Frances McDormand was thisclose to Cady Herron-ing her Oscars speech, Armie Hammer shot hot dogs at an unsuspecting movie theater-going audience, Kobe Bryant became an Oscar winner, and the La La Land/Moonlight jokes flowed like the tears I had for almost every performance of the nominated Original Songs. But as always, the fashion made headlines too and we’re just another blog adding to the list. Did your faves make the cut?
Lupita Nyong’o in Atelier Versace
Lupita has been one of our favorites since she came onto the scene looking and acting like a modern-day Audrey Hepburn several awards seasons ago. This beaded sash is gorgeous (I love a good sash, but on most people they veer on either the beauty pageant, Grand Duchess, or Michael Jackson side…) and check out the gold sewn into her hair!
Gal Gadot in Givenchy Haute Couture
I’m always a sucker for anything flapper-inspired and this look is all glam and glitter. It’s no mistake that so many of our favorites are gold, silver and champagne-colored. It’s a big night and I love when stars treat it as such. The diamond and aquamarine necklace is so classic that I was surprised it wasn’t vintage.
Mira Sorvino in Ramona Kavenza
It’s cherry blossoms! Mira is making up for lost red carpet time in a stunning way here. Not to start another controversy about dress color – I think we can all agree we shouldn’t go down that road again – but I read this described as blue and I really do not see it. Surely they meant blush?
Margot Robbie in Chanel Haute Couture
Margot’s gown is one of the simplest on our list, but it’s deceptive. Look at the criss-cross layers on the skirt and the wispy feathery detail along the top — it’s a real god is in the details situation.
Gina Rodriguez in Zuhair Murad
Gina always looks stunning on the red carpet because she is always entirely polished without being overdone. Sleek hair, simple but evening-appropriate makeup, and this silvery cloud of a gown all come together to make her look full-Hollywood glam.
Honorable Mention: Rita Moreno in Her Old Dress From 1962
This works on so many levels. Reminding us that Rita Moreno is such an institution that she’s been around for over 55 years of Oscar history; reminding us that Rita Moreno’s dress from 55 years ago still fits (I’ll never feel smug about still fitting into my prom dress again…); reminding us that Rita can somehow pull off showing more skin in her 80s than she did in her 30s. The dress was created in the Philippines from a Japanese obi and it’s as beautiful in 2018 as it was in 1962.
Allison Janney in Reem Acra
Allison Janney – sorry – OSCAR WINNER Allison Janney picked the perfect gown to take home the golden trophy. The sleeves, the hair slicked back, the deep V paired with the simple diamond necklace, gives just the right kind of drama that an Oscar winner should display. The only thing we’re disappointed in is that she didn’t do The Jackal at the end of her speech.
Chadwick Boseman in Givenchy
This is how a a king should dress.
Allison Williams in Armani Privé Couture
I always love when an actress goes for straight up Hollywood glamour at the Oscars, and Allison did just that. The beading, the sheer illusion top and the wavy hair all come together to help give Allison the perfect movie star look.
Zoey Deutch in Elie Saab
The Disaster Artist actress (did you know she’s Lea Thompson’s daughter??) wasn’t nominated for anything but still showed up to the party looking fabulous, and I’m into it. In a sea of white, this off-white gown stands out from the crowd.
Emily V. Gordon in J. Mendel
Emily’s dress was old Hollywood and Met Gala combined. I particularly love the velour/velvet crimson belt that added a bit more depth to the whole look.
Honorable Mention: Best Couple – Armie Hammer in Armani Prive Couture and Timothee Chamalet in Berluti
We thought 2016 was bad. Guess what? We were all freaking wrong. 2017 was a dumpster fire of its own. The nightmare administration, disgusting politicians attempting to pass horrific laws, KKK rallies, multiple earthquakes, hurricanes, floods, wildfires, and The Mindy Project coming to an end – it was all very, very bad. Which is why we’re here to celebrate the best things to come out of 2017. It’s time for our annual list of superlatives, and hopefully we’ll all gain perspective from this list about the past year.
Best Candid Group Celebrity Photo: Moonlight Mixup
Celebrities: They’re Just Like Us. So much to look at in this photo, which will forever live in Hollywood infamy. Fun fact: Busy Philipps’ husband got her a large framed version of this for Christmas. She obvs had to give one to her BFF Michelle, too.
Best New Life Motto From a Politician: “Reclaiming My Time”
Finding inspiration from California Representative Maxine Waters, the two of us decided that our official motto of 2018 is “Reclaiming My Time”. From life, from work, from politics, from everything. Let this not be a year where you sit back and let folks mansplain to you.
Best Shady Company Twitter Account: Merriam-Webster
Never thought I’d be praising a dictionary’s internet account, but here we are. Give this social media person a raise. It’s the perfect way to call out the administration without actually straight out calling out the administration.
Best New Show That’s Actually Been a Hit For Years But I Joined So Late To The Party: The Great British Bake-Off
I binged all of GBBO this summer and it did NOT disappoint. I realized y’all (including Molly) had been singing its praises for a while, but when you’re unemployed and find baking mesmerizing and soothing to watch, it’s inevitable you’ll fall in love with this bunch. And also pretend you’re a baker too.
Best Pregnancy Announcement Featuring Florals: Beyonce
You know her from Freaks and Geeks, or White Chicks, or Dawson’s Creek, or even Cougartown, but you should know Busy Philipps from her Instagram stories that are entertaining beyond entertaining. She’s a mom of 2 girls, a fitness fan (#lekfit), and an actress who might not be an actress anymore. She’s *relatable* and funny and guyyysss, you just have to check it out for yourself.
Best TV Revival We Didn’t Need But Was Actually Pretty Good: Will & Grace
I will be the first to tell you that a Will & Grace revival was not necessary. I was a fan of the show when it was on, but there was really no legit reason for it to return besides the fact nostalgia makes companies money these days. And the series finale canon. THE CANON WAS BROKEN AND THROWN OUT THE WINDOW. I do not enjoy when shows/movies do not follow canon. After a shaky first episode back, they found their footing in the second episode and it’s been fantastic ever since. The creators, writers, and actors seem like they never took a nearly decade-long break, and the tone is exactly the same as it used to be. In a world where everything seems to suck, this show is a welcome relief.
Best Display of Arts & Crafts in Honor of The Resistance : The Women’s March
Best Author To Happen To Streaming TV: Margaret Atwood
If there’s one good thing I can say about 2017 it’s that the coolest woman in television was a 78-year-old Canadian author. With the one-two punch of Alias Grace on Netflix and The Handmaid’s Tale on Hulu, we had Margaret’s interpretation of one society long before ours and another slightly after … and both looked a lot like our own. They watch really well as companion pieces, by the way. Keep up the good work, Mags. Cat’s Eye on Amazon Prime 2020, perhaps?
Best Real-Life Hallmark Movie: Meghan Markle and Prince Harry’s Engagement
Some might say that it’s silly to care about foreign figureheads using taxpayer money to throw an enormous wedding, but 2017 was a steaming cesspool of a year and I’d like to have this one thing, please. We wrote about this already, but a biracial American actress with middle-class roots getting engaged to a prince – while he cooked for her! – and they’ll live in a cottage! – is the stuff low-budget romcoms are made of and I am HERE. FOR. IT.
Best Celebrity Vacation: Obama’s Post-Presidential Blast
In January 2017, we were all kind of cold and sad and Obama was, like, kite-sailing on billionaire islands with a smile that could light up the whole White House and looking like that person who really *thrives* after a breakup.
Best Viral Revolution: #MeToo
Fall 2017: when our favorite hobby was watching dirtbag producers, news anchors and celebrities get ripped to pieces. This one calls for a Michael Jackson popcorn gif:
But before Hollywood’s reckoning, thousands of normal folks were using #MeToo to give voice to the stuff we all knew was going on.
Best Wedding Dress I Could Never Pull Off : Serena Williams
I don’t necessarily want to see celebrity wedding dresses that I’d totally wear; instead, I love when they wear gorgeous creations that I could absolutely never pull off. Cue Serena Williams’ giant cloud by Sarah Burton for Alexander McQueen. You know you look good when your bridesmaid is Venus Williams in a stunning ivory gown and you aren’t even worried about it.
Best Unexpected Gay Icon: The Babadook
Babadook-ook-ook. We watched the movie and discussed it here.
Best Physical Comedy (Political Division): Melissa McCarthy as Sean Spicer
The other day I read a think-piece about how the twist ending of this year’s Oscars – as well as the reversals of fortune at the 2017 Super Bowl and the 2016 Presidential Election – means that there’s a glitch in the matrix: that we’re living in a simulated universe and either something broke, or someone’s messing with us.
For the 2017 Academy Awards ceremony to be dull and unremarkable for over 3 hours, only to get so wacky in the last 5 minutes that it inspired stoner philosophy in the New Yorker: that’s a feat. We already discussed our Best Dressed picks, so let’s revisit a few other happenings of the oddest awards night in recent memory.
The Opening Number and Monologue
Maybe it’s because I grew up on Billy Crystal’s annual parody numbers, but wow, was this year’s opening uninspired. Of course I love Justin Timberlake, but I prefer an opening number that actually remarks on the year’s nominees (yeah, I know the song was nominated, but am I crazy to want a La La Land reference when there’s an actual MUSICAL up for Best Picture? Something with the fantastic ladies from Hidden Figures? The nice aliens from Arrival?).
The monologue wasn’t quite as sharp or well-paced as I’ve come to expect. There were some good ones in there, though (“black people saved NASA and white people saved Jazz”) and some standard ones (the jokes about how young Damien Chazelle is seemed to be cribbed from Good Will Hunting-era Ben and Matt jokes), and a few that were just bad (on the biggest night of someone’s professional career, I’ve always found jokes about how nobody saw a movie or knows who someone is to be ill-conceived). I do like Jimmy Kimmel, but I don’t think he was the best fit for the Oscars host; I think he was the guy from ABC.
The Matt Damon Jokes
Who counted the Jimmy Kimmel/Matt Damon rivalry jokes last night? It’s a running gag you’d come to expect if you watch Kimmel, but if you don’t it probably just felt a little overdone.
The Bit With The Tourists, Which I Hated
As you already know by now, there was a really protracted bit where a group of tourists were told they were going to see an exhibit of Oscar gowns, only to walk into the auditorium full of celebrities. It was terrible for so many reasons:
It took forever. Legit, 7 minutes. Whenever the Oscars is packed with dumb bits, I always think of how annoyed I’m going to be when it’s 11:30 PM EST and top winners are being rushed off stage after 30 seconds, or 12:05 AM EST when I’m still awake.
The cell phones. I hate when baby boomers complain about kids these days always on their phones, but damn, could those baby boomers get off their phones?! It reminds me of when I was sitting at my niece and nephew’s Christmas pageant and couldn’t see a thing because everyone in front of me was watching it with their tiny phone screens poised in the air.
Something about the Normals mixing with the Pristine Fancy People just felt gross.
No really, put down your phone, Gary.
Is it just me, or does walking off a bus in tourist clothes onto national television and a room full of celebrities sound like a weird, bad nightmare? My only consolation is that everyone was calm enough that it was probably fake.
Yeah, Jimmy. Not everyone’s named something like Jimmy. That’s not even a good joke.
In general, I hate the idea of manufacturing Magic Moments – it’s the same feeling I get when I look at someone’s carefully curated Pinterest wedding. At some point you just have to let things play out normally and appreciate that magic can’t be planned. Case in point: this bit with the tourists was boring and long and bad, but the most fascinating part of the night – the glitch in the matrix at the end – was completely unexpected.
Saint Brie Of The Pursed Lips
We’ve come to realize that every Oscars night will involve us discussing how Brie Larson is a good person. She really seems like a genuinely down-to-earth, caring human even when the cameras aren’t on (for instance: hugging each and every ones of the assault survivors who appeared with Lady Gaga during the 2016 Oscars – during a commercial break, not on live TV). It is because Brie has become an advocate for survivors of sexual abuse that it was so horrifying that this awards season kept seeing her paired up with accused sexual harasser Casey Affleck. As at the Golden Globes, Brie handed off Affleck’s award with a pursed-lip smile and all the polite iciness of a well-bred Southern hostess.
Yes, Brie handed off the Oscar with a quick hug and congratulations, but she wasn’t going to clap about it. And it was that tiny gesture – not clapping – that put the next-day headline focus on the accusations against Affleck instead of his win.
I will say that I’m happy for Casey’s Manchester By The Sea costar Michelle Williams, who looked happy, and for his brother Ben, who I am willing to believe has given him a stern talking-to.
There are some actors and actresses whom it feels like a privilege to live in the same time as. Viola Davis is one. After her much-deserved nominations for The Help and Doubt, it’s a joy to see her win her first Oscar – and I say first because I’m certain there will be more.
The Ladies Of The Help
I don’t know what it is, but occasionally the cast of a movie coalesces in such a way that you know filming it must have been (to use the oft-repeated junket cliche) like summer camp. Maybe because of its location shoot, that’s how The Help is. The actresses really seem to have become like a family on-set and remained friends years later. Oh, plus they’re all absolutely crushing it. To see Emma Stone, Viola Davis and Octavia Spencer all involved in nominated pictures is an absolute delight.
It seems that every awards season has its darling (Jennifer Lawrence; Lupita Nyong’o, e.g.) and this year it was the talented, intelligent, really really handsome Mahershala Ali. It’s no secret that we were pulling for him, and we promise it wasn’t JUST because we like his speeches (the man does give a good speech though).
The Children of Moonlight
The actors behind the youngest versions of Chiron and Kevin, Alex Hibbert and Jaden Piner, are two talented seventh graders from the same Miami school. They were selected to audition and didn’t even know it was a big project – and now they’re part of a Best Picture winner. It’s the fantasy I always had as an inner-city kid, and the fact that it came true for these two amazing boys is phenomenal. Alex and Jaden are kids, but they’re also old enough to grasp that the Oscars are a big deal and it seems that they were taking in every minute of it. All love and all pride.
La La Land Wins?
La La Land was good. It wasn’t my favorite — some of the Hollywood Is In Love With Itself vibe is only interesting if you are actually from there, I think, kind of like looking at some other family’s photo albums — but it was good. A modern musical is a fresh and innovative idea, it was beautifully executed (the color palate alone!), and for the first time in a long time, there was a really well-made film that was trying to be charming. If movies like La La Land come into fashion I won’t be upset. Still, my gut said that Moonlight was going to win: if I felt that it was more deserving, certainly a number of voters had the same opinion.
When La La Land was announced as the winner I was disappointed, but didn’t feel like Moonlight got robbed, exactly. I understood why La La Land could have won, it was the expected winner, and as I said, it was good. I saw a photo album page I recognized in Moonlight (as I said, I grew up in the inner city with drug houses next door and across the street; Moonlight is the first and only time I have ever seen a neighborhood like that depicted with complexity and humanity. It meant a lot). Voters, I figured, saw a photo album page they recognized in La La Land. Fine.
But wait. The signs were there from the beginning. I interpreted Warren Beatty’s drawn-out announcement as an aging actor trying to be funny, but it was actually a pause to figure out what was going on. Faye Dunaway thought that Warren was allowing her to read the winner, when he was really signaling her in a “do you see what I’m seeing” way. Producers rushed on – well, maybe not rushed; they could have hustled a little bit more if you ask me. They reportedly realized there was a problem immediately but took minutes to get to the stage. Shock can cause delay, though. I was actually more surprised by the producer who (evidently) already had been told that they lost, delivered his speech anyway, then interjected “we lost, by the way.”
God bless Jordan Horowitz for clearing it up with”I’m sorry. There’s a mistake. Moonlight, you guys won Best Picture”, though at first I thought he was trying to say that Moonlight DESERVED best picture. Nobody else on stage – not the producer who accepted before him, not the host, not the presenter, not the producers – had stepped in by that point, so I appreciate his quick thinking and decisiveness. Then there was some painfully bad on-stage vamping (KIMMEL. Telling them they should keep it isn’t the way to go; and it wasn’t “nice of them,” the other guys won it), and Warren tried to clear his name (redemption would come later, when it became clear that he was handed the wrong envelope). A visibly stunned Moonlight cast took the stage. It was baffling.
Moonlight was my personal pick for best picture. It was so beautiful at times that I wanted to cry not because it was sad, but because it was true. I think my soul broke open in the final scene and not in a bad way. Moonlight is the first Best Picture winner with an all-black cast AND the first LGBT winner as well. It deconstructs masculinity, particularly black masculinity, in a thought-provoking and profoundly touching way. However, Moonlight was also so beautifully written, filmed and acted that it deserved to win on its merits as a film, not because it was ground-breaking. It’s one of those movies where you can’t really explain why people need to see it, just that they need to.
We’ve been blogging about the Oscars for four years now and watching them for about 20 – and that was hands-down the nuttiest night in our Academy Awards memory. From Denzel’s shocking loss to Viola’s triumphant win, Auli’i Cravalho’s otherwordly poise and composure to Lin’s endearing joy, culminating in the most INSANE deus ex machina ending we’ve ever seen – when the wrong envelope was opened and La La Land was announced the winner, only to have producers come out and confirm that the rightful winner as Moonlight – there was a whole lot going on. It’s almost enough to make you forget that it was an amazing night for fashion, too. Key word: Almost. Because no matter what insanity went on with the envelopes, we feel pretty confident about who the winners of our Best Dressed prizes should be.
Janelle Monae in Elie Saab
I’ve been a Janelle Monae stan since The ArchAndroid, and I am having SUCH an “I’ve been telling you all” moment right now. Things to know about Janelle’s fashion choices: for quite some time she only appeared in black and white tuxedos, but she has relaxed her “uniform” and now wears gowns, always in her signature black and white. Her albums center around a futuristic sci-fi mythology, a world populated by androids with lots of cool space allusions. I could see this look flopping on somebody else, but knowing Janelle’s penchant for black and white, and her fusion of sci-fi and soul, an Oscar gown where she looks like an intergalactic android empress is the best and, honestly, only appropriate choice. Also: that short hair and grecian headband: excellent.
Emma Stone in Givenchy
Like with Janelle Monae’s dress, I love Emma Stone’s gown as much for what it represents as for how it looks. For a lot of us, Givenchy will always be synonymous with Audrey Hepburn, and in fact Emma is the first person to win Best Actress in Givenchy since Audrey. As I’ve said other years, I always love when nominated actresses dress with an eye towards the fact that this may be THE dress for them: the image that will be called up throughout their career and used in stories about them when they’re old ladies. And with La La Land so glitzy and classic, this Old Hollywood look is a symbolic choice – a gown that could have been featured in one of the classic films Emma’s character Mia grew up checking out of the library. A note about makeup: every single time I see Emma in a lip color, I think that it’s HER color. Coral: her color. Bright pink: her color. This brick red: her color. She has a complexion for lipstick, which I didn’t realize was a thing until just now. Also of note, Emma is sporting a small Planned Parenthood pin.
Ruth Negga in Valentino
Evidently the inspiration for this look was “pagan goddess.” I was going to say a more streamlined take on a demure Victorian look, but either way. I wouldn’t love the high neck and long sleeves on just anybody, but Ruth has such long, straight lines and I think it complements her perfectly. I love the contrast of the brighter, orange-y red with the deeper ruby on her headpiece and earrings. I find this dress to be a great example of dressing FOR your type (Ruth is this year’s pixie-like ethereal Irish nominee, after all), instead of against it. My only very minor gripe is that red dresses always look odd on the red carpet because of the contrasting tones. Note the blue ribbon for the ACLU.
Nicole Kidman in Armani Prive
Love the pillar dress, love the embellishments, actually love that this whole look is basically monochrome except for her lip color.
Mahershala Ali in Ermenegildo Zegna Couture
Because we have to acknowledge that the men tried, too. Sometimes black-on-black can look kitschy, but the way this pulls together is pure elegance. I love that he went with a waistcoat and shirt, stayed black with the bow tie, and splashed it out a bit with the pocket square. And the shirt studs, besides? He is killing me. It’s just so great to see a man having fun with accessorizing. Elegant, indeed.
Brie Larson in Oscar De La Renta
Brie looks pristine and icy and beautiful, exactly how you should look while forking over an award with a pursed-lip smile while gently seething [Annual reminder that Brie Larson is a Good Person]. The length is fantastic, I love the train and I don’t always love trains, and the architectural structuring on the front of this is perfectly paired with the contrasting fabric finishes.
Taraji P. Henson in Alberta Ferretti
Taraji kept it classic and cool in a gown fit for Hollywood royalty. The neckline cut is perfect, the slit on the leg isn’t too high, and the best part is that this velour dress isn’t black – it’s navy blue.
Auli’i Cravalho in Rubin Singer
Like Moana coming out from the sea, Auli’i stepped into the spotlight and straight to our hearts. In addition to her outstanding performance with our boy Lin-Manuel during the show, this SIXTEEN YEAR OLD wore this gorge flowing gown on the red carpet. The white dress with gold accents was classy but just unique enough to stand out from the crowd. It also reminds me of water, but maybe I’m too into Moana.
Ava DuVernay in Ashi Studio
Ava might not have walked away with the gold last night (we’re of the mindset that she should have won, but whatever), but she sure did make a statement with this stunning gown by Ashi Studio, a designer based in Lebanon. The country is 54% Muslim, and Ava chose them specifically as a “small sign of solidarity.” We need people like you, Ava.
Isabelle Huppert in Armani Privé
I haven’t even seen Elle, nor have I seen anything Isabelle Huppert has been in, but she looks like Hollywood royalty in this gown. The 63 year old donned a dress perfect for her age, with just enough sparkle to shine in a sea of youngins.
David Oyelowo in Dolce & Gabbana
More and more men are taking risks with color on the red carpet, and David Oyelowo is rocking a black and white suit coat with modern details, and we are all for it.
Hey guys. Remember when Leo won an Academy Award? And we were alive to witness it? Yeah, me too. It’s Thursday and I’m still not over it, so I’m going to keep riding this Leo high for a few more days (weeks, months, years, etc.). Three years ago, we wrote about how the Internet loves Leo. Or rather loves making memes about Leo. Obviously included with that were the famous Oscar memes, in which he just can’t catch a break. Things like:
Since it’s been 20+ years that Leo’s been an Oscar contender, it was only natural his loyal and Internet-savvy fans turn him into a viral meme. But now that the whole Internet has exploded and celebrated his win, what happens to the Oscar memes now?
That, apparently. But guess what – memes don’t die. Memes never die. That’s kind of the point. While the fact that Leo grabbing for the gold or outraged that he didn’t have a trophy yet won’t be relevant, that doesn’t mean the Leo memes will stop. It means there’s a whole new set of memes about Leo actually winning an Oscar, or what we’ve seen in the past couple of days, memes of Leo at the Oscars while waiting for his Oscar.
Enter: Leo Cookiegate 2016. If you missed the Oscars (read our live blog so you can talk about it with others as if you actually had), Chris Rock pulled a food stunt a la Ellen’s 2014 pizza bit, where he had a group of Girl Scouts, supposedly for his daughters who were not present, sell cookies to the audience of celebrities. Actors in the audience pulled out cash (change for $100?), Morgan Freeman just stole a couple from Chris at the end of the show and walked away, while this glorious shot of our beloved Leo shows that he got his hands on a box of trefoils (what, they were out of thin mints?) and boy, was he excited.
Naturally, the Internet needed a new Leo meme to focus on, and this seemed like the right choice. Bless his cute little hungry face. Bless us. Bless the Academy for finally making a right decision for once. Bless Chris Rock’s daughters for inspiring this bit that keeps on giving.
Like so many of our generation, we have a never-ending love of the Kate Winslet/Leonardo DiCaprio friendship. Since the days when we didn’t have the internet at home and had to horde copies of magazines to get our Jack and Rose fix, they’ve always been either friendship or relationship goals. It started with the fun stories of behind-the-scenes antics on the set of Titanic, and Kate and Leo’s frequent awards show appearances only fueled the flames. Mercifully, since 1997 both of them have been consistently on the nominee or presenter block – unless one or the other was working, that is – so we’ve had plenty of mini-reunions to fawn over. Some of us actually ship them as a real life couple. Others think shipping real humans is creepy, but love the good-natured platonic friendship between two talented actors. Whatever it is, the Winslet-DiCaprio friendship is pure magic.
With no further ado .. are you ready to go back to Titanic?
Behind the scenes: Titanic: in retrospect I realized why Kate hated that wig / hairpiece/ dye job situation.
Settle in, because Titanic was where it all started and I can’t get enough of these behind the scenes photos.
Kate is warming up from the chilly water tank; Leo is exhibiting the classic Hot Boy In The Mid-90s Haircut.
I will bet you anything that Kate and Leo are responsible for some of the first viral gifs in internet history, spreading rapidly across angelfire and geocities sites alike.
Okay, last one. Only because some of you may have slow-loading computers. I could do this all day.
Tiny baby Leo talking about Little Kate:
Not to be outdone, Kate had some choice words about Leo:
Golden Globes: it’s hard to believe these two seemed so grown-up to us at the time, because right here they look like a pair of (rich, elegant) babies.
Kate and Leo, out to wreck us since day 1.
Let’s watch that in action, why don’t we?
Important news in 2000: Kate could still recognize Leo by his walk; she worried about him cavorting with the Pussy Posse; all is well in their friendship:
I saw Leo the other day. I was at a party for Quills. Me and Jim were leaning up against the bar and this posse of boys came in wearing masks and Halloween gear. I recognised him from the way he walked. He ripped his mask off. He hadn’t changed a bit. Of course, he’s famous, one of the most famous actors in the world. But he’s the same person and I’d been so worried about him. He still does care about everything he does. He hasn’t just become some bullshit film star
As one did in 2004, Leo reveals all on Oprah:
SAG Awards: just two unusually talented and good-looking people expressing their friendship; nothing to see here.
Golden Globes: back in 1998 US Weekly would have captioned this photo “They’ll never let go… of their friendship!” and I would have hung it up in my locker.
If Kate and Leo are living their whole Awards Season lives making up for Leo not attending the 1998 Academy Awards, I think that’s fine and appropriate.
On the set of Revolutionary Road. Or: if Rose and Jack had survived into mid-century.
Revolutionary Road UK premiere: Kate and Leo reunite on screen, proving that fan service exists in real life, too.
U.S. premiere, Kate totally just made fun of James Cameron (I imagine).
Promoting Revolutionary Road. We’re all bigger now, Kate. Because of this friendship.
And in case you need the whole interview:
Too long; didn’t listen? Here’s what you need to know:
Well, I think I can speak for both of us: we have a lot more wrinkles. Don’t we, darling? I’m proud of him, though. I can’t say that you’re taller, because you were always tall. He’s a man now; look at him — he’s just bigger. Physically you aren’t that different; you’re just less puny. – Kate Winslet
She’s still as beautiful and radiant as the day I met her. She is the consummate professional; she keeps pushing herself to an emotional truth when she’s working. That’s why I keep saying she’s the best. – Leonardo DiCaprio
Golden Globes: Leo reacting to Kate’s Revolutionary Road win – their long-awaited onscreen reunion. BE STILL MY HEART (OF THE OCEAN)
Wait, do you want to see Kate thank Leo? Of course you do!
Golden Globes: Kate and Leo after she wins for The Reader. Yes, you read that correctly. Yes, she’s THAT talented. Damn, Kate. Damn.
Oscars: Leo wasn’t there but he’s here in Kate’s heart and her heart will go on and on.
Some situations are so delicate that I’d only trust Oprah with them:
God bless Anna Wintour. From Kate’s Vogue Magazine profile:
He knows me better than anyone else in the world. Lots of male friendships begin as a cheeky snog. Or a little undercurrent of flirtation. But Leo and I? No. He’s my rock. I don’t know what the f–k I would have done if I hadn’t had him. – Kate Winslet
We literally grew up together. And in every major life event we’ve been there as a support mechanism for each other. – Leonardo DiCaprio
Titanic was re-released in 3D; Kate kindly graced us with some fresh behind-the-scenes anecdotes:
Leo FINALLY confronts the rumors plaguing him since 1997 (that Kate nicknamed him “Farty Leo,” which I don’t actually remember, which is surprising?):
She never says that to my face. She’s the greatest person. She’s so genuine. I love that girl. She has a brand-new baby and is in love.
Because Kate and Leo CANNOT STOP TALKING ABOUT EACH OTHER (or, um, maybe it’s that we can’t stop asking?) Kate had this to say about Leo in 2013:
Leo has mastered this more than anyone I know. it’s not that he’s sort of brazen like, ‘I don’t give a fuck and I’m going to be rebellious and behave badly.’ It’s not that. It’s genuinely not caring what people think because he will not allow other people’s judgments to have any kind of impact on his life and who he is. and I have really admired that so much in him .
Also in 2013: the one thing that really softened the blow of Kate marrying a man who chose the surname Rocknroll — Leo walked her down the aisle. What does swooning feel like? Because I think I just did it.
Theo or Leo? Considering we all know who Leo is and Theo is either a Huxtable or the name of a lot of babies lately, I think we all know the answer. And Kate doesn’t hesitate, either:
Golden Globes: Number 1, how dare you.
More Golden Globes: I will go down with this ship.
And let’s not forget our own freak-out during our Golden Globes live blog after Leo’s name was announced for Best Actor:
T: YASSSSSSSSSS WHERE IS KATE. WHERE IS KATE. WHERE IS KATE.
M: YAYYY! But does this mean he’ll be even more cursed for the Oscars? Can they please show Kate? SHOW KATE.
IS KATE OKAY. WHERE IS SHE.
T: MAYBE SHE’S PASSED OUT BC THE LOVE OF HER LIFE JUST WON A GOLDEN GLOBE.
M: Yeah maybe she’s hidden behind a camera taking pics for her scrapbook.
T: Kate is at Eddie Redmayne’s table (I THINK) so like, just PAN OVER.
M: THANK KATE. I don’t care that she wasn’t in this.
T: I THOUGHT WHEN HE SAID “LASTLY” THAT IT WAS GOING TO END WITH “KATE WINSLET, WHO HAS BEEN WITH ME AND IN MY HEART SINCE 1996.”
M: I SAW. DID YOU SEE.
T: NO UGH I WAS LOOKING FOR LEO GIFS
M: He thanked the makeup artist or something and you could see a fuzzy Kate Winslet calling out a “woo!” so I like to think she was there just cheering at every damn thing he said.
T: I REWOUND IT. THIS IS THE GREATEST.
SAG Awards: What are you trying to do to me here?
Oscars: how is it possible that they both look even BETTER 20 years after filming Titanic? And how is it possible that Titanic was filmed 20 years ago?
Oh, for goodness sake.
Kate. Also, all of us. (Also Ned Rocknroll, but we don’t have to get into that.)
Oscars: The culmination of 20 years of love (at least on our end, but probably for Kate, too).
Welcome to our 2016 Academy Awards fashion roundup! It was a great night for fashion, and a great night for Leonardo DiCaprio, so between those two things we are feeling fantastic today. In fact, everyone looked so wonderful that we had a hard time coming up with some of our worst dressed picks. What a good problem to have!
Alicia Vikander in Louis Vuitton
Here’s what I love: even if actresses say they never thought they were going to win, nominees at least know it’s a possibility. Thus. the picture of them winning their Oscar will be the iconic image of them throughout their whole career. And in this tea length, absolutely cloud-like embellished gown, I think Alicia realized that. Somewhat polarizing because some people thought it was TOO princess-y, I thought it set the tone for the refined-yet-youthful vibe Alicia has in many of her roles.
Saoirse Ronan in Calvin Klein
This made my best dressed list not just for the dress itself – though the combo of sequins and patterns, plus the simple cut and neckline, is fantastic. I also love the symbolism Saoirse sneaked into there. She specifically wanted green to symbolize Ireland, since it’s not just her country but also the focus of her nominated film. It’s the same color she wore for her first nomination for Atonement – a nice, non-obnoxious way to remind us this isn’t her first Oscar nod. And it sends a clear message that, at 21, Saoirse’s no longer a child actor. Plus her skin looks amazing with that color.
Olivia Munn in Stella McCartney
Between that color, the off-shoulder cape, and the snake bracelet, Olivia perfectly hit that line between a bold look and something a bit more over-the-top. The sleek column silhouette suits her so well!
Olivia Wilde in Valentino
Maybe my favorite gowns are the ones that land on half of the best dressed lists and half of the worst dressed lists: it means they at least aren’t too boring. The tidy ivory micro-pleats are sort of Grecian-meets-angelic, and the back of the dress is so pretty, too (a dress with a nice back is like the Awards show version of “AND it has pockets!”). Maybe I don’t love the choker but maybe I’m also starting to come around to the choker revival.
Naomi Watts in Armani Prive
My favorite part: the violet-blue-pink gradient on the bodice, that is subtle enough that’ it’s not “OMG ombre.” I must be part magpie because I cannot stop looking at all of those sequins. Loving that touch of Old Hollywood with the Bulgari necklace, and the non-overdone – but not overly beachy – hair.
Honorable Mention: Jacob Tremblay in his darling little suit; Brie Larson, who like Alicia Vikander seems to have chosen a dress KNOWING that it was going to be the picture you’ll see of her for the rest of her career.
Charlize Theron in Dior
Frankly, it’s quite annoying how naturally gorgeous Charlize is. She’s the type of person that can make anything look good, and on top of that, she is always so freaking classy. And sexy. This dress looks like it was made just for Charlize’s frame, and perfectly draped on her. The train is not too long and photographs great, and I love the pairing of the long diamond necklace.
Daisy Ridley in Chanel Haute Couture
Daisy Ridley made her debut at the Oscars and it definitely won’t be her last. If you followed her on the Star Wars press tour, you already know she’s been killing it on the red carpet and even giving Lupita a run for her money. This silver embellished gown has so much detail, and all I want to do is look at it up close and look at it in awe. Plus those silver heels are everything.
Margot Robbie in Tom Ford
Margot was a presenter at the show, but she dressed like a literal winner aka human Oscar. And I love it. A sparking gold dress like this is already a statement on its own, so I love that she kept her hair and her makeup toned down. She looks even more gorgeous than usual, since it’s a mix of glamour and casual that works so well together. Plus I’m a big fan of black and gold together, so the black clutch is a good match.
Rooney Mara in Givenchy Haute Couture
There’s something oddly satisfying about a dress that’s symmetrical as this one, especially since it’s incredibly detailed. Like Daisy’s dress, I could pour over this for a while just staring at the design. Rooney’s complexion is always perfect for a dark lip, and the combo with her hair in a high bun is totally working for me.
Lady Gaga in Brandon Maxwell
This bitch continues her Gagaissance by wearing a jumpsuit/pantsuit/cape ? to the red carpet and I am HERE FOR IT. Her hair is channelling classic Hollywood and the make-up isn’t over the top either. Love her.
Honorable Mention: Common because heLLLOOOOO SMOKESHOW ❤ ❤
Kerry Washington in Versace
Between the slit, the leather, and the dominatrix-y stirrup thingies, I just don’t like this. Which brings me to: maybe we should call this something other than “worst dressed,” because this isn’t necessarily BAD, I just don’t care for it. As always, Kerry’s hair and makeup are perfect.
I’m not sure if this belongs on worst dressed, because this is a costume designer paying tribute to the off-the-wall costuming of the patron saint of individualism in fashion, David Bowie. So let’s say that it’s questionably red carpet appropriate, but her heart is in the right place.
Kate Winslet in Ralph Lauren
Look no further for evidence that everyone looked really great last night: there were few dresses that I disliked that I was forced to put Kate Winslet on my worst dressed list. Her hair and makeup are nice, the silhouette of the gown is good, and my only qualm is that fabric. I’ve mentioned a few times that I wish Melissa McCarthy wouldn’t wear that garbage bag fabric so often, and here it is on Kate Winslet. Call it a pet peeve.
Mindy Kaling in Elizabeth Kennedy
See what I mean about not having any dresses I dislike? Mindy Kaling? I LOVE Mindy Kaling! I don’t even hate this dress! I just don’t love it as much as some of the other gowns from last night. It’s a pretty good dress! The back of it is amazing! The tailoring just feels a bit off, and that’s not even Mindy’s fault. I love Mindy Kaling! Ugh. That felt gross. I hated doing that.
Rachel McAdams in August Getty
Now I’m not even pretending to pick bad dresses. I love this color, I love this cut, her eyes pop, the simple earrings are amazing, I’m glad her hair is back. It’s just one of those terribly disappointing moments when you (Rachel McAdams) realize that the otherwise perfect dress you’re wearing wrinkles when you sit. I hate when that happens!
Dishonorable mention:Heidi Klum, who at this point is probably just trolling us that she can wear this puffy tulle thing and STILL look better than most of us could possibly look on our best day.
Heidi Klum in Marchesa
It’s just so bad I had to put it on here twice.
If you’re wondering who this is, Jacqueline is a costume designer who was nominated for The Revenant. Like Sandy Powell, I just don’t understand why costume designers wear unflattering things like this. You can see her slip – but is it meant to do that? Maybe I just don’t get the *art* of it.
Reese Witherspoon in Oscar de la Renta
I love Reese like every other American. But this top is just not working for me. It makes her boobs look lumpy and I don’t like that the boning is kind of outlined on the corset. And I’m not feeling the color. It also reminds me of the Louis Vuitton dress she wore to the 2013 Oscars that’s kind of similar to this. Except that gown was better.
Sofia Vergara in Marchesa
Again, I love Sofia Vergara. She is an American treasure. And you have to appreciate someone who knows their body so well that they know what dresses look great on them. Sofia is constantly in a strapless gown, which can kind of get old, but she still looks gorgeous. However, this gown has too much fabric around the waist and I’m not feeling the embellishments scattered throughout. Bring back more like this pink number at the SAGs , pls.
Gwen Stefani in Yanina Couture
Ok, this is technically at the Vanity Fair after party, but still Oscars related. Gwen. What in the fresh hell is this? Apparently sheer dresses with designs/floral covering the private bits is a trend as of late, but ugh. This is too much.
T: Just think, Brie wins an Oscar AND Jacob Tremblay. She’s also incredibly composed for just winning an oscar.
M: That’s what I said about her in the preshow – that she always seems so calm! Someone get me the number of Brie Larson’s yoga teacher or meditation…guy?
M: I always feel like awards shows are the west coast’s revenge, because they usually get the raw end of live tv.
Which is to say, I’m in New York and I’m tired.
T: God bless time zones.
Adam McKay, The Big Short
George Miller, Mad Max: Fury Road
Alejandro G. Iñárritu, The Revenant
Lenny Abrahamson, Room
Tom McCarthy, Spotlight
Traci’s Pick: Alejandro G. Iñárritu, The Revenant
Two-peat for Alejandro?? Probs.
Molly’s Pick: Alejandro G. Iñárritu
Revenant was the best movie I’ve barely been able to watch.
Winner: Alejandro G. Iñárritu
M: Yay! I hope this means we hear a lot more Revenant for the rest of the awards (read: Best Actor).
T: To be clear, Kate and Leo are separated by one aisle and a Cate Blanchett. Just so we can get an idea of the floorplan for whatever happens next.
M: I’ve never more wanted to be Cate Blanchett. Or an aisle.
M: Quincy Jones is one of the most powerful people in the entertainment industry but I look at him and think “wow. Rashida’s dad.”
T: same. SAME.
T: Is Pharrell’s hair blonde???
M: Confirmed: Pharrell’s hair is blonde. Somehow makes him look even MORE like an ageless vampire-person than usual.
Best Original Song
“Earned It,” 50 Shades Of Grey
“Manta Ray,” Racing Extinction
“Simple Song #3,” Youth
“Til It Happens to You,” The Hunting Ground
“Writing’s on the Wall,” Spectre
Traci’s Pick: “Til It Happens to You,” The Hunting Ground
We’re in the middle of a Gagaissance, and she’s has been campaigning for her first Oscar hard. One step closer to EGOT, Gaga.
Molly’s Pick: “Til It Happens to You,” The Hunting Ground
I don’t know any of these songs.
Winner: “Writing’s on the Wall,” Spectre
M: Truth, this was a boring-ass song and I LOVE Sam Smith.
T: Awww I’m happy for Sam despite the fact I don’t care too much for this song. *disclosure (no pun intended) we wrote that at the same time
M: 11:28 PM EST. But thanks for all your little sketches, Oscars.
Sacha Baron Cohen’s bit fell flat right?
T: WHAT YEAR IS IT, ALI G???
T: Just realized how many exes Rachel McAdams is surrounded by tonight. Two, by my count?
M: Before you finished, I was about to reply “HOW MANY EXES,” so thanks for anticipating that.
T: Honestly, Jacob Tremblay, I want to put you in my pocket and and bring you around with me all day.
M: “I loved you in Madagascar!” Jacob Tremblay, my son. (Just kidding, I’m sure Jacob Tremblay’s hot parents love him very much.)
T: Speaking hot parents – or maybe not – this Irish dude is QT.
T: The academy: “We didn’t nominate any black folks, so here are “International stars Sofia Vergara and this Korean actor I’ve never seen in my life’ presenting Best Foreign Language Film. BOOM, DIVERSITY.”
M: “I don’t think you understand, here is an ENTIRE TROOP BEVERLY HILLS OF COLOR.” – The Academy
M: Is this gonna be the year everyone realizes they love Joe Biden?
T: JOE BIDEN JUST SAID, “HEY MATT, HOW ARE YOU” AND POINTED AT MATT DAMON.
M: Man. I wish Joe Biden was running for President. Too late for Biden to be making a surprise Oscar night, pre-Super Tuesday announcement? No?
T: GOD that would be a GD dream.
M: Gaga is doing basically a fancy version of the song Paige won the talent show with on Degrassi. (IDK I’ve muted it but I’m almost positive.)
T: Really glad I didn’t wear make-up today!
M: I’m not wearing any makeup; I also had to mute the TV and read the internet instead of watching that, so I really covered all bases.
M: Didn’t they used to do the honorary Oscar during the show? On one hand those always run like 20 minutes, on the other Gena Rowlands is one of the best actresses alive and I wouldn’t have minded seeing her.
T: Did you see her during the pre-show? She was talking to Ryan Seacrest and he showed her a photo of The Notebook cast and someone had to remind her what she was looking at. Bless.
M: Like, apparently, Gena Rowlands herself, I forgot that she was in The Notebook.
M: On one hand, I can usually take a joke at my expense. On the other, if I were a documentary short subject nominee, I probably wouldn’t love Louis C.K. riffing on how poor and unimportant I am?
M: Sharmeen Obaid-Chinoy is winning her SECOND Oscar, so whatever, C.K. The Pakistani PM said he would change the law on honor killing after seeing this documentary, so I guess I’d drive a Civic if my movie was going to do something like that.
Best Documentary Feature
The Look of Silence
What Happened, Miss Simone?
Winter on Fire: Ukraine’s Fight for Freedom
Traci’s Pick: Amy
I have yet to see What Happened, Miss Simone? but Amy was truly insightful and heartbreaking, and included a lot of footage I’ve never seen before. Plus I found out I’m like two degrees away from Amy Winehouse after watching this movie.
Molly’s Pick: What Happened, Miss Simone?
I haven’t seen this, but I feel like this and Amy have been the most buzz-y and I didn’t think Amy was edited and cut all that well.
Also the way the nominee names go from shortest to longest is very visually pleasing.
M: There were 2 Amy Winehouse documentaries on Amazon and I’m starting to wonder if I watched the wrong (non-nominated) one?
M: What better way to highlight how white the Oscars are than to make fun of Asian children for being good at math?
T: I am HERE for Kate and her glasses.
M: Sexual orientation: Straight + Kate Winslet In Glasses.
T: Whoa Kate Capshaw is serving with that bow tie and suit.
M: Also sexual orientation: Mark Ruffalo Winking. What? I usually hate winking.
M: Wow. I really don’t like Chris Rock’s man on the street segment. You’re not Billy. (Note: I like that he turned it into an #OscarsSoWhite thing, but the segment itself is whatever)
T: This woman with the purple wig is going to be a viral hit in approx 5 minutes.
M: Real headline on the Daily Mail right now: “Olivia Munn shows off 12 pound weight loss.” Do you really show off 12 pounds lost? Can people even tell? Because if I gain that, I go off the assumption that nobody can.
T: 12 you can totally tell, it’s 11 pounds where it’s unrecognizable.
This is Sly’s third nomination, after getting nominated for the first Rocky as Best Actor and Best Original Screenplay. He has the best chance at winning this category, since he’s a Hollywood fave. For once, he’s not an underdog.
Molly’s Pick: Sylvester Stallone, Creed
Personally I’d vote for Tom Hardy, or maybe Mark Ruffalo, but there’s a lot of buzz about Sly and a lot of times the Academy can’t resist the sentimental pick.
Winner: Mark Rylance
T: Frreal. digging Sly’s black and blue suit. But also, his face when he didn’t win was v “ugh, you can’t win ‘em all.” ALSO I’M GETTING NERVOUS FOR LEO.
M: Are Chris Rock’s adorable daughters really selling Girl Scout cookies? I would willingly be part of a dumb awards show bit if I got cookies at the end. Especially, but not limited to, Samoas.
T: Can these girl scouts deliver to a 30-year-old woman approx 3 miles away watching Minons present an award at the Academy Awards? kthx
T: Bear Story: The prequel to The Revenant
M: 2016: not a great Oscars for people of color, AWESOME for bear-actors.
T: I’m unexpectedly tearing up at the sight of Buzz and Woody. EFF YOU Toy Story 3.
M: Oh yeah. That movie screwed me up but good.
Best Animated Feature
Boy and the World
Shaun the Sheep Movie
When Marnie Was There
Traci’s Pick: Inside Out
Emotion if this clear favorite doesn’t win: Lewis Black. Like all of Lewis Black as Anger.
Molly’s Pick: Inside Out
Hi, still crying over this one.
Winner: Inside Out
M: I didn’t ACTUALLY expect to tear up the instant that was announced but I ACTUALLY am.
T: Inside Out, also screwed me up but good.
M: It’s such a useful and important movie for kids, too. Like, for helping them identify their emotions – my little niece is going through a really tough time and when we were watching Inside Out for what felt like the 20th time, she said “actually, I’m sad but I’m still mostly made of joy.” TEARS. Bless this movie.
T: Did they bleep out Kevin Hart for saying “damnit” or am I making that up?
M: I thought my TV just cut out but I feel like that’s, in fact, what happened.
M: The Weeknd’s performance is like Phantom Of The Opera + Cirque du Soleil + Fosse.
M: OH WOW. Ex Machina, A movie other than Mad Max, just took one of the technical awards.
M: I hope this doesn’t read as shade because it isn’t: the inventions from the tech awards sound amazing. (BTW, my sister-in-law’s uncle won one one year; it’s on his mantle and fun at Christmas parties).
M: Favorite segment of the hour: Tina Fey’s commercial.
M: If I didn’t already have a headache, I’d have one after that sound editing intro. Their tactic was, I guess, to include every sound that ever appeared in the nominated films.
T : Um give these dudes a reality show about sound and skull necklaces
M: Observation: the technical winners LOVE gothic and renaissance themed accessories. Oh God. They’re doing the thing again for the Sound Editing category. (Mad Max, naturally, wins).
T: Oh boy I would not ever want to mess with Suge Knight, y’all.
T: Michael B. Jordan. what GD DREAM MAN.
ok, get them in a romance movie pls
T: The way they’re shooting this cinematography category feel like I’m on a ride at Universal Studios.
T: Man The Revenant’s cinematography was so beautiful and breathtaking. I would’ve been so upset if it didn’t win.
M: Likewise. I actually thought to myself “wow, this is some gorgeous cinematography” while I was watching it. (Not a thought I always have during movies.)
M: Mad Max just won for editing. Definitely going to be the biggest winner of the night, unless The Revenant sweeps the big categories.
“Mad Mad was the best reviewed film of 2015. Audiences loved it.” RUB IT IN, WHY DON’T YOU.
T: HOLY SHIT ARE THEY LAYING IN ON WILL SMITHohjk Jack Black.
T: “The Minons are on their way” FUCKING FINALLY, said absolutely no one.
M: In case anyone’s looking for some reading during the music segment, here’s why nominee Anohni won’t be there.
(I had a moment of “I don’t know who that is,” but I do and you probably do too: she was formerly known as Antony Hegarty, of Antony and the Johnsons).
Best Costume Design
The Danish Girl
Mad Max: Fury Road
Traci’s Pick: Mad Max: Fury Road
IDK, it’s probably impressive to create costumes for a time period that hasn’t happened yet.
Molly’s Pick: Cinderella
The costume designer has won a few times before, and that blue dress is pretty legit. But I’ve also heard Carol is all about the costumes, so.
Winner: Mad Max: Fury Road
M: Like I said before, I got maybe 20 minutes into Mad Max and I just couldn’t do it. The costumes were part of it. There was a man wearing a weird hat or a … crazy mask? … I forget… making a proclamation on a mountaintop and I was like “I’m sorry, I tried. I cannot.”
T: Of COURSE the Mad Max costume designer is wearing a bedazzled leather jacket.
T: So there’s a big change this year with nominees given the opportunity to hand in a list of names of the people they want to thank but it didn’t happen with that woman that just won?
M: The scroll I’ve been complaining about for a half hour doesn’t even work. Sorry, Academy. You tried a new thing. Not as new as nominating people who aren’t white, but newish.
T: Is a Tina/Steve Carell reunion a subconscious way for Hollywood to know they want a Date Night sequel?
M: I’d love for Tina Fey and Steve Carrell to become a popular buddy duo, a la Tina and Amy, and make dozens of movies together.
Mad Max just won for production design. The minutes I watched were mostly deserts and jalopies, but presumably that changes.
M: Makeup and hairstyling… we didn’t do guessing but probably Mad Max again?
T: um Magic Mike XXL, not Magic Mike 2, jared leto. get it straight.
M: His strength was all in his hair, Traci.
Well. Mad Max just won again. It wasn’t a bad movie, just a movie my ears and eyeballs couldn’t put up with.
T: This portion of the show was sponsored by the Australian tourism board.
T: After introducing The Revenant as a Best Picture nominee, they shot to a bear clapping in the audience, and no one laughed. Alejandro was confused, Leo is still crying over Kate not winning, and that officially became the second fake bear joke that’s failed this awards season.
T: WAIT UPDATE POEHLER IS THERE AND SHE IS A BEAUTIFUL NOBLE LAND MERMAID
M: I know prerecorded comedy bits are what make the show run over – and what I retroactively hate about the show around 11:15 PM – but I’m just so thrilled to see Leslie Jones. I also love that despite nominating only white actors, the Oscars has ended up with the largest non-white presence in the show probably ever.
M: 9:03 PM. 2 minutes of Sarah Silverman doing a James Bond bit (Sarah, I love you but I’m going somewhere with this). 11:03 PM: The actual winners of the biggest awards in film being ushered off the stage after 30 seconds.
It feels like every year there’s a song from James Bond, and (1) I didn’t know a James Bond movie came out, (2) the song is boring as hell. This year is no different.
M: For those of you only really following the main categories, Best Supporting Actress should be up next, then like 10 awards you won’t care about.
T: “My favorite song is Father Figure” ugh come on. Enough. We get it Sam Smith and George Michael are both gay and British.
M: Getting super nervous about this category. #ShipWatch2016, get your looking glass and binoculars ready.
Confession: I saw Spotlight last week when I was REALLY sick and I dozed off for about, I’d say 4-7 minutes. Which included the scene they just showed for Rachel McAdams, apparently.
Best Supporting Actress
Jennifer Jason Leigh, The Hateful Eight
Rooney Mara, Carol
Rachel McAdams, Spotlight
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs
Traci’s Pick: Kate Winslet, Steve Jobs
I haven’t seen Steve Jobs (and neither have a lot of people, I guess), but Kate Winslet is always great in what she does. Alicia Vikander was transcendent in The Danish Girl, but I low key also want Kate to win so she takes pix with her new gold statue and *fellow winner* Leo.
Molly’s Pick: Kate Winslet, Steve Jobs
Word on the street is the race is between Kate Winslet and Alicia Vikander. On one hand I’m tempted to go with Alicia because the Academy loves giving Best Supporting Actress to unknown young actresses, on the other hand, they called it the ship of dreams. And it was. It really was.
Winner: Alicia Vikander, The Danish Girl
M: I don’t like the thank-you scroll.
T: I saw The Danish Girl last week (not sick) and Alicia was really good. Did anyone see Steve Jobs? No? Ok, Kate still deserves it but whatever.
M: Based on our comments above, I think we knew it would be Alicia. I still say she’s a princess (specifically: Belle).
Maybe this is just because I majored in foreign languages, but I think it’s so fascinating how people’s accents differ depending on where they learned English: like how Alicia sounds like a mix of English with a tiny bit of Swedish, and completely different from the Swedish-Americans I know – yet you can hear the common Swedish accent underneath either the American or English accent.
M: Well. It’s about time, Academy of Motion Picture Arts and Sciences.
(expect all the Titanic gifs)
T: This looks like the beginning of Mr. Magorium’s Wonder Emporium (I’ve never seen it).
M: I saw it in the theatre, despite reading a review entitled ‘Mr Magorium’s Wonder Emporium Is Really, Really Bad’ (that’s true).
Not to get too Titanic (oh, who am I kidding), but there’s a majestic, booming chorus sounds like when Titanic set sail from Southampton. There’s a deep cut for those of you who owned both the Titanic soundtrack AND the Back To Titanic Soundtrack (so, other girls who were born in 1986)
T: AKA the both of us
T: I’m glad they were able to sneak Magic Mike XXL in that (necessary) montage
T: *take a shot for #OscarsSoWhite ref*
M: Chris Rock always sparks the same reaction from me as kids on the Disney Channel: yes, you’re very talented, but would you PLEASE stop yelling?
T: i just had a flashback to chris rock hosting the ’99 VMAs. *what a time to be alive*
M: Ah, yes. I remember that from the VHS tape I made where I edited out the commercials. Cool kid here.
T: “EveryBODY GOT MAD!” We are witnessing peak Chris Rock right now.
M: Chris Rock: not fair that Will Smith didn’t get nominated, also not fair Will Smith “made $20,000 for Wild Wild West.” The truth of which makes Alicia Vikander look like she may cry.
T: *take a shot for Wanda Sykes ref*
M: “Hollywood is sorority racist. ‘We like you, Rhonda, but you’re not a Kappa.’”
T: A show where it’s only reaction shots from white people after a black comedian/enne makes a race joke
T: The #AskHerMore joke made me uncomfy for like the first 20 seconds, TBH
M: ME TOO, I was getting really nervous about where he was going to take it.
Where are all the seat fillers? I counted like 10 empty seats in the front center section.
T: Wait.. “Charice” Theron? Did Chris have an Adele Dazeem moment?
M People tend to get her confused with Charice, the teen singer who used to be on Oprah a lot.
T: BTW Emily Blunt is the most beautiful with that baby bump. Where is JKras tho?!
M: I hope he’s here! Traci, if I ever have kids, I’ll pay you $5 to never say baby bump.
T: Give me it now and I’ll promise to never say it to anyone again.
M: Is this a friendship or a series of small bets and tiny transactions? Anyone’s guess.
Best Original Screenplay
Bridge of Spies
Straight Outta Compton
Traci’s Pick: Inside Out/Spotlight
I feel like Inside Out is the most original in the truest sense of the word, but Spotlight might take it since it’s more Oscar-y that Inside Out.
Molly’s Pick: Spotlight
Inside Out was more innovative, but would they give best screenplay to a cartoon – even a really great one?
M: I know Spotlight is an “important movie” and everything but I’ll say it: I was really hoping for Inside Out.
M: With Best Adapted Screenplay, we get to the first overwrought banter of the night.
T: Ryan Gosling, Canadian treasure – please go hang out with Rachel McAdams and make everyone pass out. Titanic and The Notebook is too much for millennials.
Best Adapted Screenplay
The Big Short
Traci’s Pick: The Martian
Because who doesn’t love a good, heart-warming comedy??
Molly’s Pick: Room
It’s not easy to adapt a first-person novel to a screenplay without relying too much on voiceovers, moreso when the narrator is 5 years old. I read the books & saw the movies for both Brooklyn and Room and both were great. I guess I just want a win for Ireland either way.
Winner: The Big Short
M: Okay, that screenplay was really good. WAIT. Why are they scrolling thanks along the bottom of the screen?! Is this going to happen all night?
T: The director of Anchorman: The Legend of Ron Burgundy just won an Oscar.
M: Mark Ruffalo uses his interview screen time to talk about basically every hot-button issue there is (OK, maybe just child abuse and #OscarsSoWhite).
T: Where’s Bow Wow to accidentally throw to the live show 3 times?
M: Oh god. The show doesn’t even START for another 4 minutes. I feel like I’ve been watching this forever.
T: V IMPORTANT Q: IS KATE LEO’S DATE? I KNOW HE SAID HE BROUGHT HIS PARENTS BUT WHY ARE THEY POSING FOR PIX ON THE CARPET TOGETHER BESIDES TRYING TO KILL ALL OF US SIMULTANEOUSLY
M: Who else would she be with, her husband Mr. ROCKNROLL?
(Why yes, I am still mad that Kate’s married to, not just not-Leo, but specifically someone named Ned Rocknroll)
T: Are you kidding me? We’re reporting on the fact that Chris Rock is using a RAINBOW PEN to make notes on his script? M: Once people start filing inside, it’s like Christmas after you’ve opened presents. Fun’s over.
M: First of all, Lady Gaga seems very sweet, right? Second, I feel like if you’re not into Lady Gaga, people who love her think that means you hate Lady Gaga. But sometimes you’re just not into her.
This is me saying I’m not into Lady Gaga, however I think she’s very talented and seems genuinely like a good person.
Oh, Naomi Watts. Sequins everywhere. Actually, kind of a lot of sequins this year overall? Which I love. There are so few places where you can wear sequins.
Thank the universe I’m not in a line of work where anyone will ever say that I “debuted my baby bump.” There are like 3 gross things right there.
Hang on. Jacob Tremblay posted a selfie of him and his improbably hot parents on the way to the ceremony. Cutest ever.
M: You know what, Robin? Don’t use this as a time to plug the “dream in gold” slogan. This is Leo’s time. We should say: our #ShipWatch2016 is, in full, the Frederick Fleet Memorial Ship Watch 2016, in honor of the Titanic’s watchman, because all of our cultural references are somewhere between 20 and 104 years old.
T: Um has E! stopped interviewing people on the red carpet? I CANNOT MISS KATE AND/OR LEO. #SHIPWATCH2016 (note: I have to watch E! for work ughhhh)
M: On ABC, where they’re allowed to interview people, they’re speaking to Julianne Moore. She calls Carol a beautiful movie and for a second I think “wait, wasn’t she in that?” Cate Blanchett, everyone. They don’t even look alike.
T: UGH seriously, I haven’t even seen a glimpse of Julianne Moore! This is an outrage.
M: She looks great! Her gown is black with a sequin-trimmed bodice and a sort of diaphonous skirt.
M: TINA FEY IS HERE?! She says she “literally started clapping” when she saw Charlize Theron, which incidentally was my reaction to seeing Tina Fey. She’s wearing purple and a necklace with lots of hearts of the ocean. Okay, or blue stones. We’re in Titanic mode tonight.T: I HAD TO SWITCH OVER BC I SAW ON TWITTER TINA IS HERE. IS AMY HERE TOO BECAUSE INSIDE OUT?!
M: DON’T START, BITCH.
(What if she is?!)
Cate Blanchett is in a mint/aqua gown with feathery floral accents. She’s another hit/miss for me but she looks like a dream.
Are you a person even?
M: Kerry Washington on the red carpet… first of all, she’s so gorgeous she can take any fashion risk she wants. Which is me saying that the constructed leather bodice on her gown isn’t my fav. But even if I don’t always love what Kerry wears, I always like what she has to say. She says she respects the people who have chosen to boycott the Oscars, but feels like she’s most useful when her voice is at the table.
Aside: Red carpet interviews are where you really see which actors are ‘thinkers’ and/or went to school before beginning their work.
Matt Damon: “It wasn’t The Revenant”. Just setting our expectations for how his night’s gonna go really early.
Jimmy Kimmel and the host riff about Matt Damon. Feels like 2008 all over again. Jimmy: “Ben Affleck, who used to date Matt Damon back in the old days…”. (His post-Oscar special airs after your local news.)
M: An Academy rep on diversity, stealing lines from me after a bad grade in 10th grade math: I’ll try harder; this won’t happen next time, etc.
An early congrats to Eddie Redmayne! Because his new niece was born a few hours ago. So really, either way he’s a winner (which is good, because he’s in a tough category, and also because he would make an ADORABLE uncle. I can just see it!).
M: Brie Larson always seems so calm! She’s wearing royal blue and my first thought was that I could see her winning in that gown. There’s been a lot of champaigne and off-white lately and a real COLOR makes more of a statement.
Rooney Mara tends to seem bored, and I don’t think she is, I think she just doesn’t have a very excitable demeanor. She usually tends a bit more avant garde on the red carpet but I’m just not excited about this look. I mean she looks gorgeous, but that goes without saying.
Would it be weird to put Jacob Tremblay on our best dressed list?
M: Hi Everyone! I’m watching the ABC preshow (and as someone without cable, I’m just thrilled that there IS a preshow for me to watch).
Let me start off by saying that I’ve seen all, or almost all, of the nominees. I only made it about 20 minutes into Mad Max. I’m sure it’s great – it’s nominated and all – but not for me.
Alicia Vikander: I can’t be sure if her Louis Vuitton is going to go over well – it has that short-long, or “mullet” (ew) thing and is sort of a lighter canary yellow. I love it though. She’s an absolute princess.
Olivia Wilde’s gown is gauzy and white with crisp pleats and a lot of skin. She’s a presenter. That’s the time you can wear something like this:
Saoirse Ronan is wearing an emerald green sequined gown, with one white and one green earring. The green feels like a call back to her first Oscar nomination. Will the earrings be a hit? She’s young and I think it’s fun. Plus she probably has dozens of other Oscars to look serious.
Saoirse confirms that she wanted to wear green all along. Calvin Klein designed her gown.
The Academy Awards are about a week away, which means we’ll know whether or not American Treasure Leonardo DiCaprio will be holding a solid gold man in his hands or the Internet will continue to rage against his injustice of still not getting the Oscar he truly deserves.
Back in 2013, it was our freshman year on the blog and I wrote this following post in honor of my boo’s 39th birthday. It got some traction and became its own viral WordPress sensation, which is ironic since it’s a post all about the Internet. Anyways, a little over two years have passed and I thought it would be appropriate to bring back these Oscar memes for #ThrowbackThursday since unfortunately they still ring true to this day.
Let’s not jinx it, but everyone cross everything on their person and knock on all the wood that Leo’s going home with the gold this year (and that he has a moment with Kate in the process).
On November 11th, 2013, Leonardo Wilhelm DiCaprio turned 39 years of age. 39. That’s one year away from 40. Leo is officially like, an adult. Perhaps the age was jarring because in my mind, he is forever 23 years old. If you do the math (which, I mean, don’t), that brings us to 1997, when he was in Titanic. You guessed it folks – I, like many girls of my generation – was a total Titanic fangirl. I saw it 5 times in the movie theater, purchased every single item of memorabilia (including the script) and wore out tapes 1 & 2 of the VHS copies. In fact, I was so obsessed with Leo himself that I made it a mission to watch every single movie he was in (note to parents: don’t let your 12 year old watch The Basketball Diaries without knowing what it’s about first) and even used the name “Julieta” in Spanish class as an ode to Romeo + Juliet.
Anyways, because I am a Leo fan, I’ve always remembered his birthday, but I never would have imagined he would have a bash like he did on Sunday. Apparently, Leo is a big rap fan, and invited his FRIEND 2 Chainz to perform. Oh yeah, AND Kanye West.
The party at Tao in NYC ended up being a charity event too, because he raised $3 million for his environmental foundation, so all in all not too shabby. But thanks to social media and the internet, there are plenty of videos and pix to make us *almost* feel like we were there.
Then again, Leo has somehow been a constant presence on the internet, despite the man himself being a more reserved and private celebrity. Case in point: Memes.
Just like it’s difficult to find a person who hates Leo IRL, the internet feels the same adoration for him, by making him the subject of many a meme. So to celebrate Leo in all his glorious 39 years of existence, here are some of the greatest viral items of one of the greatest actors of our generation.
The one that stands out the most – strutting Leo. Originally taken while he was on set filming Inception, the folks of the interwebz took this comical pic of Leo and Photoshop him into various other scenes.
bitch what are you doing here strutting
come catch me strutting
thx moses strutting
This was taken straight from a scene in Inception where Cobb (Leo) is talking to Robert Fischer (Cillian Murphy), but Leo’s reaction face is what got the internet nerds all in a tizzy.
Rage over Leo’s lack of Oscars
Pretty self explanatory. The Academy hates Leo. The Internet hates the Academy.
because lindsay lohan
Bad Luck Leo
In which Jack Dawson looks happy on the outside, but on the inside, his heart is frozen over.
Poppin ‘n Lockin Leo
If this doesn’t convince you to see Wolf of Wall Street, I don’t know what will
Basically, this was just posted everywhere and anywhere and sometimes in wall form.
With a little over a month to go until the 2016 Academy Awards, I haven’t seen a single Best Picture nominee. I’m not too worried about seeing all of the nominees, though, because four of them will be released on DVD before Oscar night. Still, I thought it would be fun to take inventory of what I think these movies are supposed to be about before I’ve seen them.
By now we know that all of the 2016 Best Picture nominees are about white people, but what kind of white people? What are the white people doing? What are the white people’s goals, dreams, and obstacles? I don’t know, maybe this stuff:
The Big Short
Christian Bale, Ryan Gosling, Brad Pitt, and Steve Carrell star as white men who – in the grand tradition of white men – were put in charge of important things, causing the sub-prime housing crisis that precipitated the Great Recession. It was 2007, the economy was going down the crapper, and skinny jeans were just starting to become REALLY popular so we were all a bit under-confident about what sort of pants we should be wearing and how long our shirts had to be.
There are a lot of heated phone conversations using old cell phone models that you’ll recognize from when you were in college. Maybe one of these guys – money’s on Carrell, but just kidding, I don’t have money because the economy collapsed – tries to do the right thing and thwart the Great Bubble Bursting of ’08. All of the characters are the intelligent-yet-hopelessly-flawed wealthy types that Academy voters LOVE. Finally, a human face on the credit default swap market.
There’s also a Regular Working Man, maybe a non-white person who serves coffee near their workplace, or a down-on-his-luck cousin who is a mechanic in New Jersey, who symbolizes the real people who were affected. He loses his house and Ryan Gosling thinks LONG AND HARD, oh yes he does.
I can’t picture what Brad Pitt does, sorry.
Bridge Of Spies
It’s the Cold War, and it’s New York City, and everything is filmed in dark, almost sepia tones. A Russian spy gets arrested and it’s up to a down-to-business, gruff yet noble American lawyer to get him out of trouble. The lawyer is Tom Hanks, playing someone more or less Tom Hanks-y. But the whole country is in a Red Panic and doing nuclear bomb drills under their school desks and blacklisting Lucille Ball or whatever, like they are WORKED. THE HELL. UP. about it, so NO, gruff NYC lawyer, they do NOT want to free your Russian spy.
Anyway they want to straight-up Rosenberg him, but then something happens and Tom Hanks has to go to Russia, where more than 25% of the characters are wearing those big fur hats. People wearing shades of brown intercept coded messages on radios left and right. Finally, there’s a big standoff on a bridge in Russia with Tom Hanks, the Russian spy, an American official who doesn’t trust Tom Hanks, a scrappy young pilot, and some Russians or Germans. But who is the real spy? Is he on the bridge? The bridge … of spies? (Yes).
I’m 1/3 of the way through Colm Toibin’s book, but who cares, here goes. Eilis Lacey (Saoirse Ronan) is a young Irish girl who goes to Brooklyn by herself to get a job and gets homesick. But her homesickness is abated as HELL because she meets the hot Italian. This was in 1950 or so when Irish people and Italian people were pretty much different races. Eilis has to learn how to do cool new cultural things like eat food with garlic in it and argue about feelings instead of swallow them under a glut of boiled potatoes.
When Eilis’s mother falls sick, she is called back home … but WHERE IS HOME? Suddenly the town Eilis grew up in feels foreign, sort of like when you get back home from your semester abroad. And just like when you get back from your semester abroad, nobody really gives a shit that Eilis’s whole worldview has changed, and they only have a kind of middling interest in her stories. Ultimately, Eilis must decide whether to return to America to continue building her new life or stay in Ireland. She gets a tender, sentimental letter from the hot Italian and it makes her realize where her heart really lies.
Mad Max: Fury Road
Okay. So. First of all, this is a stand-alone movie, not a sequel to something from 2010 like I keep thinking it is. Well, everyone is in the desert after a major war that wasn’t 100% apocalyptic or anything but was pretty bad. It’s the future, but not so far in the future that people are named things like Glorg. Besides, thanks to the really bad war there’s not a lot of awesome technology or anything. Everyone looks sort of District 12-ish, if you will. They all have dirt smudges and torn clothing, like the Tina Majorino character in Waterworld. There are no superheroes (another thing I keep thinking), but there are humans.
Charlize Theron and Tom Hardy have to escape from someone, so most of the time they’re driving really fast to get away and throwing things at other vehicles, too. Lots of explosions. They pick up some other escapees on the way (after arguing about whether they have enough resources or if the people are secretly bad guys), so it’s like a roadtrip film-meets-action film-meets-dystopian desert film. Think Chris Val Allsberg’s Just A Dream + Hunger Games + The Giver + The Fast And The Furious + Syriana.
In this movie, which is not a comedy but maybe you’ll chuckle a few times, it turns out Mars is way more habitable than we thought. You can’t hang out in street clothes or anything, but you could take a spaceship there for sure. Matt Damon is one of those spaceship guys, but he gets Kevin McAllister-ed for some reason and he’s on Mars by himself. He has to get to earth really fast but he’ll have to MacGuyver his spaceship in order to do it. Most of his interactions occur over radio to NASA HQ. Matt Damon has a sweet, teasing relationship with one of the scientists there (Kristen Wiig maybe, but probably someone younger because she’s only 3 years younger than him). During a harrowing moment they confess their love to each other.
In the meantime, Matt Damon has to turn Mars into a home. All of the other scientists must risk their careers and their lives to save him, but he’s Matt Damon, America’s Golden Child, so they do. There is a touching moment with an international (maybe Russian) astronaut and another touching moment viewing Earth from afar. It will make you feel small because the universe is so big; but it will also make you feel big because you matter to the universe. For this one, think Interstellar + My Side Of The Mountain + Castaway.
I heard one side of a phone conversation about this on the bus, so I’ve got this in the bag. Leonardo DiCaprio plays a man from the 1800s who really existed. He gets left for dead in the wilderness but was ALIVE. Then he has to live through so many shitty things that you almost wish he had just died. He gets attacked by a bear but not raped by a bear; no, Drudge Report, no siree he does not.
There are a lot of men wearing animal furs. Lots of giant fuzzy hats, even more than Bridge of Spies. Everyone’s on mountains being rugged. There are gross things Leo has to do to survive, like eating things that aren’t food, probably. It’s got to be way too cold to undress so he probably just pees himself the whole time. They may not show that, but just realize that it’s happening when you’re watching.
Brie Larson, who is not Alison Brie, is locked in a room a la the Josef Fritzl victim or Elizabeth Smart or those girls in Cleveland. She has a son, for whom she creates a stable and comfortable life. When they escape, he has trouble integrating into society – but so does she. People are insensitive and do things like assume she’s turned all Stockholm Syndrome-y or ask why she didn’t get out sooner. At some point she sees an inaccurate tabloid report and that’s pretty upsetting. Her childhood bedroom is a shrine to her former self. One of her parents died, or her parents got divorced, but either way life is totally different. At some point she stares hollow-eyed as her former friends have a giddy, happy gathering. Will she ever make it out of ‘the room’? Yes, because of the triumph of the human spirit.
In Boston, a news reporter is an Irish Catholic guy who went through parochial school and is from Southie and always has a niece’s First Communion or whatever to go to. When he’s assigned to investigate priest abuse, he feels like he can’t do it – but also like he has to do it. After hitting numerous roadblocks, this guy – along with some other reporters – meets a victim who’s willing to talk. The story grows and grows, and the team realizes they’re not dealing with a few bad priests but an elaborate coverup. Eventually they get a sit-down with a high-ranking official who knew about it and he seems repentant but also has that annoying “what can you do” attitude. I’m going to cry though up to 80% of it.