Tag Archives: fashion

Best Dressed: Tony Awards 2016

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I swore we weren’t going to do this – devote yet another post to the 2016 Tony Awards, broadly, or Hamilton, generally – so soon, but the truth is, I’m not over it yet. The awards, the speeches, the performances – it was all too much and days later, I’m still sorting it all out as though it’s something that happened to ME and not just on my TV. So I hope you’ll forgive it, but it’s been four days and we still haven’t talked about outfits yet. I’m not in the mood for worst dressed because everyone looked fantastic, so here are a few of my favorites:

Lupita Nyong’o in Hugo Boss

Remember in the 80s and 90s when ladies would get their “seasons done” and go around telling you that they were a winter or whatever? Maybe I got that from Steel Magnolias or something? In any case, I love when Lupita wears cheerful spring-y, summer-y colors, probably because it goes so well with her overall fresh as a daisy-type look. I would love to get a closer look at this material because it’s sequined but doesn’t look too glitzy.

Phillipa Soo in Prabal Gurung

Over the course of the appearances and awards circuit for Hamilton, Phillipa has hit the nail on the head with everything from casual outfits to more dressed-up looks for interviews to formal gowns. Basically, I’d like her entire closet, thanks. She looks great in brighter blues and reds, too, but this white is absolutely stunning. The pop on the shoes is just the thing when you’re a Tony nominee, but also still in your mid-20s and able to be a little playful with it.

Laura Benanti in Oscar de la Renta

You know what? Maybe I SHOULD be one of those 1980s mall ladies who tells you what season you’re made of (still not sure how it works), because it is all about color with all of these dresses. This purple-magenta shade is beautiful but more than that, it makes Laura’s skin and eyes glow. It also takes the high-necked, lacy gown out of mother of the bride territory and keeps in firmly in the youthful starlet realm.

Sophie Okonedo in Zac Posen

Stop the presses. Or whatever the internet has. Balancing an avante garde cut on the shoulders and cuffs with a large, busy print – WITHOUT the whole look seeming over the top or loud or overpowering? It’s all down to the overall simplicity of the structure here, but it’s still no easy feat.

Lucy Liu in Zuhair Murad

The Tonys are one of the only awards shows firmly in the spring-summer months, and lighter looks like this are just perfect this time of year (sure, I know it’s usually warm weather at the Oscars and Golden Globes, but some colors and fabrics still feel seasonally ‘off’ in the winter). This couldn’t be more perfect for June, and that beading and that color — it’s like what angels would wear if they didn’t have to wear white.

Mary Elizabeth Winstead in Zuhair Murad

When I was a kid, I had a dance performance where we were instructed to wear a “party dress.” And I was kind of like, okay, what exactly is a party dress?

THIS. This is a damn party dress. It looks like confetti and moonlight.

(I think I just wore, like, an Easter-y dress.)

Cynthia Erivo

You already know that Cynthia can do no wrong in our book. And that we would have loved whatever she wore. But there’s something so amazing about choosing a dress that looks like an actual work of art over something that’s less interesting but more ‘pretty.’ The risk paid off, and she looks incredible.

Adrienne Warren in Alberta Ferretti

Love it. Love that it’s not long, love the beaded fringe, love the little clutch, love the loose hair. The only thing I don’t love: that I can’t afford this dress.

(Honest truth: I have a wedding next week where the theme is ‘1920s Hollywood Glam’ and it turns out nothing I own is particularly 1920s Hollywood Glam, sorry friends, it just isn’t, but this would be perfect.)

Pascale Armand in Delpozo

I love that this subverts the whole chiffon skirt/ satin-y bodice thing we’re so used to, and the colors and embroidery are to die for. We can add Pascale to the very short list of people who look wonderful in dark purple-y lipstick.

Renee Elise Goldsberry

It looks like Renee picked a different dress for the red carpet, but this is the gown that she decided to win in, and that’s exactly what it is: a gown to win in. The yellow and black combo is unexpected and very pretty and possibly a subtle nod to Broadway playbills? But probably not.

Daveed Diggs

I have no clue what’s going on but I like it?

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Celebrating The Rachel, On The 20th Anniversary Of Its Death

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The Rachel is dead.

Long live The Rachel.

Jennifer Aniston’s choppy shag – the biggest boon to the round brush industry to date – met its end by Season 3 of Friends. That means that right now, we are celebrating the 20th anniversary of the Rachel’s death.

I think that to avoid looking too dated or silly, you should avoid any haircut with a first name (unless that name is bob. Pretty classic). But in 1996, America couldn’t resist the curled-under layers of Jennifer Aniston’s bouncy ‘do.

In the years since The Rachel died, Aniston has been pretty vocal about the cut:

Like anyone who has tried to curl their ends with a blowdryer while twirling a brush with the other hand, Jennifer hated styling her haircut. In 2011, she went so far as to call it “the ugliest haircut I have ever seen.”  My favorite part: stylist Chris McMillan was (allegedly) high when he created the style. “Stoned out of his mind,” Aniston said.

Okay, but was the Rachel really that bad? Let’s take a look-see.

I mean. Highlights have come a long way, and at the time those frosty pieces read more “sun-kissed” and less chunky. But NOBODY’S hair curls in towards their face like that, and that was the Rachel’s biggest downfall. Add in some cowlicks or waves and this thing is toast; try it on stick-straight hair, and it’ll just hang straight down with layers that look like they were cut with kitchen scissors.

Here’s the thing to remember, two decades on. It wasn’t just that people liked Rachel Green’s hairdo. It’s that the haircut spread across the nation like nothing I’ve seen before or since. (Closest match: Kate Gosselin’s I Want To Talk To The Manager haircut; that heavily inverted bob that looked cool for about a month and now just looks like a short haircut with two long puppy ears in the front.) It started with the moms. It moved on to the 20-somethings. I was 9, and my mom joked that I should get The Rachel.

Don’t think that just because The Rachel crawled off Jennifer Aniston’s head and died in 1996, it was gone for good. That baby multiplied and infested heads worldwide. In the early 2000s, you could still see a Rachel in the wild. Legend has it that a few dozen Rachels still exist in the natural world, but even if not, the echoes of the Rachel can be heard.  Every time your stylist asks if you want “a little face-frame,” the Rachel lives on. When a hairdresser suggests “some piece-y layers for texture,” you can hear the wind whisper “Rachel.” And whenever a thick highlight is pulled through a latex cap, the faint sound of Chris McMillan’s hairstyling shears floats into the room.

 

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A Bunch Of Prom Dresses Worse Than A Tuxedo

Posted in Miscellany, Outfit Girl by

Ah, prom season. It’s that time of year when high schoolers across America pay way too much money to go to a school dance. Speaking as a human adult who went through the shenanigans of prom, it’s never what you think it’s going to be, kids (See previous post here). Case in point: Pennsylvania teen Aniya Wolf.

So here’s what went down: officials at Aniya’s Catholic high school sent out an email in February requiring all females to wear a formal dress to prom, and if anyone failed to adhere to the dress code, they would not be allowed to attend the prom. They sent a reminder email in March and a day before the prom, an administrator sent an email to Aniya’s mom specifically saying they had found out her daughter was planning on wearing a tux and warned again that if she doesn’t wear a dress, she wouldn’t be let in. On Saturday, Aniya, with a brand new tux (complete with a vest), showed up to said prom and school officials threatened to call police if she didn’t leave. So she left.

Ok, on one hand, the school’s administrators made a rule, told parents and students about it multiple times, and Aniya still defied the dress code, knowing full well what she was doing. Prom was essentially a suicide mission.

On the other hand, the rule is dumb. Why have this put in place at all? What is this meant to be protecting? And why are they calling out one student? It’s clear they specifically made it to prevent Aniya from wearing a suit. And the thing is, Aniya has been a tomboy all her life. Instead of wearing the option of a skirt to school, she says she’s been wearing dress code pants all three years she’s been attending Bishop McDevitt high school. Officials knew full well of her clothing choices prior to prom. Also, although it shouldn’t normally matter, I feel like it’s important to note that Aniya is a lesbian and her date is a girl (wearing a formal dress). I’m just saying school officials might a hidden agenda besides taking down a girl in a tuxedo.

After news spread Aniya wasn’t let into prom, an uproar obviously ensued, so school admins released a statement:  “Without question, we love, respect and cherish all of our students… Bishop McDevitt will continue to practice acceptance and love for all of our students.”

Sure. Ok.

Since we also went to a Catholic high school, we know what it’s like to abide by a dress code, albeit I don’t remember ever receiving an email about dresses at prom. On days when you could dress down, I feel like people dressed “up” more than usual. It was time to show off your personal style rather than the required maroon polo and unflattering pleated khakis. So for prom, it was dress down day to the max, and girls went all out.

In saying that, Aniya is wearing multiple layers of clothing and is way more modest than the other girls wearing formal dresses. It’s hard to believe school officials would rather have a gal half dressed than a gal fully clothed. I mean, have you seen some of the dresses out there? Not only are a lot of them ugly but they’re showing a lot of skin and not appropriate for 15 to 18 year olds, IMO. Here are just some real prom dresses that are a fafillion times worse than Aniya’s tuxedo will ever be.

but maybe her prom was a toga party

what’s worse looking jealous or crazy jealous or crazy?

remember garters?

i really hope those two girls in the back learn what not to wear from this experience.

this is so 2000s i can barely comment on it. it strikes a chord within me.

could lit’rally poke an eye out

but they’re on a red “carpet” made from what seems to be a 99 cent plastic tablecloth

bless her date. bless him.

after the prom, girls wearing this dress can double up and go to a salsa dance competition in uruguay.

sigh.

because nothing says i’m going stag than an illuminated photo of rpatz on your dress.

 

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Best Dressed: White House Correspondents’ Dinner 2016

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Backtracking a bit: on Tuesday, we discussed the best dressed of the Met Gala, AKA Fashion Prom. But let’s not forget that Saturday was the White House Correspondents’ Dinner, AKA Nerd Prom, full of almost as many wonderful outfits. (Note: it’s also my annual check on whether I can still spell the word ‘correspondents,’ which got me booted from a spelling bee in the fourth grade.) Let’s see how those nerds (read: fabulous and powerful Hollywood and political elite) cleaned up! In no particular order…

Emma Watson in Osman

I definitely went through a time with Emma Watson where I was like “girl, not sure about all of these looks but you are 100% doing you.” And now I’m just like “narrow pants? Jacobean embroidered poppies slit to the waist? A paper plate looking ruffle? WTF somehow it all works and you look amazing.” 10 points to Gryffindor.

Emily Ratajkowski in Monique Lhuillier

Between the color, the beading, the simple hair, and the unfussy silhouette (which really helps the floral look non-crazy), this is just fun enough to be young and just serious enough to be Washington-appropriate.

Gugu Mbatha-Raw in Lela Rose

Gugu has been on the “totally going to be a big thing soon” list for a while now, and every time I see her I think she just needs ONE high-profile awards season and she’ll be a fashion favorite. I love the oversized violet and indigo pattern. This has to be one of the least cheezy uses of a sheer panel I’ve seen in a while, too.

Michelle Dockery in Cushnie et Ochs

There wasn’t a ton of color at Nerd Prom, which makes this look extra sunny and delightful. Shades of yellow and orange can be really hard for a lot of people to pull off, skin-tone wise, but this deeper, more citrusy shade isn’t bringing out any sallow undertones.The cap sleeve has had a few years off and I think maybe it can come back.

Priyanka Chopra in Zuhair Murad

Once I verified that this was a taupe under-layer and not just strategically-placed sheer stripes, I absolutely loved this. Favorite part: the floating beads every few stripes.

Jared Leto

Okay, maybe the last time saw a light pink bow tie was at an early 90s wedding, but it looks good on Jared Leto… as does everything. There aren’t many people who can pull off a ruffled pocket square, but Jared Leto is definitely one of them. Also I feel like maybe he’s growing his hair back out, which is a good thing for all society.

Karlie Kloss in Derek Lam

This one started on my “meh” list and migrated over to my best list for a few reasons – first, it wasn’t black… and there was a lot of black that night. Second, it wasn’t too safe and boring, but it also wasn’t disrespectful too frivolous. And honestly, the contrasting colors and textures just grew on me the more I looked at it. Is texture blocking the new color blocking?

Helen Mirren in Dolce & Gabbana

What. A. Dame. Helen Mirren, always the perfect combo of “class” (ugh, but you know what I mean) and fun, paid tribute to Prince with this purple gown and a Prince symbol drawn on her collarbone. I don’t know if she’s ever looked bad a day in her life.

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Lady Mary: One Well-Dressed Bitch

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Minor spoiler from the second-to-last episode of Downton Abbey: Mary Crawley is a bitch.

Okay, that’s less a spoiler and more a fact that we’ve all known since – I don’t know, probably since she helped conceal the corpse of a certain Turkish diplomat.

But in the penultimate episode, Edith finally (FINALLY!) called Mary out on it, and damn, it felt good.

Lady Mary isn’t without her better qualities, though. She’s shown real personal growth after losing her sister Sybil and Matthew, her cousin who she was also married to. She takes good care of little George, or employs people who are good at taking care of him anyway. Lady Mary has an open mind toward all religions, and really nice eyebrows besides. Yet above all, Edith was right: Lady Mary is kind of a bitch – but such a well dressed one!

 

Shortly after we meet Mary, she establishes herself as the fashionable one with this crisp menswear-inspired riding outfit. Around this time, she also disposes of the body of a man that she slept with after the cousin she was supposed to marry dies on the Titanic.

Still very much in that pre-war, 1910s fashion, Mary wears a beautifully beaded gown that is just starting to show the more streamlined Art Deco look. She also complains that Cousin Matthew, who didn’t ask for any of this, can’t hold a knife.

Mary, in a very Rose Dewitt Bukater- appropriate evening dress, waits to accept Matthew’s proposal until she finds out whether her mother’s having a boy, in which case Matthew wouldn’t have access to that sweet Crawley money.

Moving on to season two (series two if you’re nasty), the world is at war and Mary shows her respect for that situation with these demure separates that are starting to almost look like modern clothes. She also shows her respect for that situation by getting engaged to a newspaper man who will cover up the Pamuk cover-up.

Wearing her signature color (the blood of angry men), Mary breaks into the postwar period with a full, layered skirt, unlike the closer fitting gowns we usually see her in. The perfect dress for getting engaged to your cousin after you’re pretty happy that his fiancee died.

A few important developments: Mary and Matthew finally tie the knot; Downton Abbey is in peril because Lord Grantham spent all his money on yellow labs named after figures in Egyptian mythology; the 1920s finally arrive and with it, the drop waisted dress. Mary’s Art Nouveau hairpiece is so perfectly early ’20s. The whole wedding was beautifully nostalgic, and Mary’s dress reminds me of my great-grandparents’ wedding pictures from the 1910s and ’20s. (Like the Abbey itself, or an item that Lady Mary should have carried on her wedding day, I AM SOMETHING OLD.)

Lady Mary really made you like her in season 3. Not only does she help save Downton from ruin by encouraging Matthew to accept his inheritance from Reggie Swire – AND suffer the loss of Sybil, the noblest of all the Crawleys – she also acts reasonably supportive of Edith when she finally gets her chance at the altar. To celebrate the occasion, Mary wore her springlike best: a wide-brimmed hat, a light cyan lace dress with chiffon sleeves, drop pearl earrings, and an oh-so-20s layered pearl necklace. Then Edith got jilted. GOD. Not the topic of this post, but Poor Edith, right?

 

All of that work getting us to feel for Lady Mary was leading up to Matthew’s death. Thanks, Downton. The first half of the season is just a lot of black mourning dresses, a custom I’d ALMOST like to see brought back. It was a bit too rigid and sometimes you want to wear a color, but it’s a nice visual reminder that someone’s going through something so maybe you should go a bit easier on them.

That’s why it’s such a big moment when Mary busts out the partial mourning dresses and shows up to lunch in a lilac frock. You really feel for Mary – she doesn’t want to be a hard or cold person, she feels like that’s just how she IS. Of course, that calculating, chilly demeanor can really help you out in business, and Mary proves herself savvy in handling Matthew’s estate.

 

In the early ’20s, like today, the faux bob was popular with people who weren’t quite ready for the big chop. Mary’s ALMOST got the Jazz Age look down (meanwhile poor Anna is still being forced to dress like she’s from a Beatrix Potter picture book)… but just wait…tumblr_ndlvl2pzb21r3losno1_500

SHE’S GONE AND BOBBED HER HAIR. Well, I’ll be. And it looks great! It’s an open-minded hairstyle for an open-minded Mary, who has no problem cavorting with Lord Gillingham then dumping him when she realizes he’s too stupid for her. I mean, she does also tell Tom to stop rolling with that newfangled hussy Sarah Bunting, so in some ways she’s still the old Mary.

 

The bitch is back: Mary, pictured here in a phenomenal red hat, thinks Edith should stop hanging out with Marigold. Although admittedly, the whole Marigold thing would seem a bit weird if you didn’t know the back-story.

I cannot get enough of this fur-trimmed coat and especially that phenomenal hat! It all looks so warm. Almost warm enough to melt Mary’s chilly heart, but who are we kidding, it’s a coat not a miracle.

By the final season, Mary is dating a driver – and with that come driving accessories! Check out the duster coat, the cloche that even looks expensive, and the buttery leather gloves. THIS is an outfit that says “character development”: but don’t worry, Mary is still quite contrary.

I NEED THIS GOWN. No, really. I need this gown. I have a 1920s-themed wedding to go to this year and nothing to wear. Also, this is the perfect picture to comment on another aspect of Mary’s personality: she’s not exactly a girls’ girl – except arguably her semi-purchased friendship with Anna.

Faults aside, I still really loved Mary’s character and wanted her to find happiness. Here she is at her second wedding, all Art Deco lines and accordian pleats. As one final bitchy act, she informs Edith’s love interest that – gasp! – Edith is only weirdly obsessed with the little girl who lives with her because the little girl who lives with her is her daughter.

By the end of the series, everything is patched up with the Crawley sisters, Mary and Edith are both happily wed, and the Downton Home For Half-Orphaned Children will be in the family for years to come. In a final ground-breaking 1920s fashion move, Mary is the first person on the show to wear sunglasses – though with the amount of shade she throws, it’s amazing that she needs them.

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Academy Awards 2016: Best and Worst Dressed

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Welcome to our 2016 Academy Awards fashion roundup! It was a great night for fashion, and a great night for Leonardo DiCaprio, so between those two things we are feeling fantastic today. In fact, everyone looked so wonderful that we had a hard time coming up with some of our worst dressed picks. What a good problem to have!

Best Dressed

Molly’s Picks

Alicia Vikander in Louis Vuitton

Here’s what I love: even if actresses say they never thought they were going to win, nominees at least know it’s a possibility. Thus. the picture of them winning their Oscar will be the iconic image of them throughout their whole career. And in this tea length, absolutely cloud-like embellished gown, I think Alicia realized that. Somewhat polarizing because some people thought it was TOO princess-y, I thought it set the tone for the refined-yet-youthful vibe Alicia has in many of her roles.

 

Saoirse Ronan in Calvin Klein

This made my best dressed list not just for the dress itself – though the combo of sequins and patterns, plus the simple cut and neckline, is fantastic. I also love the symbolism Saoirse sneaked into there. She specifically wanted green to symbolize Ireland, since it’s not just her country but also the focus of her nominated film. It’s the same color she wore for her first nomination for Atonement – a nice, non-obnoxious way to remind us this isn’t her first Oscar nod. And it sends a clear message that, at 21, Saoirse’s no longer a child actor. Plus her skin looks amazing with that color.

Olivia Munn in Stella McCartney

Between that color, the off-shoulder cape, and the snake bracelet, Olivia perfectly hit that line between a bold look and something a bit more over-the-top. The sleek column silhouette suits her so well!

Olivia Wilde in Valentino

Maybe my favorite gowns are the ones that land on half of the best dressed lists and half of the worst dressed lists: it means they at least aren’t too boring. The tidy ivory micro-pleats are sort of Grecian-meets-angelic, and the back of the dress is so pretty, too (a dress with a nice back is like the Awards show version of “AND it has pockets!”). Maybe I don’t love the choker but maybe I’m also starting to come around to the choker revival.

Naomi Watts in Armani Prive

My favorite part: the violet-blue-pink gradient on the bodice, that is subtle enough that’ it’s not “OMG ombre.” I must be part magpie because I cannot stop looking at all of those sequins. Loving that touch of Old Hollywood with the Bulgari necklace, and the non-overdone – but not overly beachy – hair.

Honorable Mention: Jacob Tremblay in his darling little suit; Brie Larson, who like Alicia Vikander seems to have chosen a dress KNOWING that it was going to be the picture you’ll see of her for the rest of her career.

Traci’s Picks

Charlize Theron in Dior

Frankly, it’s quite annoying how naturally gorgeous Charlize is. She’s the type of person that can make anything look good, and on top of that, she is always so freaking classy. And sexy. This dress looks like it was made just for Charlize’s frame, and perfectly draped on her. The train is not too long and photographs great, and I love the pairing of the long diamond necklace.

Daisy Ridley in Chanel Haute Couture

Daisy Ridley made her debut at the Oscars and it definitely won’t be her last. If you followed her on the Star Wars press tour, you already know she’s been killing it on the red carpet and even giving Lupita a run for her money. This silver embellished gown has so much detail, and all I want to do is look at it up close and look at it in awe. Plus those silver heels are everything.

Margot Robbie in Tom Ford

Margot was a presenter at the show, but she dressed like a literal winner aka human Oscar. And I love it. A sparking gold dress like this is already a statement on its own, so I love that she kept her hair and her makeup toned down. She looks even more gorgeous than usual, since it’s a mix of glamour and casual that works so well together. Plus I’m a big fan of black and gold together, so the black clutch is a good match.

Rooney Mara in Givenchy Haute Couture

There’s something oddly satisfying about a dress that’s symmetrical as this one, especially since it’s incredibly detailed. Like Daisy’s dress, I could pour over this for a while just staring at the design. Rooney’s complexion is always perfect for a dark lip, and the combo with her hair in a high bun is totally working for me.

Lady Gaga in Brandon Maxwell

This bitch continues her Gagaissance by wearing a jumpsuit/pantsuit/cape ? to the red carpet and I am HERE FOR IT. Her hair is channelling classic Hollywood and the make-up isn’t over the top either. Love her.

Honorable Mention: Common because heLLLOOOOO SMOKESHOW ❤ ❤

Worst Dressed

Molly’s Picks
Kerry Washington in Versace

Between the slit, the leather, and the dominatrix-y stirrup thingies, I just don’t like this. Which brings me to: maybe we should call this something other than “worst dressed,” because this isn’t necessarily BAD, I just don’t care for it. As always, Kerry’s hair and makeup are perfect.

Sandy Powell

I’m not sure if this belongs on worst dressed, because this is a costume designer paying tribute to the off-the-wall costuming of the patron saint of individualism in fashion, David Bowie. So let’s say that it’s questionably red carpet appropriate, but her heart is in the right place.

Kate Winslet in Ralph Lauren

Look no further for evidence that everyone looked really great last night: there were few dresses that I disliked that I was forced to put Kate Winslet on my worst dressed list. Her hair and makeup are nice, the silhouette of the gown is good, and my only qualm is that fabric. I’ve mentioned a few times that I wish Melissa McCarthy wouldn’t wear that garbage bag fabric so often, and here it is on Kate Winslet. Call it a pet peeve.

Mindy Kaling in Elizabeth Kennedy

See what I mean about not having any dresses I dislike?  Mindy Kaling? I LOVE Mindy Kaling! I don’t even hate this dress! I just don’t love it as much as some of the other gowns from last night. It’s a pretty good dress! The back of it is amazing! The tailoring just feels a bit off, and that’s not even Mindy’s fault. I love Mindy Kaling! Ugh. That felt gross. I hated doing that.

Rachel McAdams in August Getty

Now I’m not even pretending to pick bad dresses. I love this color, I love this cut, her eyes pop, the simple earrings are amazing, I’m glad her hair is back. It’s just one of those terribly disappointing moments when you (Rachel McAdams) realize that the otherwise perfect dress you’re wearing wrinkles when you sit. I hate when that happens!

Dishonorable mention: Heidi Klum, who at this point is probably just trolling us that she can wear this puffy tulle thing and STILL look better than most of us could possibly look on our best day.

Traci’s Picks

Heidi Klum in Marchesa

It’s just so bad I had to put it on here twice.

Jacqueline West

If you’re wondering who this is, Jacqueline is a costume designer who was nominated for The Revenant. Like Sandy Powell, I just don’t understand why costume designers wear unflattering things like this. You can see her slip – but is it meant to do that? Maybe I just don’t get the *art* of it.

Reese Witherspoon in Oscar de la Renta

I love Reese like every other American. But this top is just not working for me. It makes her boobs look lumpy and I don’t like that the boning is kind of outlined on the corset. And I’m not feeling the color. It also reminds me of the Louis Vuitton dress she wore to the 2013 Oscars that’s kind of similar to this. Except that gown was better.

Sofia Vergara in Marchesa

Again, I love Sofia Vergara. She is an American treasure. And you have to appreciate someone who knows their body so well that they know what dresses look great on them. Sofia is constantly in a strapless gown, which can kind of get old, but she still looks gorgeous. However, this gown has too much fabric around the waist and I’m not feeling the embellishments scattered throughout. Bring back more like this pink number at the SAGs , pls.

Gwen Stefani in Yanina Couture

Ok, this is technically at the Vanity Fair after party, but still Oscars related. Gwen. What in the fresh hell is this? Apparently sheer dresses with designs/floral covering the private bits is a trend as of late, but ugh. This is too much.

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Full House Of Style

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Michelle Tanner, fashion maven, is apparently too busy to live in a row house with >10 other people. At least, that’s the party line for why the youngest Tanner will not be appearing on Fuller House. Like Mary-Kate and Ashley Olsen, Michelle is a fashion designer living the high life in New York City. Is this really surprising? We’ve already covered Ashley Olsen’s statement that Michelle’s wardrobe was made of cut-down designer pieces. Michelle wore a lot of sunflower hats, giant buttons, and clown sweatshirts, but it was the 80s and 90s. Who are we to say the top designers weren’t going a little overboard on the whimsy?

In the spirit of Michelle Tanner, Fashion Icon, we’re going to look at how the other Tanner girls were dressed back in the day — taking it back to one of our OTHER favorite 90s shows, House of Style.

D.J.

Country Goose D.J.

In 1987, those unfortunate mall bangs and shoulder pads hadn’t trickled down to Donna Jo Margaret Tanner. Deej wore washed-out pastels, simple t-shirts, and comfy sweats. Bangs were decidedly non-teased, and hair was worn long and probably un-permed. Remember when we discussed those weird geese in bonnets that were popular in 80s and 90s home decor? This is how a woman with ‘country geese’ in her house would dress her 11-year-old daughter. There’s nothing here that Candace Cameron (Bure) should find embarrassing: for an 80s kid, she is getting off very easy.

Chunky Sweater D.J.

Let’s call this D.J.’s transitional look. Not the pastel little-girl style of the first season, but not a full-out teeny bopper, either. Chunky knit sweaters weren’t JUST for teachers at Christmastime in the late 80s. It was a way to add some humor and color into those crisp Bay Area winters, I guess.

Woman Of The 80s D.J.

Like most of us, D.J. had some awkward fashion years around middle school. Unlike most of us, D.J.’s character was going through a ’13-year-old Cathy comic’  phase where she was basically a middle-aged woman. Sometime around junior high, Deej started dressing like a high-powered woman of the 80s, except that she was a child. Her hair was permed and teased, as was the style of the time. She wore a lot of vests that she didn’t have to be wearing. There were bright-toned blazers with some very of- the-moment Michael Jackson-style epaulets.

Laura (Kate and) Ashley (Olsen) D.J.

Dainty florals and schoolmarm chic were popular and – am I losing it? – kind of cute for a while. I just looked at these dresses and thought “wow, that is refreshingly age-appropriate,” so don’t worry, if I ever have a daughter she’s definitely gonna hate me when she’s a teenager.

Seattle D.J.

Deej went to high school, got a boyfriend, loosened up, and started wearing flannels. Which, during this particular era, was more universal and not like a subversive Seattle grunge thing.

Mid-90s Seventeen Magazine D.J.

As in, she looks just like the girls in the copies of Seventeen magazine I used to sneak-read when my sister got them in 1995. This was that fun Clueless era when mod accents, A-line silhouettes and athletic influences made teen fashion its own category. Deej favored slouchy faded-wash jeans and bodysuits for casual wear and short but not mini-short skirts when dressing up. Plus Candace Cameron got that cute bob and started to look like a trendy college girl instead of a goofy sitcom kid.

Stephanie

Adorable Moppet Stephanie

In the first few years, when Michelle was strictly in nonspeaking baby territory, Stephanie was the resident cute little kid. And she was GOOD at it: I remember watching reruns with friends in college, and all of us being stunned because little Jodie Sweetin actually had great delivery and timing. Early on, costumers played up the adorable little kid angle. They kept Stephanie in the same pastels and unteased hair as D.J., when at this point in the 80s there were a lot of loud prints and weird bangs going on in the outside world.

Foreman Of The Sass Factory Stephanie

Stephanie got older, and the Full House writers got more and more obsessed with catch phrases. They established Stephanie as the household sass. Jodie Sweetin got to rock a lot more neon patterns and weird prints, plus she got a perm.

Trendy Tween Stephanie

The perm came down and the bangs came up, and it became clear that Stephanie was the cool one in the family. Stephanie really got to shine as the aspiring young hip hop dancer that she was.

Bad Girl Stephanie

By the 7th season, Deej was too much of a 13-year-old Cathy Comic to give her many ‘edgy’ teen storylines (I mean, the time Jesse thought she was drinking and she wasn’t, I guess?). Michelle was now the cute kid. That mean that Stephanie had to be the ‘rebel.’ You can tell because she went to make-out parties, hung out with strange boys at the food court, didn’t practice for the talent show and wore a midriff-baring top.

Emmy Awards 2015 – Best and Worst Dressed

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It’s been a while, but we’re back in awards show mode, and what better way to kick it off than with the ceremony where all our favorite TV stars unite! Last night, we saw some gowns to die for and gowns that should maybe just… die. Since we’re considered fashion experts (amateurs) (no one’s every called us that), we’re doing something that no one else is going today and picking our best and worst dressed celebrities from last night. Did your faves make the cut? Pun intended.

Best Dressed

Traci’s Picks
Elisabeth Moss in Oscar de la Renta

This dress is obviously super simple, but I love that it’s tailor ed to her body, which gives it that extra detail. Also, with a bright color like this (which I love), it doesn’t need much more accessory-wise. Elisabeth was styled perfectly with the hair, makeup, simple studs, and minimal jewels.

Zoe Kazan in Miu Miu

Ok, so this isn’t necessarily an “Emmy Dress”, per se, but I love it. It’s flowy and perfect for the scorching LA heat, and red, from head to toe, looks great on her.

Aubrey Plaza in Alexander Vauthier

It was kind of hard to tell in most pictures, but Aubrey’s dress is actually accented with burgundy jewels, which is why I love it. The low cut neckline and high cut slit show just enough skin. And again, she’s styled perfectly since the dress is a statement in itself, with minimal jewels and a gorge bob haircut. She’s even smiling!

Ellie Kemper in Naeem Kahn

I don’t know if anyone else has noticed, but Ellie Kemper is a low key red carpet goddess. She rarely fails when it comes to picking gowns for these shows, and she didn’t fail last night. The colors in the dress are mesmerizing, and the asymmetrical lines give it just enough edge. Christina Hendricks also donned a similar Naeem Kahn dress, but Ellie edged her out just a bit.

Emma Roberts in Jenny Packham

Ok, so Emma’s face isn’t great here. However, she went for an old Hollywood look, and just nailed it. Yet again, it’s hard to tell in this photo, but the dress is more of a shimmery gold, which is on point for the occasion. The skirt flowed behind her when she walked, and was the perfect pairing with her golden curls.

Honorable Mentions: Nancy O’Dell in her own co-design with Evine Live, Allison Janney in Labourjoisie, Tituss Burgess in Bonobos, Cat Deeley (and fetus) in Monique Lhuillier
Molly’s Picks
Amy Poehler In Michael Kors

First of all, love this golden brown hair color on her – more natural and complimentary to her skin tone than platinum blonde or gingery red.  Amy almost always kills it on the red carpet, and I’m always a fan of formalwear that incorporates a non-tacky midriff. The bangles are fun and youthful, perfect for someone who doesn’t take this awards show thing TOO too seriously.

Tatiana Maslany In Bouchra Jarrar


It took the Emmys a VERY long time to notice Tatiana Maslany. Orphan Black may be a huge cult hit but a lot of people don’t know about it, or the actress behind the clones. I’m sure Tatiana was well aware that last night was her shot to make an impression, and this suit did just that. The looser fit was a bit of a gamble – usually on the rare occasion that a woman wears a suit on the red carpet, the pants are impeccably tailored and crisp. I’d call this one a risk that paid off.

Jon Hamm

Not only am I breaking my “suits and tuxes are too boring to be Best Dressed” rule, I’m breaking it twice. It’s just that Jon Hamm wears formal attire so well. Yes, tuxes and suits are not half as fussy or uncomfy as even the most comfortable gown, but a lot of men still manage to look sort of stiff and unnatural in them. Jon, however, looks like he has been wearing a tuxedo on the daily since he was a toddler. I’m also loving these throwback narrow lapels we’ve been seeing for the past several years – so much better than those schlubby, boxy 90s tuxedos. The tailoring is perfect here.

Kerry Washington In Marc Jacobs

Kerry Washington is one of those people who is SO gorgeous and wears clothes SO well that she often takes red carpet risks … which sometimes can fall flat or overpower her. So I was delighted to see this metallic chain mail piece that is a tad offbeat but, with the relatively simple and not too clingy cut, isn’t too over the top either. That said, the dress and shoes both must be uncomfy as hell and I can’t even imagine.

Gina Rodriguez in Lorena Sarbu


She looks like an angel. More runway-type, concept-y gowns don’t always work on the Red Carpet (see: Kerry Washington) but Gina looks like a dream and I swear we’re going to start watching Jane The Virgin. It can be very hard to wear white without looking like a bride or a girl at a really nice quince, and the mixed textures are what keeps it out of that arena. Love the pop of color with the clutch.

Honorable Mention: Teyonah Parris, wearing a great polka dot gown that would be very hard to pull off for anyone less adorable than Teyonah Parris.

Worst Dressed

Traci’s Picks
Heidi Klum in Versace

It’s always disappointing and a lil second hand embarrassment when a supermodel/fashion icon fails on the red carpet. It’s like she picked a 10th place finisher’s design from Project Runway.

Sophie Turner in Galvan

Guys, I know the 90s are back and all, but I’m still not on board with velour.

Jaimie Alexander in Armani Prive

I… just don’t get it.

Joanna Newsom in Delpozo

I really, really, really think these two are super adorable to the point I want to vom, but honey sweetie. The front of this dress. Joanna’s style is usually left of center, but I can’t get on board with this. Love you two, though.

Edie Falco in Prada

90% of the time, pleats are no good. This gown is included in that percentage. Also, the rando flower embroideries are confusing, and the fit just doesn’t show off Edie’s form. She can do much better, as evidenced from Emmys past.

Kathryn Hahn in Vivienne Westwood

I think Kathryn Hahn is one of the most underrated and underappreciated actresses in the biz. That being said, what is even happening here.

Molly’s Picks:
Tracee Ellis Ross in Zac Posen

Tracee has great hair (I mean, she is destined for great hair), and her face and skin are wonderful too. The general silhouette of the dress is fine, although I am never into that kind of bodice and I don’t like the cutouts on the skirt. So I think what I don’t like is the combination of that sweetly pink color with the glossy fabric – all I can think is Galinda from Wicked.

Taryn Manning in Rubin Singer

Maybe this isn’t a technically bad dress, I’m just over the Angelina Jolie/ Morticia Addams/ Theda Bara thing. It’s also hard to pull off unless impeccably styled, and her hair looks like a Delia*s-era Sun In and Wet Look combo.

Alan Cumming in Vivienne Westwood

This is so silly that I actually find it delightful. He looks like an old-time jolly chimney sweep who’s gettin’ married in the morning. The tie, the chain, the umbrella, the pocket square, the giant pants — I find it so joyful and fun that I almost want to put it on best dressed, I just know that it isn’t technically “good.”

Julianne Hough In Marchesa

It almost doesn’t seem fair judging reality tv people on the red carpet, because it seems like they’re in a whole different universe. It is something I would probably LOVE on the runway, or in Swan Lake, I just don’t like if for the red carpet.

Dascha Polanco in Leanne Marshall


If you were one of the good kids in school, do you remember how you would get in trouble if you made the slightest peep in class, because the teachers had grown to expect more of you? That’s how I feel about this dress. On anyone else I would probably just think “Okay, not my favorite” and move on, but I’ve come to love Dascha’s style so much that I’m surprised I don’t like this one. I do love the sunny yellow on her, I think I just hate this new trend of the super short opaque skirt with a sheer gown over it. I think they look silly now, but I think everyone will think they look silly when they look back in a few years.

Dishonorable mention: January Jones in Ulyana Sergeenco (only because I’m so used to LOVING whatever she wears).

Not Ensembly Challenged: Still-Wearable Clueless Fashion

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If you want to know how teens dressed in the 90s, just watch Clueless. Sort of. Not the main characters – nobody really dressed like that. No, next time, keep your eye on the background players. The unflattering jeans, the scrunchies, the awkwardly cut shirts – those were the true Kids In America, 1995.

Because Cher, Dionne, and friends were basically cartoons of the most extreme mid-90s teen style, most of their clothes would look ridiculous today. Heck, most of them looked ridiculous in ’95. That was kind of the point. But now that the 90s have circled back into fashion there are some looks that would look just as fresh today as they did 20 years ago. Wear these, and you will not have to choose between identifying as fashion victim or ensembly challenged.

Cher’s Pajamas


I can’t find a better shot of them, but I want these fresh-as-a-daisy crop top pajamas right now.

Cher’s Grade Change Outfit

The perfect simple, preppy, tennis-y outfit. Not that Cher played tennis.

Tai’s Post-Makeover, Picture-In-Elton’s Locker Outfit

There’s a lot of plaid in Clueless. Much of it unwearable. But this – this is adorable, and honestly very typical of 90s teens. (Source: when Clueless came out I was 8 and lived with the next-coolest thing to a unicorn for an 8-year-old girl – a teenage sister who sometimes let me hang out when her friends were over). Not so wearable: Ambular’s … outfit… thing.

Dionne’s Multicolored Extensions

Between Stacey Dash’s general agelessness and the popularity of colorful yarn braids, it’s hard to believe that this isn’t 2015. Seriously, how amazing does she look?

The Alaia

Along with the yellow plaid outfit, this is Cher’s iconic look (thanks for nothing, Iggy Azalea, haven’t you done enough?). The wacky feather-trimmed jacked should probably stay at a val party in 1995 where it belongs, though.

Dionne’s Layered Necklaces

If you look closely, Dionne has these layered gold necklaces – a cross and some kind of pendant – that she wears in a few scenes. Very 2K15 appropriate.

Cher’s Post- Hall/Geist Setup Celebration Outfit

I know I said that there’s a lot of plaid, and, well, there IS a lot of plaid. But this is the cutest outfit and brings together so many of the mid 90s looks I remember: the 70s minidress revival, prep (knee socks!), plaid, and unnecessary hats.

Cher’s Gym Class Outfit

I could never wear the tank top over a tee without looking like a Sister Wife, but this puts all the stupid, schlubby t-shirts and sweats I wore to gym class to shame. See also: an early prototype of the cell phone case. Amber, stop.

Cher And Dionne’s Outfits When Tai Is Wearing Farmer Clothes

Empire waists were a big deal – even for kids. ONe of my school concert outfits had a bow just like Cher’s and I thought I was so cool. Sportswear was also a big deal, a la Dionne’s amazing black and hot pink ensemble. And Tai… well, Tai. Troll dolls were in, what can I say. Also the girl in the background is wearing a shirt with this weird-shaped flower that was for some reason ubiquitous.

Cher’s Dress. Says who? Calvin Klein.

Another 90s trend, though you may not believe it from this movie: minimalism. A lot of plain tank tops, Gap staples, basic scoop-necked wedding gowns – a subdued reaction to the wackiness that was the late 80s and early 90s. This dress is perfectly on-trend and still looks lovely, especially without that sheer thing she drapes over it.

Cher’s Emma-Inspired Shopping Dress

This dress! There’s the minimalism and empire waist we talked about before. Is the waistline a nod to the Jane Austen era since Clueless is loosely based on Emma?

Dionne’s Wedding Hair

Before the flower crown, there was the flower everywhere. Why do I bet that if you walked into Claire’s or The Icing, 90% of the stock is the same as it was when I was 8 and Clueless was king?

This 4th Of July, Why Not Dress Like A Founding Father?

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Ah, the Founding Fathers. They gave our nation its principles of life, liberty, and the pursuit of happiness. They also gave it style. So much style.

My first foray into Founding Fathers fashion was when I tried to use dry shampoo. Rather than combing out easily and leaving me with bouncy, shiny but not greasy-shiny locks, it clung to my hair like a white powder. I looked like Thomas Jefferson. Which is to say: amazing.

I leapt headfirst into Colonial Cool when I tried to wear slim-fitting Bermuda shorts even though I am 5’2 and should know better than to have dreams. They looked like old-timey breeches. Paul Revere wished he looked so good in knee-pants.

I haven’t accidentally worn a tricorne cap yet, but I’m sure it’s coming.

This weekend we celebrate Independence Day, and many will deck themselves out in tacky American Flag gear – because you don’t really love your country unless you turn Old Glory into a pair of hotpants or a bandana. It’s also the one time a year when we – well, some of us – look forward to History Channel and PBS documentaries about our nation’s earliest days.

And I say, why not combine those two passions: caring about history for a little while every year, and dressing like an all-American reject? Why not take our fashion advice from the golden age of elaborate men’s fashions? This July Fourth, ask yourself: what would John Hancock wear?

Powdered Wig

Anyone who’s anyone in the 18th century wore a powdered wig. They knew the secret that George Clooney and Roger Sterling brought to modern times: the most beautiful creature in the animal kingdom is a silver fox. Look at Thomas Jefferson’s snow-white locks – so natural and free! Or John Hancock, whose wig isn’t even pretending it’s not a wig:

So how will you recreate it? If you’re like me, you could try having the absolute wrong hair type for dry shampoo. Or you could just go for a white-gray dye and bleach job, which is all the rage on the hallowed halls of tumblr:

Breeches

Centuries before capris burst onto the scene, declaring to all and sundry “I’m on vacation! But I still don’t feel awesome about my legs, really!”, the founders of our great nation knew that the best pants were actually half a pair of pants. Check out Ralph Earl. Nay, check out Ralph Earl’s stocking-clad calves. It’s enough to make you fan yourself with your mob cap.

If you were holed up in a hot Philadelphia meeting hall with your buds in the Continental Congress, you didn’t want 100% of a pair of pants bringing you down. Not to mention, long pants weren’t really a thing yet. No, you wanted to show off your flair and keep cool with these slim, flattering cropped pants, decorated with a little embellishment above the knee.

Samuel Adams models the looser version, appropriate for even the most mutton-fed body types:

So how do you replicate the look today? Capris, bermudas, or for the traditionalist, a slick pair of riding pants:

Waistcoat

Go to your nearest hipster bar, used book shop, or bicycle store. Wait 5 minutes. You will see at least one young man in an undercut, facial hair, and a waistcoat.

I’m going to need you to steal his waistcoat.

You can tell him you’re doing it ironically.

Frock Coat

Is it a frock? Is it a coat? It’s a mother-lovin’ FROCK COAT, is what it is. What, too warm to wear on July 4th? Well they didn’t have air conditioning at Independence Hall. And freedom isn’t free.

Anyway, just because you’re drafting articles of Confederation doesn’t mean you need to neglect your articles of clothing:

See that? Frock coats. Frock coats as far as the eye can see. And lucky you, you can still buy them:

Buckles

So, what holds America together? A common goal, a dream of a better life, a love for liberty? No. Buckles. Buckles do. Buckles on your pants, buckles on your shoes, buckles on your hats, buckles on your buckles. It’s as though the founding fathers KNEW they had to buckle up, because this nation was in for a bumpy ride. One of the top items excavated from colonial sites: buckles. Because then, as now, we are just trying to keep it together.

With buckles.

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