I continue to not understand the concept of time, because apparently not only is it technically fall (the overwhelming abundance of pumpkin spice items everywhere I look has told me that), but it’s time for the Emmy Awards once again.
We of course have favorites going into the ceremony (This Is Us, Handmaid’s Tale, Atlanta, etc.), but what about all the standout performances by actors who have kicked ass this past season and didn’t get the recognition they deserved at the actual Emmys? Well we’re here to give them said recognition, and praise them for the excellent work that is just really super specific to their particular craft.
“Best Drama” is so overrated.
Best Performance by an Actress in a Scene Where She Helps Deliver a Baby She Also Gives Birth To
Tatiana Maslany, Orphan Black
EMMY WINNER TATIANA MASLANY. That’s all. That’s the only thing I’ve called the Orphan Black star ever since she finally last year. If you even only seen one episode of the show, you know it’s totally deserved, but anytime there’s an intense scene between another clone, it still blows my mind. Even til the end. Our beloved Helena finally gave birth to her babies, but because this is OB world, it wasn’t in a hospital, but rather in a dirty basement with limited tools and a crazy person wanting the newborns as a scientific case study. But in the end, it was sestra and sestra, Tat and Tat, facing each other and encouraging the other they have the willpower to deliver these miracle babies. I think the show ended perfectly, but it still won’t make me miss scenes like this on a weekly basis.
Best Rap In Response To Being Unfriended on Facebook
Issa Rae, Insecure
Have you been saved by Insecure yet? I was recently converted to this religious sect and I’m here to spread the gospel (read the holy book here). The second season of the totally snubbed Emmy show just ended last week, and it just kept getting better and better. On the second to last episode of season 2, Issa finds out her ex unfriended her on Facebook, and she went into one of her classic bathroom mirror rants. Except this one was no holds barred. Freaking amazing.
Outstanding Performance by a Female BFF Who Gives It To Ya Straight
Natasha Rothwell, Insecure
Speaking of Insecure, Issa’s BFFs in the show are all individually fantastic, but I have not laughed out loud more to the lines perfectly executed by Natasha Rothwell, who plays Kelli. She’s sassy, unapologetic, loyal, and keeps her friends in line. What more could you ask for?
Best Devastating Cry After Finding Out Horrible News
Gina Rodriguez, Jane the Virgin
I watched this video clip again on mute and I still started crying. Give Gina Rodriguez an Emmy already. She need something to keep her Golden Globe company.
Outstanding Pop Culture References, Comedy Series
As Gilmore Girls fans, we’re used to mile-a-minute pop culture references. But Difficult People is next level. Within just 10 minutes, you’ll not only be hit by 8 different celeb names, but really super specific references that only true pop culture/entertainment fans will get.
Best Fake TV Show on a Real TV Show
“Defamation”, Dear White People
Guys, we love us some Scandal, but it obviously can get a little ridiculous. And that’s what Dear White People parodied with it’s show within a show, Defamation. Like many fans of Scandal, the students at Winchester University had a weekly viewing party for Defamation, which in its very short clip had a woman having a secret affair with a politician. Sound familiar? It’s incredible.
Very close runner-up (might have been the winner but I had two Insecure winners already): Due North, Insecure. Includes Scandal star Scott Foley, Regina Hall, Christopher from Gilmore Girls, and slavery.
Best Performance By An Actor Who Deserved More Than His Character Got
Nick Jonas, Kingdom
See: My entire post about this bc I’m still annoyed.
Outstanding Performance by an Actor Who Did His Best Work Ever on the Revival Of A Beloved Series
Scott Patterson, Gilmore Girls: A Year in the Life
Unfortunately, Lauren Graham still didn’t get an Emmy nomination/win as Lorelai Gilmore (add that to the list of your Steve Carell/Michael Scotts and Amy Poehler/Leslie Knopes of the world), but I feel like she has a better chance at getting nominated/winning one in the future than Scott Patterson does. Look, I’m a hardcore GG fan, but I understand that one of the biggest things Scott has done since GG ended in 2007 was a Lifetime movie. But he’s the perfect Luke Danes. And never has he been more perfect than in this classic Luke Danes rant in the Fall episode of AYITL, when he finally tells Lorelai what he should’ve told her 10 years ago. That he’s not letting her go and willing to do anything to fix their relationship. It’s the best I’ve ever seen Scott Patterson, and he admittedly agrees that it’s also one of his favorite scenes/best work he’s done in the show.
Shannon Purser, Barb, Stranger Things
Shannon Purser did a perfectly good job in a perfectly fine role. It’s just that there was nothing terribly Emmy-worthy in Barb, no matter WHO played her. This nomination came about not because the role was incredible, but because people just … liked Barb. And they wanted her to have a nice thing. It feels like the time Uncle Jesse’s Forever was voted the prom song in my high school, c. 2001. The point is, we should free up a space in the already tight Best Supporting Actress category and make a special category for the Barbs of the TV world. Next year, whichever minor TV character is the Barb of that year can win, but the category would still be Best Barb.
Best Early Plot Twist
This Is Us
In case you missed it, the pilot of This Is Us centered on four people who share the same birthday: actor Kevin, family/ business man Randall, supporting-character-in-her-own-life Kate and expecting father Jack. During the last moments of the pilot, you come to realize that Jack’s storyline takes place in the late 1970s and that he is the father of Kate, Kevin and Randall – and that Randall was adopted after Kate and Kevin’s triplet died as a newborn. Phew. It was gorgeous and we owe it all to hipsters, whose aesthetic is so ‘working class couple in 1978’ that I never even questioned what year Jack and Rebecca lived in.
Best Late Plot Twist
The Good Place
Like the early-in-the-game plot twist, a later plot twist has its own perils – in this case, it’s that everything that happened before it has to make sense in light of what you’ve just learned. You spend all of The Good Place thinking that Ted Danson’s character did a piss-poor job of designing a corner of heaven, only to learn in the season finale that he did a brilliant job designing his characters’ personal hell. In a moment, it all made sense – how these seemingly cruddy people landed in heaven, how unrewarding the eternal reward was, the constant calamity. We fell in love with Ted Danson during our Cheers watch last year, and that love only deepened when he let out that sinister laugh and his very persona shifted before our eyes.
Big Little Lies
Do you remember back to elementary or high school when you would diagram a story? Rising Action, Climax, Denouement, Conclusion? In Big Little Lies, you knew it was all leading up to the fundraiser night at the school, when somebody-we-know would get killed by somebody-else-we-know. The climactic scene on the slippery steps was fantastic. But that’s the point where lesser shows would give up. Without saying too much, Big Little Lies resolved itself beautifully, culminating in that heart-twisting scene on the beach when you finally exhale – and you didn’t even realize you had been holding your breath until that moment.
Best Political Commentary By Somebody Who Shouldn’t Have To Be Doing This
Seth Meyers, Late Night With Seth Meyers
Seth Meyers shouldn’t have to do this, but it’s 2018 and here we all are, getting schooled on our crumbling world by gently witty late-night comics.
Best Multi-Dimensional TV Mom (Comedy)
Constance Wu, Jessica, Fresh Off The Boat
Emmy voters love nominating moms, especially in the Best Actress In A Comedy category. They don’t especially love nominating multi-dimensional TV moms, though. Or maybe writers just don’t like writing them? Anyway, as a special incentive to show runners who love to flatline mom characters we’re including this special, moms-only category. This year the witty, salty mom-of-the-90s – who totally has her own interests and also a favorite kid – takes the prize. Constance Wu, we love you.
Best Integrated Musical Performance That’s Not Supposed To Be Impressive
“Everybody Wants To Rule The World,” Mr. Robot
It sounds really specific but it’s honestly not. This is a musical performance that is (1) part of a show and (2) not meant as a spectacle, a la Nashville or Empire. The winner is the one that furthers the action, touches viewers, or gives you deeper insight into the character. This year, it was Angela singing Everybody Wants To Rule The World in that karaoke scene on Mr. Robot. It’s like you can see and hear all of Angela’s conflicts in these few minutes – is she being true to herself, and her principles, and is the payoff even worth it, and does she want power for a purpose, or just to have it? – and it’s a beautifully cut scene to boot.