It’s the final day of Back To TV Week, and we’re ending it by really going back to TV with some of the most iconic scenes on the small screen over the years. We know that music can make or break any soundtrack either in TV and movies or even in real life. But when it’s in entertainment, the choice of song can elevate a scene a million times more and evoke emotion that would have never been brought out otherwise. This month’s playlist features a lot – A LOT – of our favorite scenes from TV shows with the perfect background music, mainly because we’re TV nerds and there are just so many to choose from. Here are our top picks – did any of yours make the list?

Sia – Breathe Me

{Six Feet Under}

You’ve probably heard this countless times already, but Six Feet Under has the best series finale in the history of television, and this final montage is why. I swear I binged the whole show just to get to this scene, and it was worth it. If you don’t know, Six Feet Under centers on a family who runs a funeral home, and each episode focuses on at least one death. In this final scene from the series finale, each of the main characters’ lives are flashed before our eyes, showing us highlights from when the final episode ends in present day to years later when each of them are old and grey, leading up to their deaths. The beautiful montage of life and death is perfectly set to Sia’s emotional Breathe Me, and the scene may leave you in mourning, but equally satisfied with the reality of mortality.

Snow Patrol – Chasing Cars

{Grey’s Anatomy}

Remember 80 seasons ago when Katherine Heigl was still on Grey’s? And she fell in love with a patient? And then he died? And she had ghost sex with him? Ok, well the death scene was emotionally draining, even for stone cold Cristina Yang, and Snow Patrol’s Chasing Cars pulled the tears out even further. It was also this episode that Chasing Cars became the unofficial theme song for Grey’s, and used in several more episodes after that including the infamous musical episode. And in a full circle sort of scene, a cover of Chasing Cars by The Wind and the Wave was played in the background as Meredith watches Derek being taken out of his coma and takes his final breath. WOOF.

Tony Lucca – Devil Town

{Friday Night Lights}

Tony Lucca, of Mickey Mouse Club and The Voice fame, is the voice behind this haunting song, which, like Chasing Cars for Grey’s, became the unofficial theme song for FNL. It was used both in the beginning of season one (as seen in this clip) as the Panthers prepared for their first game without Street, and at the end of season one after they win state. It was used yet again in the series finale when the school board decides to keep the Dillon Panthers and merge the East Dillon Lions into their team, just before the Lions have their own run at the state champs. Yet again, all full circle, and yet again all the goosebumps and tears.

Chris Brown – Forever

{The Office}

https://vimeo.com/6986692

As a self-professed Jam shipper, the Niagara episode in which Jim and Pam finally tie the knot was v important to me. And this scene was everything I could’ve asked for and more. It perfectly encapsulates why I loved the show in the first place – comedy, camaraderie, romance and tears all in one. First of all, the idea to have a flash mob was conceived by Michael, who saw a (real) viral video on YouTube of a wedding party dancing to Chris Brown’s Forever. He rallied the entire Scranton crew to participate which was even more delightful, but the newlyweds let it go and didn’t let it ruin their big day. Why? Well Jim was his usual romantic self and devised a plan to marry Pam secretly on the Maid of the Mist in Niagara Falls. Cue the tears.

Jim: I bought those tickets the day I saw that YouTube video. I knew we’d need a backup plan. The boat was actually Plan C, the church was Plan B, and Plan A was marrying her a long, long time ago. Pretty much the day I met her.

Aaliyah – Try Again

{The Mindy Project}

Do you remember where you were when you first saw Danny Castellano bust out impressive moves during a Secret Santa dance to Mindy Lahiri to Aaliyah’s classic tune Try Again? Because I do. Fact: Chris Messina truly knows how to dance, and the person who choreographed this scene actually worked with Aaliyah for the Try Again music video. The authenticity + one of the first memorable Danny x Mindy moments makes for an unforgettable scene. And let us not forget when he went all out Diamond Dan for a private strip tease to Lenny Kravitz’s American Woman. Oh also, during S3, episode 15, when Danny’s mom aka Carla Tortelli accidentally tells him Mindy is pregnant, and he looks for her all over New York to the tune of Beyonce’s XO. It was perfect in every way, especially with the heartbeat in the backbeat of the track, encapsulating the life *growing inside of her*.

Imogen Heap – Hallelujah

{The OC}

If you are an older millenial like us, you know this scene already. You know how iconic this is. Especially since Jeff Buckley’s version was used in the season one finale when it seemed like the gang was all parting ways. But in this scene, Marissa was the one who parted ways for good. RIP.

Nina Simone – I Shall Be Released

{Scandal}

Shondaland does music right, and on Scandal, they perfect the use of soul & R&B songs usually from the 1970s and 80s. In what is maybe Scandal’s best episode, titled The Lawn Chair, the Ferguson-inspired storyline features Courtney B. Vance refusing to remove himself from sitting over his son’s body, which was left on the street after a police officer shot him to death. As if the episode wasn’t emotional enough, Nina Simone’s I Shall Be Released pushes it over the edge, and if you’re not in tears by the final shot, you have no soul. {click here for the video}

U2 – With Or Without You

{Friends}

Nothing made us sadder during the run of Friends than when Ross and Rachel were on a break – and that still holds today, even though our feelings about some of the Friends characters are in flux (do I love Ross? or do I absolutely hate Ross? I’m basically Rachel). With Or Without You has passed into cliche sad song territory – think Everybody Hurts – and yet when you’re in the middle of heartbreak it’s like “Bono was right, I CAN’T live with or without you.”

Our Friends honorable mention goes to Groovy Kind Of Love at Monica and Chandler’s wedding. It felt like a left-field choice for them, which led to 12-year-old me developing a head canon that it was “their song” and they used to dance around to it in the kitchen or whatever.

Somewhere Over The Rainbow – Israel Kamakawiwo’ole

{E.R.}

Sometimes I still get sad when I remember that Mark Greene died on E.R., but at least the show gave him a beautiful sendoff. Not so much the brain cancer (although it was E.R., at least they didn’t have him get stabbed by a madman), but the gorgeous scene where he slips into the next world … which is also an E.R..

Fun (?) fact, this episode aired when we were in high school. My mom had cancer at the time and this scene had me weeping because of little Rachel and whoever the baby was. Watching it as an adult, I can safely say that it would have had that effect no matter what my life circumstances were because of the damn ukulele and because this rendition wasn’t yet ubiquitous in commercials and stuff.

I’d Like To Buy The World A Coke

{Mad Men}

Mad Men did a great job evoking the 1960s with music – props to their clearances/legal department, and a big shoutout to the genius who thought of Megan singing Zou Bisou. But viewers had to wait for the end of the series for the most iconic musical moment of all, where it’s implied that a blissed-out Don Draper created one of the most successful ad campaigns of all time, I Want To Buy The World A Cokie. It also signifies the shift, both culturally and in the ad world, from the 1960s to the 1970s.

We still miss this show a lot, just so you know.

Hard Times Come Again No More – Brett Dennen

{Parenthood}

Where my music history nerds at? You’ll remember that this one was written by the hot pop composer of the 1850s, Stephen Foster, but it was given new life in the 2010s when this cover played in the season 2 finale of Parenthood, an emotional roller coaster following Amber’s accident, Kristina’s pregnancy and Julia’s adoption disappointment.

My other Parenthood choices, if you’re cool with crying all over yourself, are that final scene with Forever Young and when Amber and Sarah sing the Circle Game, a song Joni Mitchell wrote so that people would cry more (and then Amber calls Sarah her hero, and then later we found out that it was really Mae Whitman calling Lauren Graham her hero, and we’re really fine, I swear).

Make Your Own Kind Of Music – Mama Cass

{Lost}

Optimistic and life-affirming and bleak and cheerful and disturbing and confusing: this scene was Lost in three minutes. I’ll never hear this song the same way again.

Motown Philly – Boyz II Men

{Full House}

Was the best musical moment of Full House when the Beach Boys would inexplicably show up, invite the Tanners on stage, and the crowd would react with glee for this random nerdy family as though it meant something to them? Or possibly when Jesse crooned Forever to Becky at their wedding? Or is it when the girls ruined their Ace of Base cover and we all learned a thing or two about how important it is to practice? Maybe that Lollypops and Gummybears song from the telethon episode?

Friends, it is none of these. The best musical moment is when Stephanie did a pretty good dance to Motown Philly. No arguments. It is.

Bonus Tracks:

La Vie En Rose by Cristin Milioti/Tracy McConnell-Mosby (Edith Piaf cover) on How I Met Your Mother – we continue to be upset over the unfair treatment of fictional character Tracy Mosby.

Make It Home by Juliana Hatfield on My So-Called Life – I don’t care if it never made sense that a ghost/angel was suddenly around for one episode, this was important and we all know it.

Feels Like Home by Chantal Kreviazuk – This is a Pacey/Joey blog 100%, let’s be clear. This was a Dawson/Joey song, but this melodramatic fan video recasts it as Pacey/Joey… just like the whole show should have been. It’s important to note that I ran the Dawson’s Creek soundtrack into the ground in junior high.

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