We thought 2016 was bad. Guess what? We were all freaking wrong. 2017 was a dumpster fire of its own. The nightmare administration, disgusting politicians attempting to pass horrific laws, KKK rallies, multiple earthquakes, hurricanes, floods, wildfires, and The Mindy Project coming to an end – it was all very, very bad. Which is why we’re here to celebrate the best things to come out of 2017. It’s time for our annual list of superlatives, and hopefully we’ll all gain perspective from this list about the past year.
Best Candid Group Celebrity Photo: Moonlight Mixup
Celebrities: They’re Just Like Us. So much to look at in this photo, which will forever live in Hollywood infamy. Fun fact: Busy Philipps’ husband got her a large framed version of this for Christmas. She obvs had to give one to her BFF Michelle, too.
Best New Life Motto From a Politician: “Reclaiming My Time”
Finding inspiration from California Representative Maxine Waters, the two of us decided that our official motto of 2018 is “Reclaiming My Time”. From life, from work, from politics, from everything. Let this not be a year where you sit back and let folks mansplain to you.
Best Shady Company Twitter Account: Merriam-Webster
Never thought I’d be praising a dictionary’s internet account, but here we are. Give this social media person a raise. It’s the perfect way to call out the administration without actually straight out calling out the administration.
Best New Show That’s Actually Been a Hit For Years But I Joined So Late To The Party: The Great British Bake-Off
I binged all of GBBO this summer and it did NOT disappoint. I realized y’all (including Molly) had been singing its praises for a while, but when you’re unemployed and find baking mesmerizing and soothing to watch, it’s inevitable you’ll fall in love with this bunch. And also pretend you’re a baker too.
Best Pregnancy Announcement Featuring Florals: Beyonce
You know her from Freaks and Geeks, or White Chicks, or Dawson’s Creek, or even Cougartown, but you should know Busy Philipps from her Instagram stories that are entertaining beyond entertaining. She’s a mom of 2 girls, a fitness fan (#lekfit), and an actress who might not be an actress anymore. She’s *relatable* and funny and guyyysss, you just have to check it out for yourself.
Best TV Revival We Didn’t Need But Was Actually Pretty Good: Will & Grace
I will be the first to tell you that a Will & Grace revival was not necessary. I was a fan of the show when it was on, but there was really no legit reason for it to return besides the fact nostalgia makes companies money these days. And the series finale canon. THE CANON WAS BROKEN AND THROWN OUT THE WINDOW. I do not enjoy when shows/movies do not follow canon. After a shaky first episode back, they found their footing in the second episode and it’s been fantastic ever since. The creators, writers, and actors seem like they never took a nearly decade-long break, and the tone is exactly the same as it used to be. In a world where everything seems to suck, this show is a welcome relief.
Best Display of Arts & Crafts in Honor of The Resistance : The Women’s March
Best Author To Happen To Streaming TV: Margaret Atwood
If there’s one good thing I can say about 2017 it’s that the coolest woman in television was a 78-year-old Canadian author. With the one-two punch of Alias Grace on Netflix and The Handmaid’s Tale on Hulu, we had Margaret’s interpretation of one society long before ours and another slightly after … and both looked a lot like our own. They watch really well as companion pieces, by the way. Keep up the good work, Mags. Cat’s Eye on Amazon Prime 2020, perhaps?
Best Real-Life Hallmark Movie: Meghan Markle and Prince Harry’s Engagement
Some might say that it’s silly to care about foreign figureheads using taxpayer money to throw an enormous wedding, but 2017 was a steaming cesspool of a year and I’d like to have this one thing, please. We wrote about this already, but a biracial American actress with middle-class roots getting engaged to a prince – while he cooked for her! – and they’ll live in a cottage! – is the stuff low-budget romcoms are made of and I am HERE. FOR. IT.
Best Celebrity Vacation: Obama’s Post-Presidential Blast
In January 2017, we were all kind of cold and sad and Obama was, like, kite-sailing on billionaire islands with a smile that could light up the whole White House and looking like that person who really *thrives* after a breakup.
Best Viral Revolution: #MeToo
Fall 2017: when our favorite hobby was watching dirtbag producers, news anchors and celebrities get ripped to pieces. This one calls for a Michael Jackson popcorn gif:
But before Hollywood’s reckoning, thousands of normal folks were using #MeToo to give voice to the stuff we all knew was going on.
Best Wedding Dress I Could Never Pull Off : Serena Williams
I don’t necessarily want to see celebrity wedding dresses that I’d totally wear; instead, I love when they wear gorgeous creations that I could absolutely never pull off. Cue Serena Williams’ giant cloud by Sarah Burton for Alexander McQueen. You know you look good when your bridesmaid is Venus Williams in a stunning ivory gown and you aren’t even worried about it.
Best Unexpected Gay Icon: The Babadook
Babadook-ook-ook. We watched the movie and discussed it here.
Best Physical Comedy (Political Division): Melissa McCarthy as Sean Spicer
It’s been a long journey for all of us – from watching the first Gilmore Girls episodes as Rory-aged teenagers, to crying and also puzzling over the finale, to rewatching the entire series on Netflix, attending the reunion, hoping against hope for a revival and seeing our wish granted. Our reluctance to watch what well may be the FINAL episode of Gilmore Girls was tempered by two things: how grateful we were to get A Year In The Life to begin with, and our curiosity about the plot point hanging over our heads for nearly a decade: the last four words.
M: I was so excited/nervous/sad about beginning Fall that I procrastinated for about a half hour before watching it – to the extent that I brought boxes up to my attic at night time. This goes to the way we ended up watching the show versus how we would have liked to. I watched one episode Friday, one Saturday and two Sunday. I would have preferred to watch one every several days or even one every week or two to really drag out the experience. I’m good at waiting for things and like to have positive experiences ahead of me instead of behind me. However, I’m also a person who reads the internet and we had to go into self-imposed social media exile while watching Gilmore Girls: A Year In The Life. Even news sites weren’t safe. With every day that passed it became more and more likely that I would stumble upon a major plot point or the last four words without meaning to. Ultimately it was more important for me to experience everything for the first time through the show instead of some tweet than it was to watch the show at my own pace. (Also: there’s a spoiler protocol with regular television, including the expectation that you enter Twitter at your own risk for a show that people live-Tweet. It’s not so clear for content that becomes available a full season at a time.)
T: Meanwhile in LA… It is 11:52pm on Sunday night and I am starting now because i’ve been putting off as late as I can before heading back into the real world. The feeling of pressing play is similar to that of when I watched the series finale in 2007 – eager to find out what happens, but also sick to my stomach knowing this could be the last time we visit Stars Hollow. For good.
I will say that I’m proud of myself for avoiding all spoilers the entire weekend. I stayed off pretty much all of the Internet except our blog and my personal Tumblr. My friend texted me to let me know Fidel Castro died. I wouldn’t have found that out until Monday.
T: I’m not sure why, but for the first time since starting the revival, I felt a sense of normality that I was watching Gilmore Girls in 2016. In particular, it was the motel scene where Lorelai calls Luke, which isn’t anything special besides a woman leaving a voicemail for her boyfriend. I guess it was all finally just starting to sink in. Just in time for the last episode!
M: Lorelai is at a very crowded entry to the PCT, where women inspired by Cheryl Strayed ask each other “book or movie?” and trade origin stories (divorce and dead parent are popular inspirations).
T: I loved this storyline – it felt so very ASP to me. She’s the only female writer that would think to herself, “I wonder if the amount of women going on the Wild hike has increased ever since the book came out? Did it spike when Reese Witherspoon threw her boot? Lorelai would be great there. And by great, I mean horrible.”
M: Our girl Stacey (Oristano, Friday Night Lights, Bunheads) is on the trail! I love when ASP universes collide. Pssst – Bunheads: A Year In The Life 2017?
T: I’ve heard from a few people that they didn’t like the cameos throughout AYITL, but I, for one, loved every single cameo. It would be annoying to me if they had Julia Roberts pop in as a guest at the Dragonfly, because she has no ties to the show (that I know of). However, when you have people like the Gilmore Guys or Jason Mantzoukas or Bunheads alums, it has more of a specialness (?) to it, and doesn’t feel like they’re doing it to get “ratings”. It feels like a family – a big ASP/Lauren Graham family. That being said, here is my reaction to Park Ranger #1:
HOLY SHIT JASON RITTER I JUST GASPED SO LOUD AND HAD TO BEND OVER TO BREATHE. DID I MENTION IM STANDINGG DIRECTLY IN FRONT OF MY TV I CANNOT BELIEVE I AM WITNESSING MARK CYR IN A SCENE W LORELAI GILMORE
*chill out, bruh*
M: Welcome to the wild world of the new, improved Luke’s, complete with takeout and WiFi that customers have the password for. It’s not really Luke’s thing, and he unplugs the WiFi.
T: Any time Milo comes on my screen (here or otherwise), I swoon. No different here when he walks into Luke’s, only to find that his uncle is a literal mess without Lor. He came out of the back room covered in flour like a character from I Love Lucy because he can’t focus on anything but Lorelai not being there.*I wrote that Lucy thing before Jess mentioned Lucy Ricardo*
M: Poor guy is worried Lorelai is leaving him, but I have faith this show wouldn’t do that to us – he just doesn’t know it’s the last episode, that’s all.
Luke attempting to explain why Lorelai went on Wild: This is after we… uh… Between us it’s been… like …
Jess: Communication problems?
Jess: Never experienced that myself.
T: CLUTCHING MY HEART AFTER JESS SUGGESTS LOR IS LEAVING HIM AND LUKE REALIZES IT MIGHT BE TRUE. A+++ ACTING FROM SCOTT!! Also, I just love that Luke can go to Jess for advice on his life now. JESS. The kid who was a part-time magician, stole gnomes and as a “prank” drew a chalk outline of a body outside Doose’s. Is now the wise font of knowledge for both Luke AND Rory.
M: These ladies are totally Troop Beverly Hills-ing it, staying at motels and sitting around the fire with Franzia. And yes, I DID say Troop Beverly Hills-ing it because I don’t like the word glamping.
Woman at motel campfire on her contraband item and who is now my favorite tertiary character: “I brought a ham… I almost did Eat Pray Love but my miles were blacked out… I brought Snackwells and Vitatops for dessert.”
M: There go my hopes that Rory swooped in and revitalized the Stars Hollow Gazette.
T: Having watched a behind the scenes featurette and seen various BTS shots from cast members, I knew Logan & the Life & Death Brigade we’re going to be wearing some sort of steampunk outfits in Fall. I assumed it was Halloween. Now here we are, not Halloween, and I just said out loud, without any idea what’s about to happen, “This can’t be it. Are you fucking kidding me?”
M: In Omnia Paratus! I somehow didn’t expect the Life and Death Brigade to make an appearance (I was so spoiler-averse that I didn’t watch the trailers or listen to interviews with the cast). They’re still some wealthy steampunk weirdos.
T: All of a sudden this has turned into a Halloween episode of Pretty Little Liars. The bird is talking and a man on a unicycle going down the empty street. Earlier, Petal the pig jogged by with a sandwich board attached to her and Rory’s Gazette computer somehow got hacked into. Now at night, no one is around for all this fog and mystery – did Logan pay off all the SH citizens to not be in the town square??
T: LOGAN. APPEARS OUT OF NOWHERE. AND I HAD TO TURN AWAY AND SAY YOU LOOK LIKE AN IDIOT.
T: So the following is my immediate stream of consciousness reaction that I typed into my phone while watching the entire LDB scene: “WHAT THE FUCK IS THIS I DONT THINK I LIKE THIS IS THIS SUPPOSED TO BE LIKE A SCENE FROM A MOVIE?? THEY STILL SEEM LIKE RICH PRETENTIOUS ASSHATS UGH NOW THEYRE IN A DANCE CLUB w some SYTYCD alums THIS BETTER HAVE A POINT LOGAN OFFERS HIS FAMILY HOUSE IN MAINE FOR RORY TO WRITE HER BOOK WHY ARE YOU DOING THIS ARE YOU STILL W ODETTE THIS IS RUDE Colin just bought this club. and said “money is great” I HATE IT SO MUCH. THEY HAVENT CHANGED A BIT. IS THAT THE POINT ??? I CANT STOP SAYING UGH”
Obviously we’re a few days removed from watching this for the first time, and while I’ve calmed down a bit, I just watched it for a second time and I still don’t like it. It’s so different cinematically than the rest of the episodes/series that it threw me off. And apparently it IS from a movie, Across the Universe, which this version of the Beatles’ classic is taken from. I’ve never seen it, but apparently this scene features a “privileged and rebellious student” at Princeton. Which makes sense because Logan is exactly that. BUT HE’S NOT IN COLLEGE ANYMORE. Like do they meet up and do some elaborate adventure like this every year? Do the other LDB members see Rory often? I didn’t think they were close enough that she would keep in touch to know Colin had knee surgery? Have they not matured?
M: “No hard feelings” about Logan’s girlfriend moving in with him – but will his arrangement with Rory continue? He gives Rory a key to his family’s house in Maine so she can write her book there, so I guess that answers that. Along with the rest of the brigade, they stay at an inn in New Hampshire that’s mostly made out of plaid and hunter green and prints of hounds.
T: Turns out she realizes she can’t write her book at Logan’s extra Maine mansion so she gives him the key back. She officially says goodbye to the LDB and Logan, who puts the hat back on her and puts his hands out to frame her face, as if he’s taking one last picture to remind him of his lost love. All of this is VERY annoying to me and I do not like.
HOWEVER, in addition to the whole Across the Universe thing being lost on me, so was the even more apparent parallel to the Wizard of Oz, in which Rory is Dorothy, Logan is the Wizard, and the LDB are the Tinman, Cowardly Lion and Scarecrow. Matt gave a great interview over at AOL Build about AYITL and this allegory, and after watching this clip of Dorothy’s goodbyes, I feel dumb not putting that together in the first place. Molly on the other hand..
M: Rory says goodbye to the Life and Death Brigade as though she’s Dorothy Gale. Little sight gag where a brigadier pulls out a raw steak from nowhere to put on his eye.
T: SECOND GASP HOLY CRAP ARE YOU KIDDING ME PETER KRAUSE ARE WE GOING TO SEE RAY ROMANO NEXT?!?!??! THIS IS MY WHOLE HEART!! Also, how great must it have been for Peter to act opposite his girlfriend in the role that is such a large part of her career? Plus the scene was so great that it made up for all the crap with Rory.
Lorelai: What’s your name? Park Ranger #2: Park Ranger Lorelai: Right, Park.
M: Lorelai calls Emily and tells her that on her 13th birthday she left school after some boy was terrible and ran away to the mall when, improbably, Richard was there. He bought her a pretzel and took her to the movies and covered for her. I’m sad not just because of Richard, but Edward Hermann too. I’m sure his loss made these scenes more real for the actors, but also so much harder to get through.
T: There are a few standout scenes from the revival that are officially my favorites out of the ENTIRE series, and Lorelai calling Emily on the phone to tell her about the memory is one of them. The story itself was perfect, and painted a picture of Richard with Lorelai that we had never seen before. There’s one moment in season 1 when Richard catches Lor climbing out her bedroom window, and he lets her leave, and she says, “Thanks, Daddy”. It was the only other time I can remember that they had an honest moment. The fact that Lorelai was able to tell this story to Emily for the first time – with no sarcasm, no wit, just honesty and earnest grief, was the resolve I wanted to see between these two in the revival. Also, like Molly said, Lauren’s emotion for losing Ed came through in her performance, which was… just please give her awards for this, people. Give her all the awards.
M: Lorelai comes back and explains her epiphany to Luke. Also that “in another life, I WAS coffee.” Girl, same. He thinks she’s breaking up with him and makes a speech about it. But no. She wants to get married. Awwwwwwww. Sorry for all the W’s. I am a living crying emoji and Lauren Graham is absolutely crushing it.
(As an aside, I never dreamt of getting proposed to, and it’s wonderful to see, for once once, a more pragmatic discussion – with the female character raising the topic no less! – presented as a romantic option instead of as some kind of a statement. There’s nothing wrong with a traditional proposal if that’s what you want, but the alternative isn’t usually shown or discussed in tv and film.)
T: Remember in Summer when I said I loved Ranting Luke™? And remember how Luke and Lorelai are my OTP of ALL TIME? And remember how I said the revival has some of my all-time fave scenes? THIS IS NOW ONE OF THEM. Luke, who couldn’t function as a human without the love of his life, realized he had to let it all out there in order to keep Lor as his partner, and ranting is the best way he knows how. He mentioned fighting for her and that’s legit all she wanted in season six when they broke up the second time. He’s a changed man and this moment changed his life. And just like Lauren was transcendent in that last scene on the phone with Emily, I think Scott did his best work ever in this, perfectly encapsulating frustration, fear, anger, and love for Lorelai all in one speech.
*You need the space, and I need you.*
M: Rory wanders through Emily’s house visualizing scenes from her past as my favorite version of the La Las plays. See? Told you she’s having her Jo March moment.
T: Anytime holograms are used I get nervous, but this worked perfectly. And the fact that she sat down at Richard’s desk to start writing – continue to cry all the tears.
M: Lorelai is looking for a new property to expand the Dragonfly. In my dreams, Emily would offer her the family house to use. Yes, I’m clearly thinking of Aunt March and Plumfield. Jo March, OK.
T: Lor finds that new property in what used to be a convent occupied by poker-playing nuns. They commented that “Katy Perry was snooping around here earlier,” which seems ridiculous but was a REAL THING. Currently is a thing – she wants to buy a convent in the Los Feliz neighborhood of L.A., but there are a bunch of legalities to tend to and she still hasn’t been cleared to buy it. *The more you know*.
M: I thought everybody know that but that just shows how weirdly invested I am in bizarre pop culture stories, esp. if nuns are involved.
M: Ice cream. Coffee. Red Vines. Pop Tarts. Chinese takeout. You can always count on the Gilmore kitchen.
M: Rory wrote The Gilmore Girls! JO MARCH. She says Lorelai can read the chapters she wrote, give her an opinion, and she won’t publish if Lorelai doesn’t approve.
T: At this point, I am pleading with my TV to not let “The Gilmore Girls” become a meta thing where at the end we find out this entire series has actually just been Rory’s book brought to life. I did NOT want a meta ending. I am not here for that.
M: Traci, maybe you can summarize Emily’s IDGAF shutdown of the DAR ladies? My jaw is still on the floor. I love New Emily so much.
T: When it was revealed that the revival was going to be airing on Netflix, one of the things that I thought about was the fact that since the show isn’t on network cable anymore, ASP & Dan can get away with edgier dialogue and swearing without penalty. I had hoped GG would keep the same “family friendly” tone as it had on the WB/CW, and overall it did just that. But like Breaking Bad could only use one “fuck” per season, they used it wisely and in the most necessary of circumstances (Hank: “My name is ASAC Schrader and you can go fuck yourself”). I didn’t need Lorelai to yell ‘asshole’ or ‘shit’ – although she almost did in Winter – as a throwaway. Which is why Emily’s scene at the DAR made it that much more special. They used their “fuck”. Actually, they used their “bullshit” on the queen that is Emily Gilmore, and she made it count.
Now that Emily doesn’t have her partner that was by her side at all the WASPy events, she’s finally realized that all this vetting and judging for the DAR is frivolous and not what she wants to continue doing in this new phase in her life. So she calls them out. Emily is unhinged and has nothing to lose since she’s already lost Richard. Exclaiming that all of these shananigans are bullshit will just be a blip 0n her radar moving forward, but I have a feeling it will stay with the rest of the DAR ladies forever.
M: Wedding planning: Luke knows Kiefer Sutherland (the real one) well enough to invite him to the wedding and never mentioned it to Lorelai. From any other show and character this would be ridiculous, but yep, sounds like Luke.
T: Miss Celine is back! The last time we saw her, she was fitting Emily for her vow renewal with Richard, and asked Lor/Natalie Wood if she ever thought about getting married one day. And now here we are. Also, I can’t get over how stinkin’ cute LG is with this high pony and “exercising” with soda cans! And that Lucas is just sitting there watching her do it!! ❤
M: Rory goes to Christopher’s office after confirming a meeting at 3 over the phone (or confirming something with someone at 3 over the phone. We’ll talk later). They exchange pleasantries about Gigi and his job, but Rory is pacing around not even drinking her coffee and it’s clear she’s about to have a difficult conversation. She tells Christopher that she’s writing about about her and her mom. She asks “how did you feel about mom raising me alone?” He answers that it was “in the cards” and he knew that nobody was getting between Rory and Lorelai. Rory asks if that means Lorelai pushed Christopher away, which he denies. Her real question, though, is if Christopher thinks it was the right decision that Lorelai raised Rory alone. “It was exactly what was supposed to happen.”
M: I never liked Christopher much, and his non-reaction when Rory asks how she felt about Lorelai raising her alone, as though he never thought about any other option, is more or less why. Still, he’s right that it was the best case scenario. Lorelai did an amazing job and Christopher is just a blah guy with a nice office.
T: I was always indifferent on Christopher – I knew he wasn’t the right guy to be Lorelai’s romantic interest, but also knew he had a special connection with her that Luke could never have. In saying that, I’m just glad that we finally got some closure on Christopher (who continues to be a smokeshow), as in an update on both his personal life and knowing that he’s made peace with Lorelai’s decision 32 years ago, so we, as viewers should too. Also, I love that he still calls her “kiddo”.
M: Emily bought a house in Nantucket and is selling the family home. Meanwhile, Lorelai found a building to expand the Dragonfly and wants to use Luke’s franchise money. Emily’s fine with it – it REALLY isn’t Luke’s dream after all – but in classic Emily fashion her offer of help is contingent on visits from Lorelai.
Emily: The previous owners called it the ‘Clam Shack’. I guess ‘Vagina House’ was taken.
M: Rory has a sweet run-in with Dean, father of 3 and soon 4. She has nice things to say about him in the book – she wishes she met him when she was older, and he “taught me what safe feels like.” In that moment, where he is clearly taken and not going to be involved with Rory, I really like Dean – and I was never big on Dean. Like we said in our Spring discussion, the revival shows all of Rory’s exes in a positive light (or, as positive a light as Rory anyway – ahem, Logan) so that no big fans of one character are totally screwed over, but the story doesn’t suffer either. I didn’t think Dean was right for Rory, but maybe she’s onto something about them being at different places in their lives when they met.
T: I was never on board with Dean. Sure, he made a car for Rory, but when he did what he did in 4.22 with Candyman playing and shortly left to go back home to his pot roast-making wife, I thought he was trash. But this scene is one of the best closure scenes in all of the revival – certainly, IMO, of the three boyfriends. First off, they’re in the same aisle where he kissed her for the first time. Second, that moment where Rory starts comforting Dean to let him know that his little sister Clara will get over her boyfriend who calls her ‘Ra’ because “she’s young. It’s her first love. It’ll probably be…” is so well executed. I loved every single bit of this interaction down to the corn starch. It made me like Dean again. #RedemptionForDean! #ReDEANtion! No? Ok.
M: Because ASP and co are pulling out all the stops for the final episode, Sookie is back and she’s making Lorelai’s wedding cake. It’s so strange but so comfortable seeing Melissa McCarthy in Sookie gear once again.
T: I’m glad we got at least one long scene with Melissa, because of COURSE she would come back for Lor’s wedding and make her cake. That’s all she wanted to do when they were originally engaged. The woman is such a Luke/Lor shipper she just wrote the word LUKE on the side of one of the cakes! And another had daisies (1,000 yellow daisies!?). Also, her interaction with Michel. Gold.
M: Emily lives in Nantucket in a house with sisal rugs and overstuffed, slipcovered furniture, teaching kids at a whaling museum and wearing white sneakers. I love this development.
T: Back at the Gilmore house, Jess is casually reading in a corner AND CONTINUES TO BE A SMOKESHOW, while LG is sporting overalls and looking like a crafty HGTV goddess. Also, another one of my favorite jokes gets a callback:
T: Rory is super excited about the book, now titled “Gilmore Girls” since Lor told her to drop the “The” since it’s cleaner (I need this to stop being so meta), and she catches Jess before he leaves and jumps up and down in excitement with the dude whose idea it was to write the book in the first place. Luke asks, “You’re over that, right?” To which Jess responds, “Yup. Long over.” Then stares through the window while Rory puts a hot towel on Kirk’s head. Now, Jess/Rory shippers say this obviously means he’s still in love with her. As a Team Jess person, but ultimately Team Rory/Team No Team, I really don’t want to believe this is true. They’re intellectual equals and seemingly each others’ confidants and moral support system, just not romantic lovers. I posited that ASP told Milo to play the look a few different ways and she picked the best one she felt was right for the story while editing. But I guess we may never know.
M: Luke and Lorelai both have flash mobs planned for the wedding. Lorelai says she feels like they should be married already. That’s what we’ve all been saying. They head off and elope so that their real marriage takes place before their wedding. It’s so THEM.
T: I’ve been reblogging from a blog called lukeloveslorelai.tumblr.com. I think I need help.
M: OH MY GOD. The song from their dance plays as they head off to get married. It’s magical and I cannot stop crying. Then they show Emily looking at Richard’s portrait and I manage to find even more tears. Rory walks Lorelai down the aisle. Michel and Lane are witnesses. Was there ever a priest in town before? IDK I don’t care about him. The town is all lit up and they get married in the gazebo. This whole scene was completely perfect and shows that sometimes giving the audience what they want is exactly the right thing to do. This was worth waiting 10 years for.
T: The second the first couple notes of Sam Phillips’ Reflecting Light starts playing, I have to pause yet again because I feel like I am truly going to pass out. Cause of death: OTP finally getting married. It looked like she had been crying for three days straight and clutched a Luke’s Diner coffee mug to her heart. THAT’S HOW I’M GOING DOWN FOLKS. IT WAS ALL SO PERFECT, I AM AT A LOSS FOR WORDS.
M: The next day Rory and Lorelai sit at the gazebo talking about the wedding. Paul breakup texts Rory, and Lorelai assures her that she and Paul will both find someone, but he just didn’t fit. Rory pauses because “I want to remember it all. Every detail.” And then:
Rory: I’m pregnant.
M: WOW. Wow wow wow. I was not expecting that at all. I was SO not expecting that that I had to go back and count out the last 4 words because I couldn’t figure out how there were 4 words in there. I had it in my head that maybe Lorelai would be having one of those surprise menopause pregnancies that TV loves so much, but it never occurred to me that Rory would be. I immediately wanted to go back to rewatch the episode – particularly Rory’s conversation with Christopher. In hindsight, she was almost certainly feeling out how a father felt about the mother of his child raising the kid alone – Rory knew she was pregnant and that she was going to be a single parent like Lorelai was. Our friend Tori pointed out that the phone call right before she goes to Christopher’s could easily be setting up a doctor’s appointment, not a meeting with him.
T: My actual reaction after she said I’m pregnant:
Then I realized that may have been a bit overdramatic. The thing is that we’ve known Amy’s had these 4 words planned for 9 years. That’s a long time to come up with combos of any words in the entire world. It wasn’t until over the past few years that I acknowledged anything having to do with pregnancy could be possible, but I was kind of hoping I’d be wrong. Maybe that’s why I yelled ‘No’? After processing it for a few days, I’ve decided I’m fine with it. I love a good full circle moment, which this clearly is. But also maybe my frustration came from the fact that the final four words became THE FINAL FOUR WORDS, in a way they were never supposed to be. It became so hyped up that we had so much expectation for it that when they were finally said, I was less enthused about them. Maybe I was more reacting to the fact that GG is over? IDK.
M: We know these have been the last four words all along, but we also know that Amy Sherman Palladino couldn’t have predicted a Netflix revival that would take place when Rory was 32. (In the early 2000s, that sentence would have required like a 10 minute explanation.) That means that this full-circle ending – pregnant at the same age Lorelai was in the beginning of the series – was initially planned as a completely different kind of full-circle ending – a promising teenager or college kid finding out that she’s pregnant.
Being roughly Rory’s age now gives me a different reaction to the pregnancy news compared to some younger fans. If I was watching this at 14 or even 20 I’d probably think this was an okay ending – Rory will be a single mom like Lorelai, but that worked out well. At 30, it’s more like looking into a living nightmare. Rory has no steady career or solid income. She lives at home. We don’t know who the father of her child is and we don’t know if she does, either. Logan seems plausible (I feel like on some levels he’s her Christopher), but for all we know she and Paul still had a physical relationship. And who the hell knows about the Wookie. So the father options are an engaged man who lives overseas, her ex who she never payed attention to, and a stranger from line. YIKES. Also I know the implied outcome is that Rory becomes a single mom and the story circles back to the beginning, but realistically “I’m pregnant” – especially with the variables Rory has in front of her – does not necessarily equal “I’m having a baby” or “I’m raising a baby.”
T: FWIW I’m also doubling down on the Logan = Christopher theory (which would make Jess her Luke?). He’s gotta be the father. In that AOL Build interview, Matt said ASP told him who the father is, but wouldn’t divulge who. And to be honest, I don’t want to know. Unless it’s Rory saying it in a potential new season.
M: It’s time to talk about Rory. During the Chilton years and arguably the beginning of Yale, Rory was the ultimate good kid. She got good grades, didn’t get in trouble, had a sweet and caring personality and was humble and shy despite being beloved by an entire town. Something changed in the later few seasons, and she became more entitled and selfish – more like I’d imagine a kid Emily raised, if I hadn’t known that Emily raised Lorelai. This could be a backlash to how mature Rory HAD to be as a a kid and a teenager. It could also be a negative consequence to being adulated by all of Stars Hollow; Rory believes that she is special and good and right because that is what she has been told she is. If Rory chooses to have this child, I like to think that the best aspects of her character, her tenaciousness and intellect and humor and goodness, will guide her to succeed like Lorelai did. With or without a child, one thing I’m sure of is that Rory has the best example in Lorelai.
T: Rory was a constant source of frustration throughout the revival for me, and is the main reason why I didn’t entirely love the revival. She made it hard to root for her. She made bad decisions – like the fact that not only did she cheat on her boyfriend repeatedly with her ex, but that she constantly forgot they were dating. For TWO years. I get that it’s a joke, but come on, I’d hope she’d be better than that. But what helped me reconcile my annoyance with Rory was this piece from Paste Magazine that circles back to the Wizard of Oz reference. Her goodbye with Logan and the LDB was her essentially saying goodbye to that chapter of her youth and privilege and moving into a world of responsibility and adulthood with her impending motherhood. London was her Emerald city, with her dark forest was filled with cheating & career troubles,. What I’m trying to say is that perhaps ASP meant to put Rory through the ringer in these new episodes, to show that she went through all that and now she realizes she has to get her shit together and hopefully that will turn her all around.
So overall, I am of the mindset that we don’t need any more episodes of Gilmore Girls. This show is obviously near and dear to my heart, but I want it to stay special and not become some money making machine that’s only being made for fan service. Plus, I think the idea of rebooting or reviving TV series is such a fairly new concept that there’s really been no good precedent for it, so clearly anything brought back again is going to be criticized to the max. Arrested Development, The X-Files, Veronica Mars – all of these have had their fair shares of bad reviews. But bringing Gilmore Girls back was different.
This is the way I see it: ASP wrote a novel that went on to be beloved by many, and that equals the first six seasons of GG. Then, because of forces out of her control, a new author swiped her book and wrote the last chapter, without knowing or taking into consideration how the OG writer wanted it to end. 16 years after first releasing her “book”, she was given the rare chance to write the the final chapter in the form of A Year in the Life. Now it’s out there. Her story, the one she never thought she’d get to end the way she wanted, is complete. Anything made after this is the sequel that will always be contended. Did we needa second installment of Grease? No.
Because ASP was able to show fans her own ending, it was enough to make me feel closure with the story as a whole, and satisfied with saying goodbye to the Gilmores once and for all. That being said, did I watch Grease 2? Of course. That Michelle Pfeiffer is a gem.
I am obsessed with everything Lorelai wears in this entire revival. The camping clothes and cute hats she wears are no exception. I love it all.
Lor is watching Snapped in her motel room, which I can only imagine is what ASP really does on her days off.
Jess briefly mentioned he lived in Stars Hollow again for six months? Did anyone else catch that?
Jess: I really don’t like you using the word ‘oops’.
Luke: I don’t like me using the word ‘oops’ either I’ve never used the word ‘oops’ before and now I’m a guy who snipes at his girl and uses the word ‘oops’!
Lorelai after finding out the diner on the side of the road is closed: “I hate nature.” #Same
Emily may or may not be saying Hello to Jack because he’s at her home in Nantucket, but she kicks him out and Berta immediately comes out with his suitcase. Berta – who’s stayed with Emily for A YEAR – is the best.
Lorelai commenting on Emily: “Hey, when was the exact moment you became a Mamet play?”
Awards season was off to a (slightly censored) start last night with the Golden Globes, and now that we’re officially promised ceremonies filled with Kate and Leo reunions for the next few weeks, I’d say it’s looking pretty good. Also looking pretty good – a number of the ladies in designer gowns. We’re back to bring you our picks for Best and Worst dressed from the booze-filled ceremony, capes and all.
Brie Larson in Calvin Klein
Like our 2003 Junior Prom, dresses with cutouts in the midsection are really in – and like our 2003 Junior Prom, just having good abs isn’t enough to pull off the look. Take a closer look at the beading – this is one marvelously well-executed dress and the color is perfect on Brie’s complexion.
Alicia Vikander in Louis Vouitton
To be more specific: I love this on Alicia Vikander- it’s so fresh and minimal it almost looks like a light summer dress instead of a formal gown until you look at how beautifully executed the pleats are. It’s really deceptively simple, but if it were tailored just a bit less well we’d be in pinafore territory: that’s what makes this such a success in my book.
Jaimie Alexander in Genny
The Golden Globes are a bit more playful (read: boozy) than the Oscars, and it’s just the place for a bold geometric pattern like this. I can’t get over how perfect this emerald green color is on Jaime, and I’m almost amazed that the combination of the large pattern and low neckline isn’t over the top. I think the otherwise simple construction keeps it from crossing the line. Good work, Genny. Whoever you are.
Jennifer Lawrence in Dior Haute Couture
Every awards show has one gown that waffles between my best dressed and worst dressed list, and this is the one for Golden Globes 2016. My thought is, Jennifer Lawrence has been a staple at every awards show for the past 4 years, but she’s still young and I’m happy to see her take a few risks. So combining a swing top with cutouts seems like a good thing to do – and good on her for balancing it with simple, classic hair and makeup.
Lily James in Marchesa
Lowkey trend of the past 2 years: capes on the red carpet. But in tulle, it looks new and downright angelic. If this dress were simply white it wouldn’t make my list, but look at it in a few different photos – it’s actually rainbow pastel like Lily is the queen of the unicorns or something.
Jenna Dewan Tatum in Zuhair Murad Couture
After clearly beating her husband at Lip Sync Battle the other night despite it being a tie, Jenna knocked it out of the park again on Sunday with this gorgeous flowing navy blue gown. It gives off serious Starry Night vibes to me, which just makes me think of romance and glamour.
Laverne Cox in Elizabeth Kennedy
When you’re tall and skinny like Laverne a dress like this makes you look like a freaking Grecian goddess. I love that collar, too. She knows how to work this gown.
Olivia Wilde in Michael Kors
Glittery dresses seemed to be in fashion last night, and one of my favorite looks came from this beauty, in a to die crimson colored dress. It fits her body perfectly and I’m loving the complimentary eye makeup. The whole ensemble makes her looks sexy yet sophisticated at the same time.
Jennifer Lopez in Giambattista Valli
I went through a mustard phase a few years ago, and I still stand by it. The color doesn’t look great on everyone, and I don’t think J Lo’s worn a lot of dresses in this color, but she looks great in it. With the Angelina Jolie leg and the Lupita cape, I love all of it.
Taraji P. Henson in Stella McCartney
I judge a lot of my Best/Worst dressed on how the person carries themselves in said gown. If it looks like the dress is wearing you, I’m more apt to put you on the Worst list. If you know how to rock a simple yet stunning gown like Taraji, you’ve made the Best dressed. She came into the ceremony to slay, and even managed to hand out cookies on her way up to get her trophy too.
Bonus: Michael B. Jordan looking fine af.
Cate Blanchett in Givenchy
I think it’s supposed to be 1920s fringe meets 1930s Old Hollywood, but I feel like she’s the fanciest barmaid in the whole saloon (not into THIS MUCH fringe, even on someone like Cate Blanchett).
First of all, she looks absolutely beautiful except for the dress. Second, the dress isn’t exactly her fault – these awards shows really emphasize that a lot of designers don’t know what to do with anyone over a size 6 or so. Third, I still wish Melissa would find a way to stay away from these dresses that look like garbage bags.
Kate Hudson in Michael Kors
Remember when I referenced my 2003 prom talking about Brie Larson? Yeah. This one is actually straight off of an early 2000s prom rack. It reminds me of something Britney Spears or Keira Knightly would have worn 13 years ago, which isn’t soon enough for a revival in my book. The matching choker doesn’t help.
Giuliana Rancic in Alex Perry
Take the same dress, give it cap sleeves, and it would be fine (-ish).
Wiz Khalifa in Thom Browne
Wiz Khalifa looked like he was having a blast, which is great. I just wish he’d take off the sunglasses, wear long pants, and tidy up his tie.
Taylor Schilling in Thakoon
As I mentioned with Taraji, sometimes the outfit wears you instead of the other way around. Taylor made my best dressed both at the 2014 Emmys and 2015 Golden Globes, but I’m not feeling it this year. That blazer – and I know she loves low-cut tops – and the glitter pant combo? Sorry, not for me.
Patricia Arquette in Paule Ka
Instead of putting a bird on it, Patricia misheard and put a *bow* on it.
Jane Fonda in Saint Laurent Paris
Jane Fonda is 78 and has a rockin bod. Remember this electric gown from Cannes last year? While this kind of shows her frame off, that top is not doing her any favors. She looks like the roof of a Spanish style house.
Cate Blanchett in Givenchy
Cate Blanchett – amazing actress, okay red carpet star.
Regina King in Krikor Jabotian
As much as I love a cape, it needs to be utilized in the right fashion. Lupita’s GG cape? Yes. J Lo’s GG cape? Yes. Regina’s sheer fabric ‘cape’? Nope.
Because Hollywood is so Hollywood, it’s notorious for its brief, fickle, incestuous relationships between actors. Celebrities get married, and they break up 72 days later (looking at you, Kimmy K). But then there are couples you don’t really hear about that often and fly under the radar. Surprise, surprise, these are usually the ones that have lasted the longest. Or at least longer than most. Check out some celebrity couples that you may have never known were happily married.
Here are our picks for the Best and Worst Dressed from the Oscars. And in case you missed it, check out our live blog from last night. Entertaining commentary and gifs galore!
Jennifer Lawrence in Dior Haute Couture
Oh J Law. I just adore you so much. You look like a cloud, and I mean that in a good way. Who knows if it was the dress, or your stunned look when you won, but you’re the only person that could trip up the stairs and still make it look cool. You win.
Jessica Chastain in Armani Prive
From the moment I saw her, I knew she would be one of the best dressed of the night. She said she wanted to look old Hollywood-esque and she absolutely nailed it. This is the best thing I’ve seen her in all season. Perfect Oscar dress.
Reese Witherspoon in Louis Vuitton
This dress is kind of reminiscent of J Law’s from the Globes, but I love this blue color and the black accents at the top and sides. Apparently Reese’s daughter Ava helped pick out the dress, and the only reason that is disconcerting is because Ava is 13 years old. 13!!!!
Stacy Keibler in Naeem Kahn
George Clooney’s girl legit looks like a Greek godess. Life is unfair.
Amy Adams in Oscar de la Renta
Amy looks like a princess in this dress, an older, more mature, Oscar-nominated version of Princess Giselle, if you will. And she looks fantastic.
Honorable mentions: Halle Berry redeeming herself from the Golden Globes disaster in Versace, Sally Field looking stunning in Valentino, and really, the winner of best dressed, and life overall First Lady Michelle Obama in Naeem Kahn.
Flawless First Lady is Flawless.
Jennifer Lawrence in Dior Haute Couture
I hate when people are like, “Jennifer Lawrence is just pretending to be cool, but she’s probably just really fake.” Do you mean that she’s actually unfunny and had someone piping things into her ear in the post-Oscars press conference? Or that she’s secretly ugly when we’re not looking? Traci’s right, she DOES look like a cloud. A beautiful cloud who is on my top 10 list of Celebrities It Would Be Fun To Be Seated Next To On An Airplane.
Jessica Chastain in Giorgio Armani
Good color. Good cut. I might be imagining things but I think she looks happier in this than in the Golden Globes number. And like almost all humans, she really does look better with a side part.
Sandra Bullock in Elie Saab
Almost all of my best dressed picks involve a journey from dislike or confusion to love, and this is no exception. I didn’t notice the semi-sheer effect on the lower part of the skirt at first. Then I noticed and disliked it. Then I thought the effect of floating beadwork at the hem was gorgeous. But tie your hair up, Sandy. Or give me the number of whomever did your keratin treatment.
Kerry Washington in Miu Miu
I still think she looks like Oscars Barbie in this. At first I wasn’t sure about the gold tones in the textured bodice with the coral/pink skirt, but now I am sure. I like it.
Amanda Seyfried in Alexander McQueen
Usually keyhole neckline situations remind me of how skanky ladies dressed up fancy in the early 90s. But this doesn’t read that way. Someone said this was gray but it reads as a really soft lavender with fantastic gold beading. Bonus points for her hair which looks like the perfect messy updo — I think a lot of ladies either overdo the messy or overdo the updo, so that it looks like slept-on prom hair. But not Karen Smith.
Honorable Mentions: Michelle Obama because she is flawless and everything I wish I could be; Quvenzhane Wallis because she’s so stinkin’ cute; Bradley Cooper because his little VEST and his little MOM, oh my goodness.
Anne Hathaway in Prada
Nipplegate 2013. It’s a shame, because as soon as I saw her on the red carpet, I was shaking my head knowing this would forever be the dress she won her first Oscar in.
Zoe Saldana in Alexis Mabille Couture
If Zoe was trying to impress her ex Bradley Cooper in this dress, it didn’t work. Plus he was the one nominated for an Oscar. Kbye.
Look who swam up to the shore for the Oscars. Someone get Daryl a dinglehopper, because I don’t think she had time to do her hair on the way from Santa Monica.
Brandi Glanville in BrandB
If you don’t know who this is, good for you. But in case you were wondering, she’s on The Real Housewives of Beverly Hills, most well known for being Eddie Cibrian’s ex-wife and trash talker of LeAnn Rimes. First off, why are you at the Oscars. SHE DOESN’T EVEN GO HERE. Second, she looks HORRENDOUS in this dress. I mean, her boobs. hello?? (insert Seth’s Boobs song here) And guess who designed it? She did. Also I’m pretty sure she got a fresh injection of botox right before the show.
Kristen Stewart in Reem Acra Haute Couture
Here’s the thing about dressing for the Oscars, or any awards show, or LIFE, really. You have to make sure whatever you’re wearing is the right fit for you, physically and mentally. K Stew just looks so so awkward and uncomfy in this. Given she had a messed up ankle and crutches, but still, you have to work with what you got. She just looks like an imposter.
Anne Hathaway in Prada
I didn’t think about Anne Hathaway’s nipples this much when I was looking at her actual nipples in Brokeback Mountain. Late 90s Gwyneth + Early 2000s prom dress + world’s worst dart placement.
Kristen Stewart in Reem Acra Haute Couture
I don’t understand this because I don’t want to understand it. K Stew doesn’t understand it either, because she is very, very high.
Melissa McCarthy in David Meister Signature
I’m pretty sure this is jersey, which I don’t think lends itself to formalwear. I don’t understand the black thing that comes out near her leg. And it doesn’t seem to drape well, like there’s too much fabric. Just moving the ruching up to her waist would make a world of difference. I feel like I’m looking at a whole lot of jersey material and I’d rather look at Melissa.
Halle Berry in Versace
I am pleased that Halle wore an entire, intact dress, unlike at the Golden Globes. But as I said in the liveblog, this looks like something my grandmother would have worn on her trips to Vegas in the early 90s. I can’t really put my finger on the problem but I think it’s the overly structured shoulders. Like, Oscar gown meets power suit.
Marcia Gay Harden in David Meister
This is too red and the sleeves are too weird. Doesn’t work.
Dishonorable mentions: Jennifer Hudson (I know I’m coming down on the wrong side of history with this one; Jennifer herself looked beautiful but I was not feeling the snakeskin situation), Jennifer Garner (pretty, except the butt ruffle), Amy Adams, maybe (half the time I loved it, half the time I felt like she looked like a feather duster).