’t Amber’s editors encourage her to run a piece on this?
They call it a “puff piece” but it looks like an exclusive, walks like an exclusive, sounds like an exclusive, it’s a duck.
Comment: It’s not a romcom unless someone makes a grand gesture at the end.
Richard comes to NY and proposes to Emily. I’m still floored that she works for a publication that thinks this ISN’T a story. He has neither a security detail nor a press following. She accepts.
Comment: A Christmas Prince has one thing in common with Hallmark movies
…. and that’s a couple meeting, falling in love, AND getting engaged all between the start and end of the Christmas season.
Which means I’m gonna do it anyways. Folks on Twitter are always sassy, but when this meme came about, it brought out the sassiest of us all, and I ain’t mad about it. Basically these meme is a series of dialogue where one person says something, but the other fake person in the situation says a rebuttal by starting off with the phrase, “first of all…”
It makes much more sense with examples. Here are just a few of my faves from the past few weeks. This is why the internet can still be the greatest place ever.
It’s that time of year again! Kids are going back to school, and we’re going back to our regularly scheduled programming. Well, new programming that is.
Every year, we break down which fairly new actors in new shows you should pay attention to (see: Chrissy Metz, Bryan Tyree Henry, Donna Lynne Champlin and Priyanka Chopra). This year’s talent is no different, and we can’t wait to see them at work. Which rookies are you most excited to see?
Brandon Micheal Hall {The Mayor}
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Previous Work: Search Party, Broad City
Why You Should Watch Him: Brandon Micheal Hall plays young rapper Courtney Rose, who decides to run for public office as a publicity stunt. Except he ends up winning and becomes The Mayor. Brandon is charming and charismatic both as the character and as an actor – it’s no wonder why he won the popular vote. He’s also got a strong bench on the screen with Yvette Nicole Brown as his mom and Lea Michele as a rival campaign manager, but also off – one of the executive producers is Hamilton’s own Daveed Diggs.
Why You Should Watch Him: Speaking of Hamilton and Daveed, enter nine-year-old Iain Armitage, who Broadway nerds might know as his online persona, Iain Loves Theatre. Don’t know him as that? Watch him rapping at a #Ham4Ham with an assist from Daveed. Or you might know him as Shailene Woodley’s son on Big Little Lies. He’s only nine but going from BLL to a starring role in a network spinoff show of one of the most popular sitcoms ever, yeah, Iain’s not doing too bad. And he deserves all of it.
Previous Work: Saturday Night Live, Sisters, When In Rome
Why You Should Watch Him: Not gonna lie I was pretty sad when one of my fave cast members left SNL, but like the Will Ferrell, Kristen Wiig and Bill Hader before him, he had to leave in order to get the proper stardom he deserved. In Bibby’s first starring TV role, he plays the middle aged version of Alex, a character we see at 9, 40, and 65 years old. Of course we all known Bobby’s hilarious, but he’s also got a ~sensitive side too, and that comes through just in the first look. While CBS comedies usually have a bad track record in my book, I’m hoping this one sticks around.
Previous Work: Hamilton, Younger, Law & Order: SVU, my dreams
Why You Should Watch Him: Never forget this tweet from Lin-Manuel Miranda in 2014: “This is Anthony Ramos. You don’t know him yet, but boy, will you. Kid’s a star.” Cut to a life-changing role in Hamilton, a role in Bradley Cooper’s A Star Is Born remake, and a new (old?) Spike Lee joint, all making this kid from Brooklyn a true star. The trailer that’s out now isn’t that good, but Anthony’s scene made me smile obnoxiously to myself, and if he can make me do that in 45 seconds, he’s bound to do that for all of us with an entire TV series.
When You Can Watch Him: The entire season comes out on Thursday, November 23rd on Netflix (watch the trailer here)
Josh Hutcherson {Future Man}
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Previous Work: The Hunger Games franchise, Journey to the Center of the Earth franchise, The Kids Are All Right
Why You Should Watch Him: The movie stars just keep coming over to TV. And for the bread boy, he opted to go with a reliable streaming service in Hulu with an even more reliable premise: he plays a time-travelling janitor who’s attempting to change the future without messing up the past. Does this mean it’s an alternate dystopia and he WON’T act like a lil bitch in The Hunger Games?
When You Can Watch Him: The entire season comes out on Thursday, November 13th on Netflix (watch the trailer here)
Sarah Gadon {Alias Grace}
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Previous Work: 11.22.63, The Amazing Spider-Man 2, Belle
Why You Should Watch Her: I don’t think I’ve ever seen this talented woman on screen before, but judging by the trailer for this show, I am all freaking in. Margaret Atwood (who wrote the novel Alias Grace is based from) is having a great year.
When You Can Watch Him: The entire season comes out on Friday, November 3rd on Netflix (watch the trailer here)
“Representation is important.” You hear this message all the time, just like you do with “Climate change is real” and “gender is fluid”. All of which are equally true, but it sometimes feels like they’ve lost their gravitas, merely being used as buzzwords to keep the message in the zeitgeist.
Thankfully, there are initiatives that come around that remind you that these aren’t just slogans sparking political debate – they’re real issues that greatly effect society now and for future generations to come. In this particular case, one such initiative is the #FirstTimeISawMe campaign, which encourages people to reveal which character first represented them in the media.
The hashtag is a collaboration between Netflix and all-around cool organization Black Girl Nerds. They released this video earlier this month, and hundreds of people took to Twitter to share their own firsts.
For a lot of people, coming up with an answer to this is viral hashtag is probably easy. Especially if you’re white. And a male. In which case, you probably haven’t thought beyond your answer to a simple question. But when I decided I should chime in too, I realized (or just became completely mindful of) the fact that there hasn’t truly been one character that I felt fully represented me as a female Filipino-American. I was having a difficult time coming up with an honest answer.
I’ve touched on this before in my Fresh Off The Boat post (why aren’t you watching it yet), but the first time I remember seeing an *Asian woman* on TV was in 1994, when Margaret Cho starred in All-American Girl, a short-lived sitcom that was cancelled after one season.
Fun fact: There was a plot line in Fresh Off the Boat in which Emery and Evan want to become actors, but their reluctant mom Jessica (played by the brilliant Constance Wu) says, “You’re not going to become actors. You think they’re going to put two Chinese boys on TV? Maybe if there’s a nerdy friend or a magical thing where someone wanders into a Chinatown, but no.”
Cut to the end credits when they’re watching an episode of All-American Girl, and Emery quips at his mom, “So, no Asians on TV?”
The show centered on U.S.-born Margaret (Cho) who lives with her Korean-American family in San Francisco. Her much more Westernized POV on life is in stark contrast to the traditional, Eastern values her family has, and of course, comedy ensues. Sure, I too am a first-generation child who has arguably taken up American culture more-so than my parents, but I’m not Korean.
This problem kept coming up anytime I’d try to see myself in any of my favorite TV or movie characters. I speak to my parents in English when they talk to me in Tagalog like Jane does with Abuela in Jane the Virgin, but I’m not Venezuelan. I enjoy hip-hop and grew up obsessing over music like Eddie on Fresh Off the Boat, but I’m not a Taiwanese male. I so hardcore related to Dev’s dynamic with his parents in Master of None, but I’m not an Indian male wannabe actor. If you took Lane Kim’s upbringing in a religious household (and tbh, Lorelai’s hot/cold relationship with her parents and knack for pop culture), you’d be pretty close to representing me – but I continue to not be Korean.
In fact, the only example I could come up with of even seeing Filipinos on TV at all is Crazy Ex-Girlfriend – and that show just ended its second season. Overall, the show is superb and speaks to my interests of romance, comedy, tragedy, and musical theater, but moreover, for the first time, I saw a Filipino as a main character. And one that didn’t just ignore the fact that he’s Filipino. Josh Chan (Vincent Rodriguez III) isn’t even a goofy sidekick. He’s the hot guy who is the one with the “crazy ex-girlfriend”. His name is literally in every episode title.
I already loved the show as soon as I finished the pilot, but what really turned the tide for me was the 6th episode titled “My First Thanksgiving with Josh”, written by comedy writer/actor and Filipino-American, Rene Gube (he also plays Father Brah). In this ep, Rebecca (Rachel Bloom) manages to get herself invited to Josh’s family Thanksgiving, despite the fact he’s still engaged to Valencia, who the Chans do not like that much. Because of this, Rebecca wants to impress his family as much as she can, which is why she teaches herself some basic Tagolog while cooking a traditional Filipino dish called Dinuguan (a stew with pork blood that I even refuse to eat).
Not sure what I was expecting, but I don’t think I ever expected to see a white actress learning Tagalog while making a Filipino dish on network TV. That is not a thing I ever expected would happen. But then the episode continues, and we meet the rest of his family including his dad, mom (played by Amy Hill, who was also the grandma on All-American Girl), and sisters Jayma and Jastenity (who have perfectly ridiculous Filipino names). Not to mention there’s an entire ROOM full of Filipinos, or Asians that act like they’re Filipino at least, eating a mix of American and Filipino food on Thanksgiving, just like I did growing up.
“I saved you the pork adobo and turkey skin, anak (child/something my parents and aunts and older relatives still call me to this day)” Mama Chan to Josh
Plus there’s the other line that Mrs. Chan says to Rebecca in yet another slight to Valencia, by saying, “We are so thankful God sent you to us”, a precursor for when Mrs. Chan later invites Rebecca to mass that same night. This isn’t a thing that I personally did with my family, but I will say that I grew up going to Filipino Bible Study, was super active in my Protestant church, and went to Catholic school my entire life. So yeah, my parents love the Lord and I understand the Chan’s church on Thanksgiving tradition.
Later in the season, we’re introduced to Josh’s aunt, played by Queen of the Philippines Lea Salonga, and we get to see even more of the Filipino culture when Josh’s sister Jayma gets married. The men, including Jayma’s Jewish husband, all wear traditional shirts called Barong Tagalog, which are lightweight and embroidered and worn at formal gatherings. Again, never in my life have I seen so many barongs on American TV. I never could have imagined this.
So all this to say, that’s what I tweeted. I said I’m still waiting for the one person in media that I can relate to wholeheartedly, but the Chans are the closest thing I got. And lo and behold, they responded:
Vinny also tweeted back and I unexpectedly started a Twitter convo between the Chan family. #FangirlGoals, amirite?
But through my own delve into how Filipinos/Asians/Females are represented in the media and seeing all the responses from other POCs on Twitter, it’s just a reminder that we still have so far to go. There are so many more stories to be told, especially in America, where not only are we a melting pot, but minorities are lit’rally taking over the country. According to a 2015 U.S. Census Bureau report, by 2020, “more than half of the nation’s children are expected to be part of a minority race or ethnic group.” By 2060, the minority population is expected to rise to 56%, while the foreign-born population will reach 19% (that stat was 13% in 2014). Plus, the population of bi-racial, or “two or more races” is projected to be the fastest-growing in the next four decades.
If this is the direction the U.S. is heading, doesn’t it just make sense for the media we consume to reflect the diverse makeup of this country? The more we see POCs in the media, the less likely we as a nation are to be culturally insensitive and racist. Just look at the LGBTQ community. Over the past two decades, the mere presence of characters like Willow and Ellen and Will Truman and Jack McFarland, Cam and Mitchell, have become part of pop culture history and “normalized gays” for those in the South or midwest or any area in the U.S. where being gay is considered against God’s will.
Perhaps most importantly, it’s the accurate portrayals of this community that have helped society embrace the real life gays and lesbians and transgendered folks we meet at work or in the grocery store. The same goes for all the POCs listed above – Brandy proved that she, too, could be a Disney princess in Cinderella (and get the handsome Filipino prince), America Ferrera inspired Latinas in both Gotta Kick It Up! and Sisterhood of the Traveling Pants as a smart, confident young lady, and Regina King showed in American Crime that wearing a hijab might just be a superpower to become a badass who never gives up on seeking justice. These characters don’t fall into negative stereotypes that have long been shown in film and TV, which can subsequently give viewers a false sense of these minority groups. If you’re a white woman living in a small town in Alabama where the population is 95% white and all you see are black people on TV who are gangsters and drug dealers, I’m going to assume there’s at least a small part of you (if not whole) that believes this stereotype to be true of all black folks. Whether you realize it or not, the negative portrayal of minorities leads to invisible (and possibly outright) racism, sexism, homophobia, etc., which is why we need to keep having conversations like #FirstTimeISawMe.
Not only do we get to see others’ personal experiences with representation in media, but it’s a reminder that when you forget about skin color for just one moment, these are people just like the people in your bubble, who are going through similar trials and tribulations. That’s not to say we should be completely colorblind, but rather encourage the acceptance and appreciation of all cultures, no matter how different they are from our own.
I’m grateful that I live in a time where I can see Filipinos (and minorities as a whole) being portrayed in an accurate light on screen, and it gives me positive reinforcement that we aren’t an afterthought. That we, too, have a place in this society, despite what the horrible actions and hate crimes of other Americans may say. It provides an intangible sense of belonging that no travel ban or affirmative action law can change. It gives us the ability to open up the dialogue and insist that there is always room for representation of all people on TV and film. Despite knowing all this, we can always do better. We have to do better. And we have the power to do so. If you’re a storyteller, tell your unique story to the masses. Pen a script. Direct a movie. Write a blog post. Yeah, Representation Is Important. And who better to represent us than, well, us?
We are mere days from the Netflix premiere of ‘Anne With An E,’ but I had the pleasure of viewing the first two episodes earlier this spring when my Canadian TV signal was coming in. There’s a lot to be excited about, so I’ll just mention a few things now:
In an epic Meeting Of The Canadian Cultural Icons, the opening titles of ‘Anne With An E’ are set to The Tragically Hip’s Ahead By A Century, giving the song a new meaning and perfectly encapsulating Anne.
The aesthetics are phenomenal. The ‘Anne With An E’ production strove for authenticity in its sets and costumes, but certainly also to meet a modern appeal. To wit: the puffed sleeve dress won’t look as ’80s as the one in the (dearly, deservedly beloved) Megan Follows version. Yes, that ’80s dress was historically accurate, but the choice was one that complimented a 1980s aesthetic; the choices in this production, similarly, are historically accurate but complement a 2017 aesthetic. That is to say that many of the rooms in Green Gables are beautifully bare and folksy, like a Kinfolk spread. Both the CBC and Netflix premieres included flower crowns and a flower wall. The town shots of Avonlea are a little more ‘gritty’ and a little less Little House on the Prairie. The colors are at once washed out and sepia-tinged. It’s just PRETTY, in a way any production set in Prince Edward Island should be. You can see what Anne’s swooning over.
‘Anne With An E’ does depart from the books, for better or worse. I hate to bemoan too much imagination in a discussion of Anne of Green Gables, of all things… plus the (dearly, deservedly beloved) Megan Follows version strayed from the books in its own ways. With this adaptation helmed by Breaking Bad writer Moira Walley-Beckett, safe to say things are considerably darker. There are two arguments to be made here. The first is that Lucy Maud Montgomery knew darkness as a child, as her mother died when she was very young and her father effectively abandoned her, but chose a light and optimistic outlook in the Anne novels. The second is that the darkness is implicit in the Anne series anyway. We know Anne was overworked and abused in her earlier placements, and we knew of her loneliness in the orphanage. Her use of imagination as an escape permeates Anne of Green Gables, especially. She does face rejection and fear abandonment; she cannot remember being loved.
However, some plot devices that were used to increase the dramatic tension in ‘Anne With An E’ felt unnecessary. The classic Anne debacles – the hair dye, the ridgepole, the Lady of Shalott business, good Lord, the cordial – are enough.
I think Anne Shirley was always a feminist, but ‘Anne With An E’ couches that in more modern terminology. For instance, Anne tells Marilla that girls can do anything boys can. It struck me as anachronistic, but then I remembered my niece who I’ll be watching this with and realized that it’s not for me. I’ll take some improbable dialogue if it’s to a good end, especially in a children’s series. I’d compare it to the 1994 adaptation of Little Women that way.
Finally, if there’s one reason to give this adaptation of Anne a chance, it’s Anne herself. Amybeth McNulty is the closest to the Anne of my imagination of any actress so far. Anne is aged up to 13 in this series, and Amybeth really does look like a 13-year-old who sees herself as scrawny; it was hard to suspend disbelief when the wonderful Megan Follows looked 17 in the first movie. Amybeth has just the right intelligence and spirit behind her eyes to make a convincing Anne, effectively conveying Anne’s disappointment, trauma and high-flying spirit. If I was 15 I’d totally want to be bosom friends with her.
The take-away: ‘Anne With An E’ – or any Anne adaptation – won’t meet muster for some fans of the 1985 CBC series Anne of Green Gables, but there’s a lot to love if you judge it on its own merits. I’ve loved Anne since I first read Anne of Green Gables in second grade, and I enjoyed the episodes I saw of ‘Anne With An E’ enough that I’m anxious to see the rest of the series. You could say that some liberties were taken with the stories, but you could also say that there was plenty of scope for the imagination in the original texts.
My analysis of Marilla Cuthbert – whom I love, of course – as a creepo who kind of did try to buy a child to do chores. And if you have enough cash-money to buy a human child, you can buy her the ugly sleeves she wants, right?
Is Gilbert Blythe a swoon-worthy match for Anne or a total jerk who should leave her alone? Both? Neither? Or is the problem with Anne herself? Join me on the journey to unravel basically every weird romantic situation I’ve ever been in.
Several years ago there were rumors of a modern-day Anne of Green Gables adaptation. I tried to parse out what, exactly, that would look like. Mr. Phillips and Prissy Andrews? Yeah, that’s a Dateline special waiting to happen.
Because I’ve never skipped an Anne of Green Gables adaptation, I wrote about the PBS version that aired in November of 2016. Takeaway: it was fine, I guess.
A few days ago, Netflix head honcho Ted Sarandos stirred the Stars Hollow pot and got fans all riled up by prompting clickbaity headlines like, “More Gilmore Girls episodes possibly on the horizon”, and “Netflix and Gilmore Girls creators are in talks for new episodes”. The reality is that Teddy told the UK press that his team is in”very preliminary” talks with GG gods Amy Sherman-Palladino and Dan Palladino for a revival… of the revival.
“We hope [there are more installments]. We obviously loved the success of the show, fans loved how well it was done, it delivered what they hoped… the worst thing is to wait a couple of years for your favorite show to come back and for it to disappoint you, but they sure delivered and people were really excited about more, and we have been talking to them about the possibility of that.” {via THR}
It is important for all GG fans to know that “very preliminary talks” and “possibility” of new episodes is the key here. Nothing is set in stone. There is a very, very, very long road with many hurdles to greenlighting a show. Sure, Netflix can make it a top priority on their production list (although GG isn’t even the highest rated show on Netflix but whatevs), but just because Ted says they’re talking, it doesn’t mean it’s a sure thing.
But the question is – are the talks even worth it? Do Gilmore Girls fans want more episodes? Does the cast want more episodes? Do Amy and Dan, the creators of this world we love, want more episodes?
To get to the bottom of this, I took the Rory Gilmore approach and created a Pro and Con list of bring the Gilmores back into our lives once again. Spoiler: I do come to a conclusion based on this v scientific model, so Ted, take heed.
One of the first scenes in Winter, the first episode of A Year in the Life, was a sweeping pan of the familiar quaint town of Stars Hollow, coated in fresh snow while lights conveniently turned on as the camera slowly followed Lorelai and Rory across the square, passing by the town troubadour who is singing the perfect song to bring us back to their own little corner of the world. It was perfect. I cried when I saw it. It was exactly what I wanted the revival to be. That feeling of comfort and returning home was captured in that one scene, and to go back to that would not be something I’d shy away from.
Con: Do the actors even want this?
Now I wasn’t part of the cast & crew of GG but from what I gather, when season 7 came around, a lot of people were worn out. They worked long days for most of the year, since those were the days of 22/23 episodes per season. Alexis allegedly wanted out and had no plans to renew her contract. Eight years after it ended, everyone had moved on personally and professionally, and most importantly refreshed with a renewed desire to come back. The main cast (Lauren, Alexis, Scott and Kelly) were all available and willing to reprise their characters in order to finish the story that ASP and Dan originally set out to tell.
The rest of the cast seemed up for it too, but for people like Jared Padalecki, his Supernatural schedule limited his screen time to the one scene. And do y’all even remember that Melissa McCarthy almost wasn’t even in AYITL? Woman is a millionaire busy making action comedy movies with Paul Feig. She carved out a few hours in her schedule to film that one scene in Fall. Lorelai’s best friend lived in Stars Hollow for most of the revival, yet we only saw her for like 10 minutes. All because Melissa is a big movie star now. So are they even up for another installment?
Ever since the OG series ended, Lauren & Alexis were constantly asked if they would return to GG, and even at the premiere of AYITL, the cast was asked if there could be more.
“We’re all just we’re grateful we got a chance to do this,” she said. “It really is about telling a good story for us. Just to keep doing more for the sake of it probably just wouldn’t feel satisfying for anybody. We just want to make sure we’re doing it for a really great reason.” {via E! News}
To me, that sounds like Alexis doesn’t want to ruin a good thing, and would have to be convinced to sign on. And what good is the Gilmore Girls without a third of the Girls (no matter how annoying she is)? I feel like forcing these actors to do something they might not want to do isn’t the ideal situation to come back.
Pro: Lorelai (and Luke) as Grandparents
OK now that my OTP is finally married I wouldn’t be mad at seeing them as a married couple. Although it’s probs just more of the same back and forth flirty bickering (AND I AM OK WITH THAT). But since a baby of their own is out of the picture (I guess?), a baby in the form of a grandchild would be interesting to say the least. Just picture Luke tending to Rory’s child. He will spoil that kid rotten. It’s the stuff fanfics are made of.
Con: Rory as a Mom
We can all agree that Rory in AYITL was v problematic, right? The problem itself was that ASP wrote Rory the way she imagined she would be in season seven, a 23-year-old recent college graduate, not a 32-year-old freelance journalist. Finding out out you’re having a child at the age of 23 is MUCH different than finding out you’re having a child at 32. Furthermore, at the rate she’s going, Rory would be even more annoying moving forward. For some reason, ASP & Dan decided to paint her as a member of the 30-something gang™ who isn’t prepared for job interviews and is casually sleeping with her engaged ex-boyfriend despite having a boyfriend who she keeps forgetting to break up with. This is the same person that was her high school valedictorian and did extra extra credit for fun. I find it hard to believe that she would do a complete 180 in such a short amount of time. Present Rory is not someone I necessarily want to keep tabs on. And before you Rory defenders get all defendy – yes, it’s also a pro that we’d be able to see her as a mom, for the good and the bad.
Pro: #JusticeForLane
One of the major upsets from AYITL for me was that we didn’t get enough Lane Kim. I was hoping that since her storyline sucked ever since circa season 3, we’d get to see more of Lane and if/how she’s living her best life. Instead, we got about 10 minutes of Lane solely acting as a sounding board for Rory’s problems. We don’t even know if Lane is still working at Luke’s, if she’s at the Antique store full time, to what extent Hep Alien plays in their life – nothing. Instead we got the unnecessary reveal of Mr. Kim.
And let’s just call it like it is – this is all Adam Brody’s fault for choosing The OC over GG. If Dave had stayed around, Lane wouldn’t be married to Zach, wouldn’t have had twins, and wouldn’t be working for Mrs. Kim (I’m guessing).
Con: Are we just making profits instead of making art
Fact: Luke and Lorelai’s wedding scene wasn’t originally that middle of the night elopement that you saw in Fall. While I loved how it turned out, that was a much scaled down version of what Amy and Dan had in mind. ASP revealed the wedding secrets to OG Gilmore Guy Michael Ausiello back in December:
“The wedding was originally a much bigger deal. The wedding was a whole shebang. And then they took money away from us. Anything that has extras in it and costumes became a production nightmare. So we had to figure out how to make this wedding satisfying without doing ‘The Big Wedding.'” {via TVLine}
What I’m saying is that business usually gets in the way of what the creators truly want to do. Amy probably never imagined there would be a possibility of life after the revival (or even a revival at all), so in her mind, should we only see this slice of Stars Hollow in this time frame, and nothing more? Are they only in “preliminary talks” with Netflix because it became this huge international phenomenon and they can make a lot of profits from it? Or does ASP actually feel like there’s more story worth telling?
Pro: More Gilmore Guys
I’ve talked about my love for the Gilmore Guys before, and it’s been truly a special journey that we’ve been on together for the past two years. I started listening around the spring of 2015, when they interviewed Scott Patterson for the first time. Then, the conceit was just one longtime fan and one new fan comically talking about a show I loved in a way I had never heard before. Then they started interviewing more cast members, they went to the same ATX TV Festival we did for the GG reunion, then all hell broke loose when the official revival was announced, and the podcast turned into something greater than they ever would have thought. Even though co-hosts Kevin and Demi are done with covering GG and AYITL and have moved on to Bunhead Bros, it would be nice to hear them talking about GG once again. And so they can finally get Lauren, Alexis and ASP on the show.
Con: Perpetuating revival/reboot culture
It seems like every week, a network is announcing the comeback of some show that was popular or mildly popular 10+ years ago. Queer Eye for the Straight Guy, L.A. Law, Charmed, Will & Grace. All these shows are coming back to TV, but can they ever recapture the same magic from their original run? It seems more often than not, the answer is no.
Now actors and producers of shows know that just because a series ends, it doesn’t mean it’s the end the end. I feel like in some cases that possibility of coming back even effects the way creators write series finales, letting the chance of something in the future determine that final chapter. It’s the same idea of setting up a huge cliffhanger at the end of a season if you don’t know if you’re going to be renewed or not. You throw all your eggs into one basket, and hope for the best that you’ll be back after summer hiatus to finish telling the story.
In my opinion, this shouldn’t be the case. Creators should tell the story exactly how the want to tell it, from beginning to end. There has to be a legitimate reason for a show to come back, otherwise you’re just doing fan service. Gilmore Girls’ reason was the ASP & Dan weren’t able to creatively end the show the way they wanted it to. AYITL gave them that chance. On the flip side, Will & Grace ended with a satisfying series finale (that flashed forward into the future), with all its creators and stars in place. Did I love Will & Grace and think it was important to society as a whole? Yes. Do we need more episodes? No. I got closure with the series finale. Anything more is just being selfish. Will I watch it? Probably.
Pro: It can answer a lot of questions from the revival
Who wrote the letter to Emily? Why wasn’t there more Miss Patty? What is Zack’s job? Does Jess actually have lingering feelings for Rory? Does Rory tell Logan he’s the father (we’re assuming)? Does Logan leave Anabelle because of his impending fatherhood? Is the surrogate/baby thing a case closed situation between Lorelai and Luke? Does Michel stay at the Dragonfly when it moves to the convent? Will Sookie work at the Dragonfly again? Why show Mr. Kim? Does Rory continue working at the Stars Hollow Gazette? Is she even making money from the Stars Hollow Gazette? What happened to her “Gilmore Girls” book? Did Lorelai end up reading it and liking it? Is Emily really living her best life? Is Berta still with her? What’s the deal with her gentleman caller Jack? Are Liz and TJ ever going to get out of the vegetable cult? What is Brian doing with his life? Do Paris and Doyle finalize their divorce or reconcile? Is Petal OK? Is Paul OK?
Con: Logistically and Realistically it’s no good
So let’s break it down, Gillies. If Netflix is in prelim talks with ASP and Dan, those talks can last months. Then there’s the contract negotiations with the cast. And more importantly, the Palladinos have to come up with a legit story outline. They had a decade to flesh out ideas for the revival and had so many that they had to cut out a lot of storylines. Knowing what I know of these two, they’re perfectionists who won’t compromise their storytelling for time. These things don’t happen overnight. Let’s say at the earliest, my best guess is the show wouldn’t even premiere until 2019. If they pick up in real time, that means Rory’s kid would be three (if she keeps the baby), and Lor & Luke would be a few years into their marriage – we wouldn’t organically see preggo Rory or Lor & Luke’s town wedding. I’m guessing that’s what a lot of fans would want to see (yes, including me).
Another big hurdle is that the Palladinos already have a show in production, Amazon’s The Marvelous Mrs. Maisel, which premieres on March 17th. Like all Amazon shows, fans ultimately determine whether or not the pilot gets picked up to series, so while we don’t know the fate of it just yet, I have a hunch ASP & Dan are going to be busy for a while. They’d be bonkers to take on two projects at once. But yet, anything could happen.
Bottom Line:
I’m in the minority of fans who don’t need more Gilmore Girls episodes, because on my own list, the cons outweigh the pros. I said this in our AYITL wrap up, the four episodes we were blessed with in November were the final chapter in the book Amy never got to finish writing themselves. Her story, the one she never thought she’d get to end the way she wanted, is complete. Anything made after this is the sequel that will always be contended and compared to the original. Did we need a second installment of Grease? No. Because ASP was able to show fans her own ending, it was enough to make me feel closure with the story as a whole, and satisfied with saying goodbye to the Gilmores once and for all. That being said, did I watch Grease 2? Of course. That Michelle Pfeiffer is a gem.
Well folks, here we are. The flaming dumpster fire that was 2016 is over, and we’re all here in 2017 hoping it can’t get worse than last year. But there were some good things that come out of 2016, and just like last year, we’re highlighting a few super specific things we loved from 2016, that don’t necessarily fit into any general Best of categories.
Best 2000s television reunion of 2016: Gilmore Girls
Ironically, Gilmore Girls also made our Best of 2015 Superlatives list, but this time it’s for an entirely different reason. The show made a big splash in pop culture ever since the revival was announced back in 2015, and the hype was at a high this year, crawling back into the zeigesit in the weeks leading up to ThanksGilmore (we were guilty too). But as OG Gilmore fans, we had been waiting nine years to find out how Amy Sherman-Palladino wanted to end her series the way she truly wanted. When the four episodes dropped that fateful Friday, we were transported back into the world of all things Gilmore – where the town weirdo runs a janky Ooober service, the locals have to hide a secret bar from the selectman, and the phrase “I smell snow” elicits very real emotions that induce crying. For us, this feeling of comfort – of feeling back how in Stars Hollow – was what we wanted from the revival. While it did produce the perfect example of Your Fave Is Problematic #RoryGilmore, overall, we were so glad to have those adorable Gilmore girls back in our lives once again.
Best Gilmore Girls: A Year in the Life Cameo of 2016: Parenthood Cast (as a whole)
Speaking of Gilmore Girls: A Year in the Life, there were many a cameo throughout all four mini-movies that made me squeal with glee. But none more so than three very special appearances from Lauren Graham’s other TV family, the Bravermans. First, we knew her Parenhootd daughter Mae Whitman was going to be in the revival, but seeing her interact with Lorelai Gilmore and not Sarah Braverman made our hearts explode, but the fact that she always interacted with Rory?! Our brains explode too. And then came summer, when I lit’rally screamed out loud after seeing Jason Ritter pop up as the park ranger. MARK CYR FOREVER AND ALWAYS. And THENNN Peter Krause aka Adam Braverman aka Mr. Lauren Graham as park ranger two?! I DIE. I DIED. Thanks, 2016.
Best Ham4Ham performance of 2016: The Hamilton Mixtape
I feel like it’s unfair to call this a #Ham4Ham, but the Hamilton officials called it that, so we’ll go with it. HamFams have been waiting about a year to hear the mixtape that Lin had been promising, and boy it did not disappoint. In the most epic release party, they held a #Ham4Ham inside the Richard Rodgers, with a few artists from the mixtape doing live performances of their Hamilton covers. AND it was live streamed for the interwebs. The Roots, Regina Spektor, Andra Day and Ashanti and Ja Rule + more – it was “LIT AF” as the kids say. I got emotional (like I usually do) watching it, realizing that this joining of forces between contemporary artists singing Broadway covers on a Broadway stage opens the doors for so many more people to be introduced to theater in a brand new way. It’s the way life and art should be – accessible and enjoyed by every one.
Best Hamilton Happy Trails of 2016: July 9th, 2016
Hamilton may have opened in 2015, but it reached a fever pitch in 2016. A month after winning 11 Tonys, four of the OG cast members, Phillipa Soo, Leslie Odom Jr., Ariana DeBose and the maestro himself, Lin-Manuel Miranda, took their final bows. Saying goodbye to one OBC actor is hard enough, but four is even more difficult if you’re HamilTrash. Luckily, a live stream was provided and we were able to watch as their tears synced with our own. The kicker? Alex Lacamoire stealthily adding in The West Wing theme for number one fan Lin (I lit’rally just rewatched that on mute and I’m STILL crying over Chris Jackson pushing Lin back out to take his own bow).
Best Beyonce Live Performance of 2016: MTV VMAs
Beyonce was one of the shining lights of 2016 thanks to her kind of surprise album drop with Lemonade, but what made it epic was the entire HBO movie special she made as a vehicle for the new music. After going on her Formation tour (equally epic), she blessed us with a 20 minute performance of Lemonade on the VMAs. God. Is. Good.
Best Michelle Obama Speech of 2016: Democratic National Convention
We’re really going to miss all the Obamas, but Michelle has been such an inspiration to all women (and humans) during her reign as first lady. She is poised, classy, articulate, smart, compassionate, caring, funny, etc. etc. And while giving her speech at the DNC this summer to show support for HRC, she yet again left us in awe and tears, but mostly left us with something to aspire to – when they go low, we go high.
Best Carpool Karaoke of 2016: Adele
In what is arguably his best carpool karaoke yet, James Corden’s ride along with Adele has raked in over 143 million views since it was released last January, and it’s obvious why. Maybe because I’ve accounted for at least 43 million of those? Nah, probs because Adele is a badd ass bitch who raps Nick Minaj better than Nicki Minaj.
Best Political SNL Sketch of 2016: Hallelujah
The Worst Week of 2016 aka Election Week ended with the great Leonard Cohen dying (because #2016), and in what was reminiscent of the way they handled the first ep back after 9/11, SNL knew exactly how to bring meloncholy and levity to homes across the U.S., by having the wonderful Kate McKinnon, as Hillary Clinton, sing Leonard Cohen’s Hallelujah. Cue the tears.
Best Mannequin Challenge of 2016: Black Lives Matter
I’m over the mannequin challenge (I was never under it), but this one was worth all the other silliness from everyone else.
Best Obama Girls Moment Of 2016: The Ryan Reynolds Double Thumbs Up
In this moment, I am somehow able to imagine what it would be like to be both a teenager attending my first state dinner and talking with a handsome male movie star, and the big sister of a teenager attending her first state dinner and talking with a handsome male movies star. Meet our era’s Schuyler sisters.
Best Bill Clinton Moment of 2016: Bill and Balloons
Forget what came after for a moment and just focus on Bill Clinton, the man who served as leader of the free world for eight years, still getting a kick out of balloons … and even more of a kick out of his wife’s presidential bid.
Honorable Mention: When you could see Bill mouth the words “that’s my girl” during Hillary’s concession speech, or his death grip on Chelsea’s husband during Chelsea’s speech at the DNC. You know what? They’re all winners.
Best Olympics Moment of 2016: Michael Phelps’ One Last Time
It feels like so long ago now, but 2016 was a Summer Olympics year, our favorite TV/sporting spectacle and feel-good obsession. Nobody made us prouder to be Americans that golden boy Michael Phelps, who did his last Olympics right by earning his 23rd gold medal.
Honorable Mentions: So many! The Final Five’s overall brilliance – how much do we love Simone and Laurie?! – and Katie Ledecky’s astonishing performance, and the US and NZ runners who helped each other finish after crashing on the track … we could keep going.
Best children’s movie for adults of 2016: Zootopia
Zootopia was great: funny, clever, touching, and with a really beautiful and necessary message. I went with kids, but I would have gone as a single adult just as proudly.
Honorable Mention: The Secret Life Of Pets
Best new Netflix series – drama of 2016: Stranger Things
Stranger Things gripped audiences nationwide with its loving tribute to the 80s horror/children’s adventure film, but it did it in a singularly modern way as a short, streaming series. The series spawned memes, catchphrases, national sweethearts (Barb!), a whole lot of Halloween costumes, and the coolest troop of child actors around.
Honorable Mentions: The OA (possibly my best, but I’m only halfway through it); The Get Down
Best new Netflix series – documentary of 2016: 13th
It’s not exactly a secret that Ava Duvernay is a fantastic filmmaker, but she did something really special with 13th. She took an issue most Americans who are paying attention already knew about – the consistent and disproportional incarceration of black men used as a type of modern servitude in the prison industrial complex – and presented it in a clear, gripping, impossible-to-ignore way.
Best New TV Series That Your Mom Would Like Too of 2016: This Is Us
We love This Is Us. So do most of our friends (30-somethings). So do a lot of older baby boomers we know. This series appeals to the nostalgia of young(-ish) adults who grew up in the 70s – 90s, as well as their parents who were raising kids at that time. It’s not a cheap nostalgia trip, though. This Is Us is a relatable and incredibly touching family story for anyone who has siblings, or parents, or feelings. Plus, let’s not forget how they hooked us all in with that twist in the pilot.
Best Silly Meme of 2016: Arthur Fist
Speaking of relatable, Arthur’s balled-up fist is relevant to as many life situations in 2016 as it was when you were 10.
Let’s take it way back to a simpler time: exactly a year ago. Everyone was talking about Steven Avery, small-town Wisconsin justice, and a really horrible 2005 murder thanks to the Netflix series Making A Murderer. We were amazed that out of this whole basket of deplorables (to borrow an expression), a grisly murder wasn’t the only terrifying aspect of the story. (By the way, when we were discussing this post last week, we also realized that these scary Manitowoc County people were also exactly the people who voted the next president into office … so there’s another spooky aspect to this whole story.)
I live in one of the snowiest cities in America (100 inches/average). We get 12 inches of lake effect snow and school isn’t even cancelled the next day. The average high temperature last February was 12 degrees Fahrenheit. And I am a total wimp compared to the hardy Wisconsinites in this series. Didn’t it feel like every exterior shot, no matter what time it took place, was crammed with piles of snow everywhere? But nobody complained or even looked cold? Manitowoc County is like the North Pole except that it’s a workshop for unspeakable violence and judicial corruption instead of toys.
Scare Scale: A White-Knuckle Drive On An Icy Expressway – 2/10
The Land That Time Forgot
Based on the hair and wardrobe of the various townspeople, you’d be forgiven for thinking that Making A Murderer was filmed in 1986 or 1998, but it was actually well into the 2000s. I know plenty of small-town residents, rural folks, and Midwesterners who look completely normal, so the frozen-in-time aesthetic really added to the feeling that there was something just off about every single one of these people.
Scare Scale: The moment when Rip Van Winkle awakes – 3/10
Two Nice Lesbians In Possible Peril
The filmmakers behind Making A Murderer, Laura Ricciardi and Moira Demos, were a very young, chill lesbian couple from Columbia University when this project began. Although there are tons of intelligent, free-thinking people in the rural northern Midwest, the particular crowd that was featured in this documentary seemed… um… not that way. Not to mention, Ricciardi and Demos probably didn’t exactly blend into the Land That Time Forgot. They never mentioned being made to feel at all uncomfortable, but I still found myself wanting to call in a welfare check when I realized they were alone with some of those people (ahem… Steven’s terrifying mother).
Scare Scale: That Time When TLC Showed Michelle Duggar’s Lesbian Sister & I Imagined The First Time She Met Jim-Bob – 5/10
It’s been a long journey for all of us – from watching the first Gilmore Girls episodes as Rory-aged teenagers, to crying and also puzzling over the finale, to rewatching the entire series on Netflix, attending the reunion, hoping against hope for a revival and seeing our wish granted. Our reluctance to watch what well may be the FINAL episode of Gilmore Girls was tempered by two things: how grateful we were to get A Year In The Life to begin with, and our curiosity about the plot point hanging over our heads for nearly a decade: the last four words.
M: I was so excited/nervous/sad about beginning Fall that I procrastinated for about a half hour before watching it – to the extent that I brought boxes up to my attic at night time. This goes to the way we ended up watching the show versus how we would have liked to. I watched one episode Friday, one Saturday and two Sunday. I would have preferred to watch one every several days or even one every week or two to really drag out the experience. I’m good at waiting for things and like to have positive experiences ahead of me instead of behind me. However, I’m also a person who reads the internet and we had to go into self-imposed social media exile while watching Gilmore Girls: A Year In The Life. Even news sites weren’t safe. With every day that passed it became more and more likely that I would stumble upon a major plot point or the last four words without meaning to. Ultimately it was more important for me to experience everything for the first time through the show instead of some tweet than it was to watch the show at my own pace. (Also: there’s a spoiler protocol with regular television, including the expectation that you enter Twitter at your own risk for a show that people live-Tweet. It’s not so clear for content that becomes available a full season at a time.)
T: Meanwhile in LA… It is 11:52pm on Sunday night and I am starting now because i’ve been putting off as late as I can before heading back into the real world. The feeling of pressing play is similar to that of when I watched the series finale in 2007 – eager to find out what happens, but also sick to my stomach knowing this could be the last time we visit Stars Hollow. For good.
I will say that I’m proud of myself for avoiding all spoilers the entire weekend. I stayed off pretty much all of the Internet except our blog and my personal Tumblr. My friend texted me to let me know Fidel Castro died. I wouldn’t have found that out until Monday.
T: I’m not sure why, but for the first time since starting the revival, I felt a sense of normality that I was watching Gilmore Girls in 2016. In particular, it was the motel scene where Lorelai calls Luke, which isn’t anything special besides a woman leaving a voicemail for her boyfriend. I guess it was all finally just starting to sink in. Just in time for the last episode!
M: Lorelai is at a very crowded entry to the PCT, where women inspired by Cheryl Strayed ask each other “book or movie?” and trade origin stories (divorce and dead parent are popular inspirations).
T: I loved this storyline – it felt so very ASP to me. She’s the only female writer that would think to herself, “I wonder if the amount of women going on the Wild hike has increased ever since the book came out? Did it spike when Reese Witherspoon threw her boot? Lorelai would be great there. And by great, I mean horrible.”
M: Our girl Stacey (Oristano, Friday Night Lights, Bunheads) is on the trail! I love when ASP universes collide. Pssst – Bunheads: A Year In The Life 2017?
T: I’ve heard from a few people that they didn’t like the cameos throughout AYITL, but I, for one, loved every single cameo. It would be annoying to me if they had Julia Roberts pop in as a guest at the Dragonfly, because she has no ties to the show (that I know of). However, when you have people like the Gilmore Guys or Jason Mantzoukas or Bunheads alums, it has more of a specialness (?) to it, and doesn’t feel like they’re doing it to get “ratings”. It feels like a family – a big ASP/Lauren Graham family. That being said, here is my reaction to Park Ranger #1:
HOLY SHIT JASON RITTER I JUST GASPED SO LOUD AND HAD TO BEND OVER TO BREATHE. DID I MENTION IM STANDINGG DIRECTLY IN FRONT OF MY TV I CANNOT BELIEVE I AM WITNESSING MARK CYR IN A SCENE W LORELAI GILMORE
*chill out, bruh*
M: Welcome to the wild world of the new, improved Luke’s, complete with takeout and WiFi that customers have the password for. It’s not really Luke’s thing, and he unplugs the WiFi.
T: Any time Milo comes on my screen (here or otherwise), I swoon. No different here when he walks into Luke’s, only to find that his uncle is a literal mess without Lor. He came out of the back room covered in flour like a character from I Love Lucy because he can’t focus on anything but Lorelai not being there.*I wrote that Lucy thing before Jess mentioned Lucy Ricardo*
M: Poor guy is worried Lorelai is leaving him, but I have faith this show wouldn’t do that to us – he just doesn’t know it’s the last episode, that’s all.
Luke attempting to explain why Lorelai went on Wild: This is after we… uh… Between us it’s been… like …
Jess: Communication problems?
Luke: Exactly!
Jess: Never experienced that myself.
T: CLUTCHING MY HEART AFTER JESS SUGGESTS LOR IS LEAVING HIM AND LUKE REALIZES IT MIGHT BE TRUE. A+++ ACTING FROM SCOTT!! Also, I just love that Luke can go to Jess for advice on his life now. JESS. The kid who was a part-time magician, stole gnomes and as a “prank” drew a chalk outline of a body outside Doose’s. Is now the wise font of knowledge for both Luke AND Rory.
M: These ladies are totally Troop Beverly Hills-ing it, staying at motels and sitting around the fire with Franzia. And yes, I DID say Troop Beverly Hills-ing it because I don’t like the word glamping.
Woman at motel campfire on her contraband item and who is now my favorite tertiary character: “I brought a ham… I almost did Eat Pray Love but my miles were blacked out… I brought Snackwells and Vitatops for dessert.”
M: There go my hopes that Rory swooped in and revitalized the Stars Hollow Gazette.
T: Having watched a behind the scenes featurette and seen various BTS shots from cast members, I knew Logan & the Life & Death Brigade we’re going to be wearing some sort of steampunk outfits in Fall. I assumed it was Halloween. Now here we are, not Halloween, and I just said out loud, without any idea what’s about to happen, “This can’t be it. Are you fucking kidding me?”
M: In Omnia Paratus! I somehow didn’t expect the Life and Death Brigade to make an appearance (I was so spoiler-averse that I didn’t watch the trailers or listen to interviews with the cast). They’re still some wealthy steampunk weirdos.
T: All of a sudden this has turned into a Halloween episode of Pretty Little Liars. The bird is talking and a man on a unicycle going down the empty street. Earlier, Petal the pig jogged by with a sandwich board attached to her and Rory’s Gazette computer somehow got hacked into. Now at night, no one is around for all this fog and mystery – did Logan pay off all the SH citizens to not be in the town square??
T: LOGAN. APPEARS OUT OF NOWHERE. AND I HAD TO TURN AWAY AND SAY YOU LOOK LIKE AN IDIOT.
T: So the following is my immediate stream of consciousness reaction that I typed into my phone while watching the entire LDB scene: “WHAT THE FUCK IS THIS I DONT THINK I LIKE THIS IS THIS SUPPOSED TO BE LIKE A SCENE FROM A MOVIE?? THEY STILL SEEM LIKE RICH PRETENTIOUS ASSHATS UGH NOW THEYRE IN A DANCE CLUB w some SYTYCD alums THIS BETTER HAVE A POINT LOGAN OFFERS HIS FAMILY HOUSE IN MAINE FOR RORY TO WRITE HER BOOK WHY ARE YOU DOING THIS ARE YOU STILL W ODETTE THIS IS RUDE Colin just bought this club. and said “money is great” I HATE IT SO MUCH. THEY HAVENT CHANGED A BIT. IS THAT THE POINT ??? I CANT STOP SAYING UGH”
Obviously we’re a few days removed from watching this for the first time, and while I’ve calmed down a bit, I just watched it for a second time and I still don’t like it. It’s so different cinematically than the rest of the episodes/series that it threw me off. And apparently it IS from a movie, Across the Universe, which this version of the Beatles’ classic is taken from. I’ve never seen it, but apparently this scene features a “privileged and rebellious student” at Princeton. Which makes sense because Logan is exactly that. BUT HE’S NOT IN COLLEGE ANYMORE. Like do they meet up and do some elaborate adventure like this every year? Do the other LDB members see Rory often? I didn’t think they were close enough that she would keep in touch to know Colin had knee surgery? Have they not matured?
M: “No hard feelings” about Logan’s girlfriend moving in with him – but will his arrangement with Rory continue? He gives Rory a key to his family’s house in Maine so she can write her book there, so I guess that answers that. Along with the rest of the brigade, they stay at an inn in New Hampshire that’s mostly made out of plaid and hunter green and prints of hounds.
T: Turns out she realizes she can’t write her book at Logan’s extra Maine mansion so she gives him the key back. She officially says goodbye to the LDB and Logan, who puts the hat back on her and puts his hands out to frame her face, as if he’s taking one last picture to remind him of his lost love. All of this is VERY annoying to me and I do not like.
HOWEVER, in addition to the whole Across the Universe thing being lost on me, so was the even more apparent parallel to the Wizard of Oz, in which Rory is Dorothy, Logan is the Wizard, and the LDB are the Tinman, Cowardly Lion and Scarecrow. Matt gave a great interview over at AOL Build about AYITL and this allegory, and after watching this clip of Dorothy’s goodbyes, I feel dumb not putting that together in the first place. Molly on the other hand..
M: Rory says goodbye to the Life and Death Brigade as though she’s Dorothy Gale. Little sight gag where a brigadier pulls out a raw steak from nowhere to put on his eye.
T: SECOND GASP HOLY CRAP ARE YOU KIDDING ME PETER KRAUSE ARE WE GOING TO SEE RAY ROMANO NEXT?!?!??! THIS IS MY WHOLE HEART!! Also, how great must it have been for Peter to act opposite his girlfriend in the role that is such a large part of her career? Plus the scene was so great that it made up for all the crap with Rory.
Lorelai: What’s your name? Park Ranger #2: Park Ranger Lorelai: Right, Park.
M: Lorelai calls Emily and tells her that on her 13th birthday she left school after some boy was terrible and ran away to the mall when, improbably, Richard was there. He bought her a pretzel and took her to the movies and covered for her. I’m sad not just because of Richard, but Edward Hermann too. I’m sure his loss made these scenes more real for the actors, but also so much harder to get through.
T: There are a few standout scenes from the revival that are officially my favorites out of the ENTIRE series, and Lorelai calling Emily on the phone to tell her about the memory is one of them. The story itself was perfect, and painted a picture of Richard with Lorelai that we had never seen before. There’s one moment in season 1 when Richard catches Lor climbing out her bedroom window, and he lets her leave, and she says, “Thanks, Daddy”. It was the only other time I can remember that they had an honest moment. The fact that Lorelai was able to tell this story to Emily for the first time – with no sarcasm, no wit, just honesty and earnest grief, was the resolve I wanted to see between these two in the revival. Also, like Molly said, Lauren’s emotion for losing Ed came through in her performance, which was… just please give her awards for this, people. Give her all the awards.
M: Lorelai comes back and explains her epiphany to Luke. Also that “in another life, I WAS coffee.” Girl, same. He thinks she’s breaking up with him and makes a speech about it. But no. She wants to get married. Awwwwwwww. Sorry for all the W’s. I am a living crying emoji and Lauren Graham is absolutely crushing it.
(As an aside, I never dreamt of getting proposed to, and it’s wonderful to see, for once once, a more pragmatic discussion – with the female character raising the topic no less! – presented as a romantic option instead of as some kind of a statement. There’s nothing wrong with a traditional proposal if that’s what you want, but the alternative isn’t usually shown or discussed in tv and film.)
T: Remember in Summer when I said I loved Ranting Luke™? And remember how Luke and Lorelai are my OTP of ALL TIME? And remember how I said the revival has some of my all-time fave scenes? THIS IS NOW ONE OF THEM. Luke, who couldn’t function as a human without the love of his life, realized he had to let it all out there in order to keep Lor as his partner, and ranting is the best way he knows how. He mentioned fighting for her and that’s legit all she wanted in season six when they broke up the second time. He’s a changed man and this moment changed his life. And just like Lauren was transcendent in that last scene on the phone with Emily, I think Scott did his best work ever in this, perfectly encapsulating frustration, fear, anger, and love for Lorelai all in one speech.
*You need the space, and I need you.*
M: Rory wanders through Emily’s house visualizing scenes from her past as my favorite version of the La Las plays. See? Told you she’s having her Jo March moment.
T: Anytime holograms are used I get nervous, but this worked perfectly. And the fact that she sat down at Richard’s desk to start writing – continue to cry all the tears.
M: Lorelai is looking for a new property to expand the Dragonfly. In my dreams, Emily would offer her the family house to use. Yes, I’m clearly thinking of Aunt March and Plumfield. Jo March, OK.
T: Lor finds that new property in what used to be a convent occupied by poker-playing nuns. They commented that “Katy Perry was snooping around here earlier,” which seems ridiculous but was a REAL THING. Currently is a thing – she wants to buy a convent in the Los Feliz neighborhood of L.A., but there are a bunch of legalities to tend to and she still hasn’t been cleared to buy it. *The more you know*.
M: I thought everybody know that but that just shows how weirdly invested I am in bizarre pop culture stories, esp. if nuns are involved.
M: Ice cream. Coffee. Red Vines. Pop Tarts. Chinese takeout. You can always count on the Gilmore kitchen.
M: Rory wrote The Gilmore Girls! JO MARCH. She says Lorelai can read the chapters she wrote, give her an opinion, and she won’t publish if Lorelai doesn’t approve.
T: At this point, I am pleading with my TV to not let “The Gilmore Girls” become a meta thing where at the end we find out this entire series has actually just been Rory’s book brought to life. I did NOT want a meta ending. I am not here for that.
M: Traci, maybe you can summarize Emily’s IDGAF shutdown of the DAR ladies? My jaw is still on the floor. I love New Emily so much.
T: When it was revealed that the revival was going to be airing on Netflix, one of the things that I thought about was the fact that since the show isn’t on network cable anymore, ASP & Dan can get away with edgier dialogue and swearing without penalty. I had hoped GG would keep the same “family friendly” tone as it had on the WB/CW, and overall it did just that. But like Breaking Bad could only use one “fuck” per season, they used it wisely and in the most necessary of circumstances (Hank: “My name is ASAC Schrader and you can go fuck yourself”). I didn’t need Lorelai to yell ‘asshole’ or ‘shit’ – although she almost did in Winter – as a throwaway. Which is why Emily’s scene at the DAR made it that much more special. They used their “fuck”. Actually, they used their “bullshit” on the queen that is Emily Gilmore, and she made it count.
Now that Emily doesn’t have her partner that was by her side at all the WASPy events, she’s finally realized that all this vetting and judging for the DAR is frivolous and not what she wants to continue doing in this new phase in her life. So she calls them out. Emily is unhinged and has nothing to lose since she’s already lost Richard. Exclaiming that all of these shananigans are bullshit will just be a blip 0n her radar moving forward, but I have a feeling it will stay with the rest of the DAR ladies forever.
M: Wedding planning: Luke knows Kiefer Sutherland (the real one) well enough to invite him to the wedding and never mentioned it to Lorelai. From any other show and character this would be ridiculous, but yep, sounds like Luke.
T: Miss Celine is back! The last time we saw her, she was fitting Emily for her vow renewal with Richard, and asked Lor/Natalie Wood if she ever thought about getting married one day. And now here we are. Also, I can’t get over how stinkin’ cute LG is with this high pony and “exercising” with soda cans! And that Lucas is just sitting there watching her do it!! ❤
M: Rory goes to Christopher’s office after confirming a meeting at 3 over the phone (or confirming something with someone at 3 over the phone. We’ll talk later). They exchange pleasantries about Gigi and his job, but Rory is pacing around not even drinking her coffee and it’s clear she’s about to have a difficult conversation. She tells Christopher that she’s writing about about her and her mom. She asks “how did you feel about mom raising me alone?” He answers that it was “in the cards” and he knew that nobody was getting between Rory and Lorelai. Rory asks if that means Lorelai pushed Christopher away, which he denies. Her real question, though, is if Christopher thinks it was the right decision that Lorelai raised Rory alone. “It was exactly what was supposed to happen.”
M: I never liked Christopher much, and his non-reaction when Rory asks how she felt about Lorelai raising her alone, as though he never thought about any other option, is more or less why. Still, he’s right that it was the best case scenario. Lorelai did an amazing job and Christopher is just a blah guy with a nice office.
T: I was always indifferent on Christopher – I knew he wasn’t the right guy to be Lorelai’s romantic interest, but also knew he had a special connection with her that Luke could never have. In saying that, I’m just glad that we finally got some closure on Christopher (who continues to be a smokeshow), as in an update on both his personal life and knowing that he’s made peace with Lorelai’s decision 32 years ago, so we, as viewers should too. Also, I love that he still calls her “kiddo”.
M: Emily bought a house in Nantucket and is selling the family home. Meanwhile, Lorelai found a building to expand the Dragonfly and wants to use Luke’s franchise money. Emily’s fine with it – it REALLY isn’t Luke’s dream after all – but in classic Emily fashion her offer of help is contingent on visits from Lorelai.
Emily: The previous owners called it the ‘Clam Shack’. I guess ‘Vagina House’ was taken.
M: Rory has a sweet run-in with Dean, father of 3 and soon 4. She has nice things to say about him in the book – she wishes she met him when she was older, and he “taught me what safe feels like.” In that moment, where he is clearly taken and not going to be involved with Rory, I really like Dean – and I was never big on Dean. Like we said in our Spring discussion, the revival shows all of Rory’s exes in a positive light (or, as positive a light as Rory anyway – ahem, Logan) so that no big fans of one character are totally screwed over, but the story doesn’t suffer either. I didn’t think Dean was right for Rory, but maybe she’s onto something about them being at different places in their lives when they met.
T: I was never on board with Dean. Sure, he made a car for Rory, but when he did what he did in 4.22 with Candyman playing and shortly left to go back home to his pot roast-making wife, I thought he was trash. But this scene is one of the best closure scenes in all of the revival – certainly, IMO, of the three boyfriends. First off, they’re in the same aisle where he kissed her for the first time. Second, that moment where Rory starts comforting Dean to let him know that his little sister Clara will get over her boyfriend who calls her ‘Ra’ because “she’s young. It’s her first love. It’ll probably be…” is so well executed. I loved every single bit of this interaction down to the corn starch. It made me like Dean again. #RedemptionForDean! #ReDEANtion! No? Ok.
M: Because ASP and co are pulling out all the stops for the final episode, Sookie is back and she’s making Lorelai’s wedding cake. It’s so strange but so comfortable seeing Melissa McCarthy in Sookie gear once again.
T: I’m glad we got at least one long scene with Melissa, because of COURSE she would come back for Lor’s wedding and make her cake. That’s all she wanted to do when they were originally engaged. The woman is such a Luke/Lor shipper she just wrote the word LUKE on the side of one of the cakes! And another had daisies (1,000 yellow daisies!?). Also, her interaction with Michel. Gold.
M: Emily lives in Nantucket in a house with sisal rugs and overstuffed, slipcovered furniture, teaching kids at a whaling museum and wearing white sneakers. I love this development.
T: Back at the Gilmore house, Jess is casually reading in a corner AND CONTINUES TO BE A SMOKESHOW, while LG is sporting overalls and looking like a crafty HGTV goddess. Also, another one of my favorite jokes gets a callback:
T: Rory is super excited about the book, now titled “Gilmore Girls” since Lor told her to drop the “The” since it’s cleaner (I need this to stop being so meta), and she catches Jess before he leaves and jumps up and down in excitement with the dude whose idea it was to write the book in the first place. Luke asks, “You’re over that, right?” To which Jess responds, “Yup. Long over.” Then stares through the window while Rory puts a hot towel on Kirk’s head. Now, Jess/Rory shippers say this obviously means he’s still in love with her. As a Team Jess person, but ultimately Team Rory/Team No Team, I really don’t want to believe this is true. They’re intellectual equals and seemingly each others’ confidants and moral support system, just not romantic lovers. I posited that ASP told Milo to play the look a few different ways and she picked the best one she felt was right for the story while editing. But I guess we may never know.
M: Luke and Lorelai both have flash mobs planned for the wedding. Lorelai says she feels like they should be married already. That’s what we’ve all been saying. They head off and elope so that their real marriage takes place before their wedding. It’s so THEM.
T: I’ve been reblogging from a blog called lukeloveslorelai.tumblr.com. I think I need help.
M: OH MY GOD. The song from their dance plays as they head off to get married. It’s magical and I cannot stop crying. Then they show Emily looking at Richard’s portrait and I manage to find even more tears. Rory walks Lorelai down the aisle. Michel and Lane are witnesses. Was there ever a priest in town before? IDK I don’t care about him. The town is all lit up and they get married in the gazebo. This whole scene was completely perfect and shows that sometimes giving the audience what they want is exactly the right thing to do. This was worth waiting 10 years for.
T: The second the first couple notes of Sam Phillips’ Reflecting Light starts playing, I have to pause yet again because I feel like I am truly going to pass out. Cause of death: OTP finally getting married. It looked like she had been crying for three days straight and clutched a Luke’s Diner coffee mug to her heart. THAT’S HOW I’M GOING DOWN FOLKS. IT WAS ALL SO PERFECT, I AM AT A LOSS FOR WORDS.
M: The next day Rory and Lorelai sit at the gazebo talking about the wedding. Paul breakup texts Rory, and Lorelai assures her that she and Paul will both find someone, but he just didn’t fit. Rory pauses because “I want to remember it all. Every detail.” And then:
Rory: Mom?
Lorelai: Yeah?
Rory: I’m pregnant.
M: WOW. Wow wow wow. I was not expecting that at all. I was SO not expecting that that I had to go back and count out the last 4 words because I couldn’t figure out how there were 4 words in there. I had it in my head that maybe Lorelai would be having one of those surprise menopause pregnancies that TV loves so much, but it never occurred to me that Rory would be. I immediately wanted to go back to rewatch the episode – particularly Rory’s conversation with Christopher. In hindsight, she was almost certainly feeling out how a father felt about the mother of his child raising the kid alone – Rory knew she was pregnant and that she was going to be a single parent like Lorelai was. Our friend Tori pointed out that the phone call right before she goes to Christopher’s could easily be setting up a doctor’s appointment, not a meeting with him.
T: My actual reaction after she said I’m pregnant:
Then I realized that may have been a bit overdramatic. The thing is that we’ve known Amy’s had these 4 words planned for 9 years. That’s a long time to come up with combos of any words in the entire world. It wasn’t until over the past few years that I acknowledged anything having to do with pregnancy could be possible, but I was kind of hoping I’d be wrong. Maybe that’s why I yelled ‘No’? After processing it for a few days, I’ve decided I’m fine with it. I love a good full circle moment, which this clearly is. But also maybe my frustration came from the fact that the final four words became THE FINAL FOUR WORDS, in a way they were never supposed to be. It became so hyped up that we had so much expectation for it that when they were finally said, I was less enthused about them. Maybe I was more reacting to the fact that GG is over? IDK.
M: We know these have been the last four words all along, but we also know that Amy Sherman Palladino couldn’t have predicted a Netflix revival that would take place when Rory was 32. (In the early 2000s, that sentence would have required like a 10 minute explanation.) That means that this full-circle ending – pregnant at the same age Lorelai was in the beginning of the series – was initially planned as a completely different kind of full-circle ending – a promising teenager or college kid finding out that she’s pregnant.
Being roughly Rory’s age now gives me a different reaction to the pregnancy news compared to some younger fans. If I was watching this at 14 or even 20 I’d probably think this was an okay ending – Rory will be a single mom like Lorelai, but that worked out well. At 30, it’s more like looking into a living nightmare. Rory has no steady career or solid income. She lives at home. We don’t know who the father of her child is and we don’t know if she does, either. Logan seems plausible (I feel like on some levels he’s her Christopher), but for all we know she and Paul still had a physical relationship. And who the hell knows about the Wookie. So the father options are an engaged man who lives overseas, her ex who she never payed attention to, and a stranger from line. YIKES. Also I know the implied outcome is that Rory becomes a single mom and the story circles back to the beginning, but realistically “I’m pregnant” – especially with the variables Rory has in front of her – does not necessarily equal “I’m having a baby” or “I’m raising a baby.”
T: FWIW I’m also doubling down on the Logan = Christopher theory (which would make Jess her Luke?). He’s gotta be the father. In that AOL Build interview, Matt said ASP told him who the father is, but wouldn’t divulge who. And to be honest, I don’t want to know. Unless it’s Rory saying it in a potential new season.
M: It’s time to talk about Rory. During the Chilton years and arguably the beginning of Yale, Rory was the ultimate good kid. She got good grades, didn’t get in trouble, had a sweet and caring personality and was humble and shy despite being beloved by an entire town. Something changed in the later few seasons, and she became more entitled and selfish – more like I’d imagine a kid Emily raised, if I hadn’t known that Emily raised Lorelai. This could be a backlash to how mature Rory HAD to be as a a kid and a teenager. It could also be a negative consequence to being adulated by all of Stars Hollow; Rory believes that she is special and good and right because that is what she has been told she is. If Rory chooses to have this child, I like to think that the best aspects of her character, her tenaciousness and intellect and humor and goodness, will guide her to succeed like Lorelai did. With or without a child, one thing I’m sure of is that Rory has the best example in Lorelai.
T: Rory was a constant source of frustration throughout the revival for me, and is the main reason why I didn’t entirely love the revival. She made it hard to root for her. She made bad decisions – like the fact that not only did she cheat on her boyfriend repeatedly with her ex, but that she constantly forgot they were dating. For TWO years. I get that it’s a joke, but come on, I’d hope she’d be better than that. But what helped me reconcile my annoyance with Rory was this piece from Paste Magazine that circles back to the Wizard of Oz reference. Her goodbye with Logan and the LDB was her essentially saying goodbye to that chapter of her youth and privilege and moving into a world of responsibility and adulthood with her impending motherhood. London was her Emerald city, with her dark forest was filled with cheating & career troubles,. What I’m trying to say is that perhaps ASP meant to put Rory through the ringer in these new episodes, to show that she went through all that and now she realizes she has to get her shit together and hopefully that will turn her all around.
So overall, I am of the mindset that we don’t need any more episodes of Gilmore Girls. This show is obviously near and dear to my heart, but I want it to stay special and not become some money making machine that’s only being made for fan service. Plus, I think the idea of rebooting or reviving TV series is such a fairly new concept that there’s really been no good precedent for it, so clearly anything brought back again is going to be criticized to the max. Arrested Development, The X-Files, Veronica Mars – all of these have had their fair shares of bad reviews. But bringing Gilmore Girls back was different.
This is the way I see it: ASP wrote a novel that went on to be beloved by many, and that equals the first six seasons of GG. Then, because of forces out of her control, a new author swiped her book and wrote the last chapter, without knowing or taking into consideration how the OG writer wanted it to end. 16 years after first releasing her “book”, she was given the rare chance to write the the final chapter in the form of A Year in the Life. Now it’s out there. Her story, the one she never thought she’d get to end the way she wanted, is complete. Anything made after this is the sequel that will always be contended. Did we needa second installment of Grease? No.
Because ASP was able to show fans her own ending, it was enough to make me feel closure with the story as a whole, and satisfied with saying goodbye to the Gilmores once and for all. That being said, did I watch Grease 2? Of course. That Michelle Pfeiffer is a gem.
Stray Observations
I am obsessed with everything Lorelai wears in this entire revival. The camping clothes and cute hats she wears are no exception. I love it all.
Lor is watching Snapped in her motel room, which I can only imagine is what ASP really does on her days off.
Jess briefly mentioned he lived in Stars Hollow again for six months? Did anyone else catch that?
Jess: I really don’t like you using the word ‘oops’.
Luke: I don’t like me using the word ‘oops’ either I’ve never used the word ‘oops’ before and now I’m a guy who snipes at his girl and uses the word ‘oops’!
Lorelai after finding out the diner on the side of the road is closed: “I hate nature.” #Same
Emily may or may not be saying Hello to Jack because he’s at her home in Nantucket, but she kicks him out and Berta immediately comes out with his suitcase. Berta – who’s stayed with Emily for A YEAR – is the best.
Lorelai commenting on Emily: “Hey, when was the exact moment you became a Mamet play?”
Do we think they specifically chose a fall date BEFORE the election because either result would have been huge and thus weird for everyone to be acting like nothing happened? We do, right?
M: Michel: “So your name is Molly. Why?” Been asking myself that for decades, Michel.
“When this is over I’m going to be so thin!” Thing I also contemplated during the weird moment when I was reading Wild and running away to go hiking sounded like an OK plan.
T: The woman who made that comment ^ her name is Traci/Tracy/Tracie!!! THANKS ASP
The flowers are in bloom in Stars Hollow, and we’re back to give a recap and our thoughts on the second installment of Gilmore Girls: A Year in the Life – Spring. Just like the season it’s named after, the theme of this episode is the start of new things, but also the return of old favorites. And… a Wookie?
M: The Spring title screen comes up and I cannot for the life of me remember if there was one for Winter. As we mentioned last time, we may have been dazed the first few minutes there.
M: Lorelai and Emily at mother-daughter therapy goes just about how you would imagine – anger, tense silences, and the nice candle that Emily told us would be there.
T: Broadway great Kerry Butler is Claudia, the therapist, and after news of her casting came out a while ago, I just assumed she’d be in the Stars Hollow musical with Sutton Foster and Christian Borle, but imagine my surprise when she showed up in the trailer as the one helping to put Emily and Lorelai back together. Since we won’t get to hear her sing, here is Tony-nominated Kerry singing Fly, Fly Away from Catch Me If You Can. What a dream.
T: One of the brilliant things about each installment focusing on one season is that we get to see multiple Stars Hollow festivals, including the Spring International Food Festival (Singapore is just a dick). Taylor is back to being annoyed at something going wrong, while Kirk plays his right hand man, Jackson is at his vegetable booth (! sans Sookie), Lane is running a table with Rory, and Mrs. Kim has taken on a new project with Korean teen singers, who are scared of the tambourine.
Mrs. Kim on teen singers: “They’ll get used to it. Just like electricity at night!”
T: Speaking of Mrs. Kim… HER ABSENT HUSBAND MR. KIM FINALLY MAKES AN APPEARANCE ON CAMERA!!!!
And this is my first complaint – I kinda wish he was never revealed. I would’ve been totally fine with it being a mystery. But alas. Also, he’s v old, no?
T: The Bid-On-A-Basket fundraiser is BACK and fittingly, Luke and Lorelai watch the auction happen, similar to season 2 in A-Tisket, A-Tasket episode in which Lor forces Luke to bid on her basket in order to save her from the dudes Miss Patty planted, and they end up having a romantic picnic in the gazebo. Lor even references this and called it “the early days of their romance” #OTP
T: Lor ends up buying some gal named Cassie’s basket, who is basically Sookie 2.0.
M: “Your cheeks are like two white apples” – Alex Kingston (/Naomi) neatly summarizing what it is about how fresh Rory looks.
T: I’m also starting to get a bad feeling about Alex Kingston/Naomi. She’s a little too off the rails right now…
“I’m voting for Brexit. It’s a protest vote. It’ll never win.” – Gilmore Girls sending me crashing back into reality.
T: There’s no denying Logan (who is much hotter now than before?) still loves Rory a lot. But what we find out during a lunch (that was crashed by Mitchum) is that Logan is engaged to Odette, a French heiress. SO WHAT YOU’RE TELLING ME IS THEY’RE BOTH CHEATERS?!?
M: Our first town meeting – Stars Hollow is planning its first gay pride parade. Also, the B-level actors from a locally filmed movie will be staying at the Dragonfly. Also the town has a bit of a rivalry with Woodbury, where the A-list stars are staying. It’s like Stars Hollow’s Eagleton. Only at this moment do I realize how similar Gilmore Girls and Parks and Recreation – two of my favorite shows – really are. Part of it is the humor mixed with sincerity and goodness, but part of it is that I feel like they could exist in the same universe.
Taylor asked for (gay) volunteers to march in the gay pride parade-
Taylor: We have Donald, who will be marching with his Chow Chow, Sherlock.
Babette: Sherlock is gay?
Donald: No, he’s just my dog.
T: Imagine Ron sitting in a town meeting run by Taylor. He would HATE it. Another great thing about this first town meeting is that we get to see all our old friends again, including Babette, Andrew, and Bootsy, who I’m pretty sure wasn’t even on the last 4 seasons of the OG series, and newcomer Donald, played by Sam Pancake – Lauren Graham’s BFF IRL! I also loved the run of everyone trying to get Taylor “Liza with a Z” Doose to come out – especially from Gypsy, who is clearly in love with Lorelai.
T: Luke finds out over the phone that Liz & TJ accidentally signed up for a co-op that turned out to be a cult that sells vegetables. It sounds much like Scientology – a 6 million year contract – but with food. I can’t help but think this is shade from ASP, since Kathleen Wilhoite (who played Liz) tweeted a while ago that she wasn’t asked back for the revival and wasn’t surprised.
T: THE REAL PAUL ANKA IS BACK. AND JUST LIKE LAST TIME, HE’S ALL UP IN LOR’S DREAMS, SIGNIFYING SOMETHING IS UP.
T: I feel like I say, “OH MY GOD” outloud to my TV screen every 8 minutes because of some kind of cameo or call back or general plot line. It is great.
M: Michel is Lorelai’s Paris – her “angry friend.” Hah.
Lorelai on having B-list movie stars staying at the Dragonfly: What’s the point of living if we’re never going to bag JLaw?
T: We are back at another Stars Hollow staple, the Black, White, and Read movie theater, where Kirk is dressed up for the screening of Eraserhead – and SURPRISE – a new short film! Kirk’s first short film is easily one of the most memorable moments from the OG series, and the fact that we got a new one (that won the coveted “Good Try Award”) is pure genius.
Also, in the scene where Kirk is walking his pig Petal outside Lorelai’s house, she didn’t even know he was doing filming it while she was at home, prompting Luke to say, “How did you not notice this?” and to which I said in a very loving and entertained tone, “This is so dumb!”
T: As an avid Gilmore Guys listener and GG: AYITL trailer watcher, I knew Kevin & Demi of said podcast had a cameo, and although it is brief, I love that they are at the Dragonfly when all the B-list millennials are there. Perfect. Can’t wait to hear them talk about their experience
“I’m not Edith Wharton, I don’t write letters” – Lorelai, re: a letter Emily says she received from Lorelai on her birthday, but that Lorelai has no recollection of.
M: I guess the thing is that the Dragonfly gets a different celebrity chef until we finally get Sookie (I hope). It’s Rachael Ray right now.
T: And why is Lor being such a B to these pop up chefs?! (she misses Sookie + is going through a mid-life crisis)
M: Holy cow: Emily still has the same maid. Luke and Lorelai come for dinner even though only Luke was invited, which seems INSANE. The giant Richard portrait is still up. It turns out that Emily wanted to talk to Luke about the importance of creating a will. Not only that, though – Richard created a trust to franchise Lukes. I love how Richard is still a real character even though he’s no longer here: that is such a Richard thing to do.
Emily: What’s wrong with your throat?
Luke: I swallowed a bug.
Emily: Why in the world would you do that?
THIS IS THE PERFECT EMILY LINE
M: Lorelai and Emily discuss Luke at therapy – Emily refers to Luke as Lorelai’s “roommate” and “booty buddy,” and therapist Claudia calls Luke Lorelai’s “guy” – “like it’s a beach blanket movie,” per Emily.
T: I’ve never been to therapy, but I feel like Claudia’s not doing a good job. She’s barely said anything mediative or helpful.
T: Richard had an actuarial of everyone’s day of death including luke aka he knew they’d be together forever bye and HE ALSO LEFT LUKE A TRUST FUND TO EXPAND AND FRANCHISE LUKES DINER JUST LIKE IN SEASON 5.
Emily: Luke, when are you going to embrace your future?
Luke: Tonight?
He is so perfectly awkward and uncomfortable with her it continues to be delightful
M: Paris and Rory return to speak at Chilton. File under: things you’ll never see us doing at our alma mater.
T: I don’t think they’d even remember me to ask me to speak at our high school. In saying that, neither of us caused trouble or left a lasting legacy like Paris, whom Headmaster Charleston is still afraid of. It’s a fair response, seeing as how Paris is telling kids in her class, “Betrayal, deception – and that’s just in the bedroom i’m not in the habit of quoting Stalin…
M: Paris sees Tristan chatting up some fancy Chilton lady (or “slutty biznatch” – Paris) and, in true Paris fashion, rushes a group of teens out of the bathroom.
M: Paris is “an MD, a lawyer, an expert in neoclassical architecture and I think a certified dental technician to boot” according to Francie. Yep, FRANCIE.
T: And one of Francie’s shining moments happened to also be in a bathroom, when she cornered Rory about Paris leading student council! I can’t help but think this new scene setting was on purpose.
T: Paris gave $100k to Chilton’ capital improvement plan?? SHE IS A MILLIONAIRE.
M: I would have guessed that Paris and Doyle would be stupid-rich. Would not have guessed they’d be breaking up. But Paris has a late period and this is TV so maybe they’ll have a baby that saves the relationship.
T: Headmaster Charleston encourages Rory to get her masters and come back to teach. What if Luke gives trust fund money to Rory for school?? Like honestly, she should just go get her masters.
T: Rory calls Logan and he’s sleeping next to who I’m assuming is Odette, and I said out loud, “THIS BITCH!” despite the fact he’sthe one cheating. It’s the Lindsay Complex all over again. Also, he said Ace for the first time in the revival and it actually feels good and not slimy.
M: Rory finally has her meeting. No word on whether she’s wearing her lucky outfit.
T: And she has her meeting with Scandal’s own Dan Bucatinsky!
T: Yet another call back with Lor suggesting Luke is Viggo Moretensen! And yet again, Luke calls him Vito Morgenstern, just like in season 6! This stuff really gets to me, you guys.
REVIVAL: Lorelai to Luke, while watching A History of Violence: “Viggo Mortensen is you! He’s totally you. Seriously, David Cronenberg owes you money. He must have dropped by the diner, saw you, got inspired and turned you into this ex-thug guy.”
6.08 – LET ME HEAR YOUR BALALAIKAS RINGING OUT:
LORELAI: Cool. Wow. They could make a movie about this someday. You know…The reluctant, handsome diner owner sponsoring a team that goes all the way to the national finals, and you know who would play you?
LUKE: Who?
LORELAI: Tobey Maguire!
LUKE: He’s way younger than me.
LORELAI: But his career is hot. Go with Tobey.
LUKE: What about that Vito Morgenstern?
LORELAI: Sure. Or Viggo Mortensen.
LUKE: Oh.
LORELAI: Or Donald Sutherland.
LUKE: Too old.
LORELAI: We’ll dye his hair.
LUKE: He’s got jowls.
LORELAI: You’re picky.
What also gets to me (in a different way) – Luke and Lor hiding big things from each other. WHY 👏ARE👏 Y’ALL 👏LYING👏 YOU 👏ARE 👏ADULTS 👏THIS 👏IS 👏NOT👏 BUENO👏
M: The Naomi thing folds, even though I specifically told Rory to get everything in writing when I was talking to my TV during Winter.
T: AND HOLY SHIT NAOMI’S LAWYER IS PLAYED BY THE ONE AND ONLY JASON MANTZOUKAS!!!! You may recognize him from The League, Parks and Rec, currently Brooklyn Nine-Nine, or podcasts Comedy Bang Bang and How Did This Get Made – or most importantly, the Gilmore Guys. He’s been a frequent guest star on the show, and I’ve even seen him at three live shows. He’s a legit GG fan and has been for years. He even asked his agent to get him a role when it was still on the air, and he had a meeting, but he never got the part. He also pitched the idea of being the guy that sleeps with BOTH Lor and Rory, which makes sense if you know his humor. ANYWAYS, his casting in the revival was never announced so seeing him on the screen made me scream out loud and start crying a bit, because I HAVE BEEN V EMO DURING THIS ENTIRE PROCESS.
M: Rory falls back on the offer to write a piece on lines. People waiting in lines. Our darling and favorite celebrity Gilmore Girls fan, Mae Whitman, is here! Lorelai calls her “kid.” My heart is as full as it’s ever been.
ALSO: “Monique Aswell’s Crodo like IRL “Dominique Ansel’s Cronut!
T: Also in that small group of folks with Mae was a gal named Kristine, who is Scott Patterson’s wife and baby mama IRL! She also had a small cameo in Last Week Tights, This Week Fights! And did anyone else find it slightly annoying that Lor just easily acquired the items without waiting in line – and also flaunted it??
T: Another cameo! The one and only Michael Ausiello – the OG Gilmore Guy and most-trusted journalist in all-things Gilmore!
M: Not saying Rory’s spiraling out of control, but she slept with a wookie from one of the lines then told her mom about it. It’s Rory’s first one night stand and Lorelai has had zero, which surprised me until Lorelai reminded us all she was a mom at 16.
Lorelai: Did you not breakup with Pete yet? Does Patrick know?
LOL HIS NAME IS PAUL
M: Next stop: that website gig, Sandy Says, which looks like a big mess. No HR? I’m glad Rory found her red dress but I have a red flag for her. Rory is more or less promised the job but then doesn’t get it. Dodged a bullet, TBH.
T: Agreed. In that both Sandy AND Rory dodged a bullet. Also, shout out to the fantastic Julia Telles as Sandy! She was also on Bunheads and currently in The Affair!
Stray Observations
I’ve decided it’s weird without the theme song at the beginning
Emily: “My big bazookas are intruding on you?”
“Town meeting fire hydrants will be repainted according to the aesthetic of that corner/area.”
Somehow, during the spring festival the town looks 200% more like a backlot than usual. It looks like it would be the Connecticut pavilion at Epcot. (Actually, in general Stars Hollow is the Connecticut pavilion at Epcot, a thing I never knew I always wanted).
In general, there is so much more diversity in Stars Hollow since 2007!
Rory’s dresses are nice. So are Lorelai’s – and she’s back in the iconic DVF wrap dresses. And she still favors funky hats. In general, ASP had Netflix money to work with, so the wardrobe has been kicked up a lot of notches. Love it. And both of their hairdos are also fab!
Since when does Luke drink wine?
The scene with al the townies taking out food from outside, despite Kirk telling them not to – classic. Andrew’s cake and Babette and Morey’s mini grill killed me.
By the end of the revival, Berta’s entire extended family is going to be living in Emily’s house
Rory touching the painting and saying, “Hi Grandpa” TEARS.
I am loving these new Sam Phillips ‘La-Las’! And obvs enjoy the OG ones too!
Paris to Headmaster Charleston: Can I use your john?
Francie bringing up Paris never being Puffed was the best insult.
Paris being normal Paris then immediately being so nice and maternal to the kids when Doyle returns is A++. ALSO, I NEED PARIS AND DOYLE TO GET BACK TOGETHER
Lor tells Claudia, “It was always supposed to be Luke” OTP OTP OTP
Luke is at the diner and sees Emily come out of the car, and the only thing he can say is, “Oh no no no no no no no no no no”. Reminded me of one of my favorite little moments in the OG series:
After a back and forth with Sandy after she tells Rory she doesn’t get the job, Rory’s final come back to “Get lost!” is “Get… Shorty!”
Cookies + Sangria 